Exclusive: The Burnt Tapes Premiere Video for ‘Things Get Weird’

Be the first to watch the beautiful and mysterious new music video from London’s favourite regret punks, The Burnt Tapes.

The Burnt Tapes Video Premiere Things Get Weird Exclusive

Celebrating a year since the release of their melodic-punk gem, Alterations, London’s The Burnt Tapes have released a beautiful video for the best song on the record: Things Get Weird.

Alterations was Shout Louder’s Best EP Release of 2017 and we’ve been dying to hear more from the band ever since. These self-styled regret punks excel in heart-on-your-sleeve songwriting with oodles of hooks and sad refrains, ideal for fans of Iron Chic, Polar Bear Club or Red City Radio.

The video for Things Get Weird is about battling your demons, whether they be mental or physical manifestations, which aptly captures the song’s themes of loss and inner turmoil. Sing with us now: “I watched us fall apart in my head…”

Alterations is available on 12’’ vinyl, CD or download direct from Lockjaw Records and Umlaut Records.

Here’s what The Burnt Tapes had to say about the video:

“Firstly, we were super lucky to be able to get two very talented people to work with us on this project, Arghie and Serena, who were willing to help us bring to life any weird and wacky ideas we had. Although we filmed this video across multiple days back in November, but it felt right to put it out now to celebrate the one year anniversary of Alterations‘ release.

We spent two days working with the mercurial Matt Carson [JB Conspiracy / Darko’s Hiraeth video]. We had an idea for a very ambitious drowning-in-a-pool scene – we rocked up to a pool in a spa/gym, managed to get past reception with a crew of two actors, two band members and Matt with all his equipment…. We started filming, but just before the girls jumped into the pool the receptionist busted in on us and kicked us out. The pool scene became a bathtub scene.

The Burnt Tapes have just spent 10 days recording their debut full-length at The Ranch. Due to ‘the confidentiality agreement they signed with Sony’ they’re not able to tell us much more than that in the moment, but we know it will be worth the wait.

You can catch the band live at Evil Hoof Fest in Manchester in on July 21st or at Rebellion in August. They are wrapping up the summer with a tour of Scotland, starting on August 24th.

You can pick up a copy of Alterations direct from Lockjaw Records and Umlaut Records here: https://lockjaw-records.lnk.to/Alterations

You can keep track of all Burnt Tapes news on Facebook and Instagram. While you’re here, why not read Shout Louder’s review of Alterations?

Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]

Umlaut Recond second annual showcase weekedender was a blast, with bands like Counterpunch, The Murderburgers and Crazy Arm.

Review by Sarah Williams.

What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.

I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.

Shout Louder Crew At Dugstock 2 Cocktails
Some braincells were damaged in the making of this review.

Friday

Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.

There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.

Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”

Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo

Episode 4 is packed full of punk rock treats for you! We have an interview with Australian party machines The Bennies, a massive Umlaut Records giveaway to celebrate the new Consumed release and tales of SBÄM Fest and El Topo Goes Loco. We also play new tunes from The Human Project, Youth Avoiders, Tragical History Tour and Consumed!

Our highlight was catching up with Anty and Nick from The Bennies in Beligum, and asking them about their worst experience ever! Hold on till the end of the episode for that.

First up, Mark and Sarah discuss their recent gigs, including an account Austrian punk festival SBÄM Fest, including talk of Propagandhi, Satanic Surfers, No Trigger, Astpai, Wonk Unit, Donots and The Murderburgers. Sarah gets emotional, has Iron Chic mansplained to her, gains a boob bruise and discovers the perils of getting drunk with Darko two weeks in a row.

We also cover Belgian sunny ska/skate romp El Topo Goes Loco, including The Bennies, Beat The Red Light, The Affect Heuristic, Thanx 4 All The Shoes, The Burnt Tapes, Slack Birds, Imperial Leisure and Not Available. Mark also chats about TIE Fighter Pilot, Project Revise and Butt Plug Babies, plus we share a love of a Bangers.

Come join us in Sarah’s living room, talking faster than light to get through all this awesome content.

Continue reading “Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo”

Triple Sundae Interview: Hard-Earned Peace of Mind

Mark speaks to Hassan from London’s indie-punk lovelies Triple Sundae about their smashing new EP Peace of Mind.

Interview by Mark Bartlett.

London’s marvellous melodic-punk 4-piece Triple Sundae have just released their new EP Peace of Mind through Umlaut Records. It’s the perfect primer for the summer and the bands most focused, accomplished effort to date. It’s full of amazing songwriting and sugary, addictive melodies across its three great tracks.

I caught up with lead vocalist and guitarist Hassan Afaneh to talk about the band’s future, his inspirations and the state of the UK music scene.

How did Triple Sundae come to be?

Triple Sundae came around at the tail end of 2013 when I had hit up Mike [Smith, guitarist] about wanting to start a band. I was in a really dark place following some pretty shit events within my personal life and it had been two years since I’d played in a punk-oriented band. That outlet was very much needed. A couple of months of finding members and song-writing sessions went by and then boom Tripsun was born in February 2014.

Triple Sundae Album Launch.jpg

Have you all played in bands previously or do any of you moonlight in other projects?

Each of us have played in bands prior to Triple Sundae (and during!).

I’ve played in punk bands, emo bands, hardcore bands, ska bands, acoustic bands, neo-soul bands… it goes on. I was only ever good at playing music, so to preserve my sanity I was jumping on project after project!

As well as TS, I play in On a Hiding to Nothing, Zandro drums for Lead Shot Hazard and Andy had started a project named Postcards. One thing is for certain though – we have all played in ska bands at one point in our lives. Ska lives bro.

How would you describe your sound to someone? Is there a genre within punk you feel especially akin to?

If you like anything on Side One Dummy, Jade Tree Records or Quote Unquote then you’ll probably dig it. Continue reading “Triple Sundae Interview: Hard-Earned Peace of Mind”

EAT DIRT: Shaking Up The Scene [Interview]

EAT DIRT are the latest London riot, taking no prisoners as they sweep through the city. Sarah spoke to vocalist Ben Mills to their future and their unique style.

Interview by Sarah Williams.

Meet EAT DIRT. As their all-caps moniker suggests, they’re going to shout until you take notice, so jump on this bandwagon as early as you can. This unusual quintet are the latest storm to shake the music venues of London.

In the flesh they’re a raucous bunch, unable to stay on stage and choosing instead to get up close and personal with their audiences. They’ve taken a dose of their riotous live performance and injected it into their new EP Welcome to Shithouse-On-Sea, which was released on Umlaut Records on April 27th. It’s four punk rock tracks that are short but nonetheless memorable, like getting punched in the face by a beautiful woman in a dream. Musically, I hear it as sleazy rock ‘n’ roll with a hint of 80’s metal, but their ballsy attitude is 100% punk.

There is a lot more to these guys than just the music. They have their own scrappy, hilarious podcast and their own YouTube channel. We’ve been watching them tear the scene to pieces for months, so we took the chance to speak to vocalist Ben Mills to learn more.

How did Eat Dirt come about? You’ve all been in multiple bands previously – tell us a bit about your earlier musical endeavours as well.

Myself and Richie have known each other since Hevy Fest 2012, we met before I went on stage with my then band The Smoking Hearts. Also Dai our guitarist played the day before in his band at the time Adelaide, I’d met Dai in Luton in like 2010 when we played with each other. Richie and myself started a side project called Dead Beat, with a few friends, one of which is our new bass player Joey Black (Shortcuts, Angst, BodyHeat). Any way I was taking a break from music from 2014 – 2017 after touring relentlessly across the world from 2010 – 2014. One day I heard the PearsGreen Star album, and I asked Richie if we wanted to start a band in that vein. Then we wrote EP 1 over email, drafted in some old friends from bands and started playing shows.

Ballad has the most perfect 7 seconds of any song ever in the chorus. Have you considered a second careers as 80 power-ballad masters?

What bit do you mean? The bit where me and Richie harmonise beautifully without any help from computer programming? Yeah, that was the second chorus for Ballad and it’s my favourite chorus I’ve ever written ever. Would love to incorporate those pop punky sing along bits in the next record.

You guys take a much more confident approach to a lot of the bands in the current DIY scene. Who do you take the most influence from?

I’ve learnt from years touring the toilet venues around the country and the world that you have to make an impression. It’s important to be remembered and to leave your mark. But I take a lot of influence from the likes of Davey Havoc, Fat Mike, Greg Puciato, and I spent a lot of time as a teenager in the UKHC scene so that up-close-and-personal, high energy performance attitude. I like to leave it all out there, if I don’t finish the set covered in sweat and gasping for breath I haven’t given it my all. Continue reading “EAT DIRT: Shaking Up The Scene [Interview]”

EP Review: Triple Sundae – Peace of Mind

London’s Triple Sundae have release a heartwarming gem of a melodic punk EP. FFO: The Menzingers, The Flatliners, Jeff Rosenstock.

Review by Sarah Williams.

I’m lucky enough to have had Triple Sundae‘s new EP for a couple of months now, and it has grown on me with every single listen. The first time I heard Peace of Mind I fell in love with two of the three tracks on it, but a few weeks in I’m completely enamoured with the whole record. Like a relationship that you fall into by accident that turns our just perfect – I’m about ready to marry this EP and grow old together, doing crosswords on a porch with it.

Before you get ready for a big tirade about how much I adore these lovely London lads, I feel I ought to mention that I never used to like their band. I saw them at The Underworld and at (I think) The Unicorn before that and had a distinctly ‘meh’ response. They’ve clearly spent time polishing their songwriting, properly honing their recording at The Ranch and pouring their hearts and souls into this record. Now, I’m begging them to record a full length and dancing about like a lunatic at their live shows (evidence here).

I was thoroughly impressed by every aspect of this recording. The songwriting, the production quality, the delightful melodies and the lyrical themes of anxiety and self-doubt. Indecisive sums up all of this perfectly. The vocals drifts appealingly from warm singing to rougher emotive sections, clearly conveying the lyrics and giving you time to absorb the meanings. Underlining this are some gorgeous cascading guitar tones and enough speed and variety to keep you interested.

There are a great deal of similarities with The Menzingers, partly in the catchy indie-punk style of composition, but mainly (and unusually) in the vocal. Greg Barnett has such an unusual tone that it’s odd to hear it repeated, but there are definitely similarities here, particularly on the ‘so I can’t help you’ lyric at the end of Soul Control. It’s also reminiscent of some of my favourite smaller bands like Forever Unclean, Hard Girls and Shit Present.

Fabricated’s opening riff is by far the most attractive thing to invade my ears in months; it’s a sweet little treat that’s instantly appealing. Saved until the end of this small-but-perfectly-formed EP, Triple Sundae have definitely saved the best till last. The introductory riff will stop you in your tracks. It hooks onto your soul before giving Hassan’s voice room to shine. The slower song pace give the tune room to breathe, giving the listener time to absorb the introspective, self-effacing lyrics. This song is an understated masterpiece, a tune that grips you from first listen, that you know you’ll have the same reaction to in a decade’s time.

This EP also demonstrates an impressive growth from the band. These three tracks have been produced as a beautiful, polished piece that that emulates mainstream quality. Off the back of this beautiful 3-track I honestly think Triple Sundae are ready to explode into something gigantic.

You can buy Peace of Mind from Umlaut Records or from Triple Sundae’s Bandcamp.

Review by Sarah Williams.

MPF Band Spotlight: Captain Trips [Interview]

Manchester Punk Festival Band Spotlight: Captain Trips will be bringing some fast, heavy skate-punk straight from the South Coast. Stoked.

It’s all gone a bit MPF mad here at Shout Louder HQ. There are so many great bands that we don’t know where to begin! To help you make the most of the festival, we have spoken to a handful of the bands we’re most excited to see. Even if you’re not coming to MPF, there’s plenty to learn and enjoy.

We will be posting every day in the lead up to Manchester Punk Festival. Check out the full series here.

Band Spotlight: Captain Trips

Keen Shout Louder readers will know that we’re massive fans of Fareham’s Captain Trips. They toe the line of seriously exciting skate-punk, they organise Punkle Fester and in their upcoming new EP they’re delving into an Iron Maiden-like melting pot of heavier, harder rock. If you like your hardcore melodic and if you like your covers to be 80’s power ballads then you will enjoy this band.

I was so excited to see them pop on the Manchester Punk Festival lineup that I had to speak to singer/guitarist Rich Mayor to learn more (and to wind up Manchester locals Fair Dos).

Why should people come check out your set at Manchester Punk Festival?

Well hello, Shout Louder, I trust you’re keeping well. That’s a great question, and if it’s ok with you I’d like to take a moment to speak directly with the people… Hi people, my name’s Rich Mayor from Captain Trips. We’re playing on the Thursday at Manchester Punk Festival. Please come and see us because we would really like it if you did.

Which bands are you most excited to see at the festival, and why?

The line-up is pretty incredibly stacked this year, but before I find out they all clash with each other I hope to see Propagandhi, because I called them headlining when chatting with Danny from Fair Do’s before the line-up was announced. He lied to my face and said they weren’t playing. And you think you know someone…

Anyway, Eat Defeat for the fun times, Wonk Unit because they are also much fun, Waterweed because that’ll be new fun, Darko for old fun, and Fair Do’s because it’s the only way I get to hear their new tunes. I thought we were pretty good at taking ages to get stuff recorded and out there but these guys are just… Incredible. Next level shit.

EDIT: I answered these questions prior to the running times were announced. However, I have minimal clashes the whole weekend, there must have been a large Tree-like guardian angel looking out for me. Also, we’re playing with Waterweed in Pompey the day before MPF. I stand by my comments about the Do’s.

Your influences seem to fall somewhere between Propagandhi and John Farnham. Are there a lot of different tastes in the band?

Yeah for sure. Lee and Phil like a lot of the more rocky side of punk, Andi was a massive metalhead before he saw the punk rock light and I solely listen to power ballads. We package all these styles up and pop them through the fast skate-punk wringer and deliver it to your door. Maybe we should have called ourselves John Gandhi. Or Propagarnham. Definitely Propagarnham. Continue reading “MPF Band Spotlight: Captain Trips [Interview]”