Canadian melodic punks Pkewx3 give us a unique track-by-track breakdown of their new album… by picking which beer pairs best with each song.
Canadian melodic punks Pkew Pkew Pkew have created one of the most fun records of the year with Optimal Lifestyles. Rather than the traditional track-by-track breakdown of the album, but asked them to give us a unique insight into the record: by telling us which beer they’d pair each track with.
Want to drink along? Load up the album on Spotify – it’s was released on March 1st via Big Scary Monsters an Dine Alone Records. Enjoy this choice shopping list of Canadian ales to pair with the record!
1. Still Hangin’ Out After All These Years
This best pairs with any of the ones listed at the end of the track—take your pick!
2. I Don’t Matter At All
This is a pretty tasty track if you ask us. It’s kind of reminiscent of The Strokes so we’ll go with Brooklyn Lager for this one. Brooklyn Brewery is one of the only NYC breweries that we get up in Canada.
Continue reading “Tasting Notes: Pkew Pkew Pkew Drink Their Way Through ‘Optimal Lifestyles’”
Rich Mayor, frontman of Portsmouth skate-punks Captain Trips, gives a detailed insight into the their EP ‘Stand By’.
Captain Trips released their new EP Stand By via Umlaut Records on October 5 2018. We’re in love with it and we think you will be too, so we asked singer and guitarist Rich Mayor to give us a detailed breakdown of the inspiration for each song.
We started writing some of these songs months and years ago, a process not so unusual in Captain Trips. All of our songs come from jamming together, so it can take a while for us to come up with them sometimes. That’s not supposed to sound like an arduous process; it’s a very enjoyable experience and how we’ve come up with our, ahem, ‘sound’.
I remember our writing process for one of the tracks on the first EP. We decided it needed to go off into a different direction (I think it even went kind of ska at one point), but after about four weeks of adding sections, we chopped it all and kept the song as it was before all those tangents.
Anyway, we gone done a new record, called Stand By. It has songs on it to listen to with your ears. Here’s what they’re about.
Bottom Of The River
Right, Bottom of the River. The Stephen King keenos among you will know that Captain Trips is the name of the man-made virus in his book The Stand, and the Stephen King appreciation club keeps on rolling here. Bottom of the River is about his rite of passage novel/movie Stand By Me. It harks back to simpler times, something we reminisce about often, since we’re all in that weird generation of going from ‘completely f*ck all internet’ to ‘everything the world has ever known in your pocket’. You know, back when you couldn’t scam your way through the pub quiz for that sweet, sweet bottle of blue Aftershock.
The name of the movie is also quite blatantly the title of the new EP, save for a couple of letters. More about that later.
Continue reading “Track-by-Track: Captain Trips – Stand By”
Antifolk singer-songwriter, Tim Loud, gives us a track-by-track insight into his latest album, ‘Salvation’.
Folk-punk antihero, Tim Loud, is due to release his third studio album Salvation via TNS Records on 28th September 2018. Salvation follows new musical and lyrical themes; a musical chronical of Tim’s personal quest for redemption. Shout Louder asked Tim to give us the background.
I was due to start pre-production on Salvation in December of last year, after a pretty shitty few months. Three years of heavy touring and trying to cram in some semblance of a personal life in the 5-10 day stints when I was back ‘home’ had taken its toll. I tried to go sans abode, thinking that if that financial pressure was gone then it might be better… but the uncertainty that added only made things worse.
My head popped at the end of a tour in August last year. I had to work out a more healthy way to carry on making music, if it was even worth me carrying it on at all?
I’d been drinking a lot over the years and had grown accustomed to taking a good ol’ cocktail of drugs to balance me out on the daily, so I decided to knock those things on the head. I still had a sparsely populated tour for September and October to complete, so I decided I would make those my last dates before taking a break. I wouldn’t stress too much about filling the last dates and maybe even take some days off to camp out in the Western European woodlands. I was doing this tour on my own; I often travel with another performer but due to my state, I knew I had to go this part alone.
I managed to stay off of everything for one month and then gradually began falling back into old habits, although with less gusto this time. I felt the time to clear my head had been useful. One of the last dates I played was at the ADM festival in Amsterdam; I have played there maybe a dozen times over the past 4/5 years and I have a lot of good friends there. They were all busy running the festival and tour fatigue had put pay to what remaining social skills I had left after the head-popping incident. I spent most of the festival wandering round on my own. It was nice, but it’s a strange experience when everyone else is so involved with each other and you’re just an individual.
So anyway, I wound up taking some acid and in the dawn-light in the back of my van. As electricity danced through every structure and a thin layer of ice shimmered atop everything in my line of vision, I had an epiphany of sorts. Two phrases kept repeating themselves in my head, “Find a home,” and, “I am me, and that’s OK,” for about 6 hours.
I put that together with everything else I’d been thinking for the previous years. It was time to take a break from touring. Continue reading “Death or Salvation: A Year In The Life Of Tim Loud”