Memories & Highlights from Do It Together Fest 2020

Sarah’s personal highlights from the Do It Together Fest weekend, including bananas, oranges, pastry and some punk rock somewhere along the lines.

Written by Sarah Williams.

Thank you to everyone who attended Do It Together Fest. In collaboration with Paul Smith (Be Sharp Promotions) and Colin Clark (Colin’s Punk Rock World), we’d hoped to put together an event that celebrated the punk rock community, and what we achieved exceeded my expectations completed.

Firstly I’d like to announce that we raised a grand total of £880.72 for Mind! Thank you to everyone who donated, played our punk rock tombola or scoffed OGGS kindly donated cakes. Thanks also to every single person who attended, all the bands who played and everyone who lent a hand: you could truly feel the power of our community over the weekend, and every single person was a part of that. Continue reading “Memories & Highlights from Do It Together Fest 2020”

Do It Together Fest Preview

Introducing the bands playing Do It Together Fest this weekend, including music videos, fun facts and recommended reading.

Do It Together Fest is a celebration of the DIY punk rock community, which we’re hosting alongside our friends Be Sharp Promotions and Colin’s Punk Rock World on 24-25th January 2020.

Sat in a beer garden last summer, I stumbled on the idea of putting on a London weekender (an evolution of Shout Louder Fest in 2019)… a flurry of WhatsApp messages and not a lot of thought later, we’d planned the whole thing.

Paul, Colin and I all have our birthdays over the same two weekends so, rather than competing, we’ve clubbed together to create this shindig. We’ve invited our mutual favourite bands to play, and we’re giving a platform to other promoters by offering stalls to labels and zines. I’m even making PAPERCUTS (our community themed book) to tie in with the event.

Do It Together Fest takes place on 24-25 January at New Cross Inn, London. Grab a ticket and a zine.

Our aim was to create a diverse line-up, hoping to help you to discover some bands you may not have experienced yet. Here’s a run down of all the awesome artists we’ve got playing. Continue reading “Do It Together Fest Preview”

News: Day Splits Announced For Do It Together Fest

Day tickets are now available for our London music fest, with Lightyear and The JB Conspiracy headlining.

We’ve just announced the day splits for Do It Together Fest 2020, the party we’re hosting at New Cross Inn alongside Be Sharp Promotions and Colin’s Punk Rock World.

The event’s taking place on 24-25 January 2020 and is a celebration of the punk rock community, with a record and zine fair. We’re even got some live music after parties yet to announce!

Grab your day tickets: http://newcrossinn.com/tickets/events/do-it-together-fest

On Friday legendary brass wizards The JB Conspiracy will be headlining! Before them, heartfelt, humorous pop-punk from Eat Defeat, bouncy ska-punk party machines Just Say Nay and over-driven hard rock from Midwich Cuckoos. Continue reading “News: Day Splits Announced For Do It Together Fest”

Top 10 Punk Rock Records of 2019

Make sure you haven’t missed out on any of 2019’s top punk rock albums.

Written by Sarah Williams.

Another year, another deluge of arbitrary Top 10 selections. We punk rockers love a list, and it’s fun to take a nostalgic look back at the past 12 months.

I’ve mapped out a lot of 2019 in records that are a far cry from the punk rock genre, although ethically they’re still subversive and alternative. My true Top 10 of 2019 would include albums by P Money, Lizzo, Loyle Carner and Kevin Abstract. You can read it over at the Lockjaw Records website.

Nonetheless, there have been some great punk rock releases this year. Here are my Top 10 Punk Rock Records of 2019.  Yes, it starts with #9… the reason will become clear at the end. Continue reading “Top 10 Punk Rock Records of 2019”

Top 5 Punk Rock EPs of 2018

Sarah’s Top 5 picks of this year’s shorter punk rock releases.

Written by Sarah Williams.

There’s a true beauty in a short, snappy EP. Whether is a new band looking for a cost-effective way to showcase their talents and learn how to record, or a more established act wanting to immortalise some of their current material, EPs are often better than full albums.

To me a full album is an experience. The longer playing time allows the music to breathe and have highs and lows. Conversely, the short, sweet EP is typically a relevant blast of the band’s most recent material: a audio snapshot of this moment in their career, with no room for filler, fuss or faff.

Speaking to Lasse from Forever Unclean recently, I asked him whether they were considering doing an album. “We prefer doing EPs,” he said, if I remember correctly (I was drunk, so let’s paraphrase). “That way we can put out music that we currently enjoy playing, without having to wait for a full album’s worth of material.”

The albums released in 2018 were probably written and recorded long before. With that in mind, the shorter, more manageable EPs offer a more current insight into the musical landscape. That’s why, to me, some of this year’s most memorable releases are the short ones.

#5: Layman’s Terms – An Invite To The End

Bristol shredders Layman’s Terms produced an absolutely superb 6-track effort early in 2018.  An Invite To The End opens with some heavy guitar-work that quickly develops into urgent, frantic fast-punk. Like Fair Do’s, they’ve taken a lot of elements of double-time classic skate-punk and blended some of the heavier elements of metal. It works. Really well.

The whole EP keeps you on the edge of your seat with some adrenaline-loaded riffs and momentary heavy breakdowns. It’s unrelenting, ferocious and suggests there will be some great things from the band in future. I cannot wait to shout along to this live.

If you want to hear melodic hardcore done right, listen to Cut The Line and Letters To The Dead. Layman’s Terms have nailed this. Continue reading “Top 5 Punk Rock EPs of 2018”

Podcast: Tom May from The Menzingers

Enjoy this in-depth chat with the frontman of Pennsylvania’s melodic punk legends The Menzingers.

Cover photo by The Shutter Happy Jose

While indie-punk heroes The Menzingers were touring Europe this summer, Sarah was lucky enough to catch singer and guitarist Tom May for a fantastic chat about creativity, musical growth and stealing Madonna’s tour bus (among other things).

We recorded this conversation at Brakrock Ecofest in Belgium earlier this year. Tom’s an inspiring, interesting individual and a great podcast guest; we’re sure that you’ll enjoy listening to this as much as we enjoyed recording it.

We managed to cover a lot of ground over just under an hour, plus we play new tunes from The Menzingers, Spanish Love Songs and Triple Sundae. We discussed the journey that brought The Menzingers from Alpha Kappa days up to their current After The Party incarnation, and how their current sound has developed. We covered some van-based hijinks and on-stage food poisoning. We even talked about some of Tom’s personal high points with the band, and some of his interests outside of music.

You can listen here or on Soundcloud directly. You can also subscribe to the Shout Louder Podcast on all good podcatchers, including Apple Podcasts, Google Podcasts, TuneIn, Stitcher and heaps more…

We played the following tunes:

  • The Menzingers – Toy Soldier
  • Spanish Love Songs – Joana, In Five Acts
  • Triple Sundae – Indecisive

Gig Review: Consumed @ Aatma, Manchester [13/07/2018]

Consumed rip through their Northern album launch show, with support from Don Blake, Triple Sundae and Hoof.

Article by Sarah Williams. Photos by Cold Front Photography.

We’ve been waiting for 16 years, but it’s finally here. Nineties UK skate-punk legends Consumed have chosen today to drop their EP Decade of No into our laps, after a long hiatus. Every chord, every note and every lyric is just as vibrant, exciting and relevant as their earlier releases and I’m supremely excited to celebrate the launch with them tonight.

The troopers at Anarchistic Undertones have organised tonight’s album release party at Aatma in Manchester, with a varied line up of supports in the form of Don Blake, Triple Sundae and Hoof. What better way to finish of your working week?

HOOF Live cred Josh Sumner Shout Louder 13072018 (2).jpg
I’m gonna get straight out there are say it: I bloody love Hoof. They don’t seem to have the big furore around them that you occasionally get with DIY bands, but there’s an understated charm to them and what they play is just very, very good. They fall into the camp of 90’s EpiFat-era skate-punk (and I’d hazard a guess Consumed are a big influence on them), producing a sound that’s comfortingly familiar and exceptionally well executed.

In the interest of building anticipation, they break a string approximately five notes into the set, leading to a lengthy re-stringing break before the show’s even started. Fortunately these guys are the masters of off-hand stage banter, and at least it didn’t halt the set halfway through.

HOOF Live cred Josh Sumner Shout Louder 13072018 (7).jpg

Back up and running again they rip through Epitaph and Petty Thieves, the title track from their relatively recent EP. It’s fast, hard punk rock with a strong grasp of melody and a tight technical edge, particularly on the snappy drum fills and odd twiddly riffs. They’re firmly in the class of bands incapable of playing less than breakneck speed, ideal for kicking off a show. Continue reading “Gig Review: Consumed @ Aatma, Manchester [13/07/2018]”

Triple Sundae Interview: Hard-Earned Peace of Mind

Mark speaks to Hassan from London’s indie-punk lovelies Triple Sundae about their smashing new EP Peace of Mind.

Interview by Mark Bartlett.

London’s marvellous melodic-punk 4-piece Triple Sundae have just released their new EP Peace of Mind through Umlaut Records. It’s the perfect primer for the summer and the bands most focused, accomplished effort to date. It’s full of amazing songwriting and sugary, addictive melodies across its three great tracks.

I caught up with lead vocalist and guitarist Hassan Afaneh to talk about the band’s future, his inspirations and the state of the UK music scene.

How did Triple Sundae come to be?

Triple Sundae came around at the tail end of 2013 when I had hit up Mike [Smith, guitarist] about wanting to start a band. I was in a really dark place following some pretty shit events within my personal life and it had been two years since I’d played in a punk-oriented band. That outlet was very much needed. A couple of months of finding members and song-writing sessions went by and then boom Tripsun was born in February 2014.

Triple Sundae Album Launch.jpg

Have you all played in bands previously or do any of you moonlight in other projects?

Each of us have played in bands prior to Triple Sundae (and during!).

I’ve played in punk bands, emo bands, hardcore bands, ska bands, acoustic bands, neo-soul bands… it goes on. I was only ever good at playing music, so to preserve my sanity I was jumping on project after project!

As well as TS, I play in On a Hiding to Nothing, Zandro drums for Lead Shot Hazard and Andy had started a project named Postcards. One thing is for certain though – we have all played in ska bands at one point in our lives. Ska lives bro.

How would you describe your sound to someone? Is there a genre within punk you feel especially akin to?

If you like anything on Side One Dummy, Jade Tree Records or Quote Unquote then you’ll probably dig it. Continue reading “Triple Sundae Interview: Hard-Earned Peace of Mind”

Podcast #5: Jamie from Aerial Salad Chatting Utter Shite

Jamie Munro joins us a guest for this no-holds-barred episode, bonding over a love of drinking, punk rock and conversational tangents.

On Episode #5 Mark and Sarah are joined by the Aerial Salad’s loquacious frontman Jamie Munro. If you’re not already familiar with Manchester’s freshest pop-punks then this is a great chance to get to know them better.

Join us in Sarah’s living room as we bond over a love of conversational tangents and talk utter shite about the UK punk rock world. Share in the laughter as Mark ‘Hunkasaurus’ Bell makes a failed attempt to rein Jamie and Sarah in!

We cover myriad topics, including Jamie’s wholesome adventures in Disneyland, alt-girl-specific paedophilia, drug-induced escapades, an ex-girlfriend crying during Jamie’s set and a prediction for Jamie’s miserable future. We also share our love for Triple Sundae, Fastfade, Burnt Tapes, Incisions, Clayface, Pizzzatramp, Astpai, Sham City Roasters and many more.

We’ve even got an exclusive unreleased Aerial Salad track and an announcement for their upcoming European tour with The Raging Nathans. We also celebrate the line-up announcement for Polite Riot festival, including the addition of Apologies, I Have None to an incredible line-up that already features Teenage Bottlerocket and A Wilhelm Scream.

If that’s not enough for you, we’ve even got music from EAT DIRT, Two Houses and The Affect Heuristic.

Continue reading “Podcast #5: Jamie from Aerial Salad Chatting Utter Shite”

EP Review: Triple Sundae – Peace of Mind

London’s Triple Sundae have release a heartwarming gem of a melodic punk EP. FFO: The Menzingers, The Flatliners, Jeff Rosenstock.

Review by Sarah Williams.

I’m lucky enough to have had Triple Sundae‘s new EP for a couple of months now, and it has grown on me with every single listen. The first time I heard Peace of Mind I fell in love with two of the three tracks on it, but a few weeks in I’m completely enamoured with the whole record. Like a relationship that you fall into by accident that turns our just perfect – I’m about ready to marry this EP and grow old together, doing crosswords on a porch with it.

Before you get ready for a big tirade about how much I adore these lovely London lads, I feel I ought to mention that I never used to like their band. I saw them at The Underworld and at (I think) The Unicorn before that and had a distinctly ‘meh’ response. They’ve clearly spent time polishing their songwriting, properly honing their recording at The Ranch and pouring their hearts and souls into this record. Now, I’m begging them to record a full length and dancing about like a lunatic at their live shows (evidence here).

I was thoroughly impressed by every aspect of this recording. The songwriting, the production quality, the delightful melodies and the lyrical themes of anxiety and self-doubt. Indecisive sums up all of this perfectly. The vocals drifts appealingly from warm singing to rougher emotive sections, clearly conveying the lyrics and giving you time to absorb the meanings. Underlining this are some gorgeous cascading guitar tones and enough speed and variety to keep you interested.

There are a great deal of similarities with The Menzingers, partly in the catchy indie-punk style of composition, but mainly (and unusually) in the vocal. Greg Barnett has such an unusual tone that it’s odd to hear it repeated, but there are definitely similarities here, particularly on the ‘so I can’t help you’ lyric at the end of Soul Control. It’s also reminiscent of some of my favourite smaller bands like Forever Unclean, Hard Girls and Shit Present.

Fabricated’s opening riff is by far the most attractive thing to invade my ears in months; it’s a sweet little treat that’s instantly appealing. Saved until the end of this small-but-perfectly-formed EP, Triple Sundae have definitely saved the best till last. The introductory riff will stop you in your tracks. It hooks onto your soul before giving Hassan’s voice room to shine. The slower song pace give the tune room to breathe, giving the listener time to absorb the introspective, self-effacing lyrics. This song is an understated masterpiece, a tune that grips you from first listen, that you know you’ll have the same reaction to in a decade’s time.

This EP also demonstrates an impressive growth from the band. These three tracks have been produced as a beautiful, polished piece that that emulates mainstream quality. Off the back of this beautiful 3-track I honestly think Triple Sundae are ready to explode into something gigantic.

You can buy Peace of Mind from Umlaut Records or from Triple Sundae’s Bandcamp.

Review by Sarah Williams.