When I was at university many years ago, at the end of each academic year we had a Summer Ball. This involved us all dressing up smart and having a massive party. Beforehand we would pretend to be civilised and all go for a nice meal together… the calm before the storm, as it were.
One time, whilst walking back to college from the meal, my mate strolled away from the group towards the edge of the pavement. He then proceeded, without missing a step, to vomit into the gutter. He then, still without missing a step, and without getting any on himself, pulled a hanky from his pocket, dabbed his mouth and re-joined the group to continue the conversation where he had left off moments before. This is, and will always remain, the finest example of casual nausea I have ever witnessed.
Ipswich’s Casual Nausea, allegedly named after co-vocalist Zoe Barrow’s pre-gig nerves, are certainly now up there with the above story in my top 10 list of casual nauseae… and I never realised I had such a top 10 list!
This Casual Nausea play punk rock and keep it old school, which is exactly how I like it.
Apart from the updated production values, Casual Nausea wouldn’t have been entirely out of place on the Crass Records roster 35 years ago, as they blast out fast, edgy, politicised punk rock complete with male and female lead vocals and a shit ton of snotty melody. It brings to mind Crass, The Subhumans, The Casualties, Minor Threat, The Distillers, etc. Pop punk this ain’t! Continue reading “Album Review: Casual Nausea – Demons”
Famed UK punks debut the film of their last ever live show, featuring footage of their huge line-up of TNSrecords favourites: Faintest Idea, Pizzatramp, Nosebleed, Wonk Unit, Matilda’s Scoundrels, Casual Nausea, Rising Strike, Bobby Funk, The Domestics, Sounds of Swami… and a lot of shenanigans.
Shout Louder are proud to premiere The End of Everything: a film documenting the final live show of legendary Manchester fast-punks, Revenge Of The Psychotronic Man.
The farewell show took place at Rebellion, Manchester, on 8 December 2018, and marked the end of a long career of stupidly fast DIY punk rock.
The gig sold out four months in advance, and featured 14 bands: one for each year the band had existed. The line-up was announced shortly before the show, and the running order wasn’t revealed until minutes before each set, setting the scene for a day of chaos.
This film was made by Mark Richards and it features most of the bands who played, including Nosebleed, Pizzatramp, Wonk Unit, Matilda’s Scoundrels, Casual Nausea, The Domestics, Rising Strike, Bobby Funk, Sounds of Swami and more. It also includes extensive highlights of Revenge’s final emotional set, plus the once-in-a-lifetime Revenge ‘All Stars’ band, featuring a carousel of ex-members and associated musicians.
The sound was recorded by Julian Wallinger, with additional mixing by Simon Short.
Pizzatramp are from Wales so let’s start with some facts about Wales.
Wales is the largest county in England. It is only accessible by a bridge and they make you pay to enter Wales, presumably to discourage you from bothering. Wales is owned by Prince Charles, but he doesn’t live there. The Welsh have their own language but you need an overactive saliva gland to speak it, but that’s OK because 99% of Welsh people don’t understand it.
Wales is full of castles because they’re extremely unpopular and got attacked a lot… they even attacked themselves, because they don’t like each other either! Wales is full of mountains, because even the landscape dislikes the Welsh and has tried to make itself as uninhabitable as possible. Wales has a seaside resort called Barry, like the boring Brummie character from Auf Wiedersehen Pet. Wales has nothing at all to do with the mighty and majestic sea creatures that its name sounds like. Catherine Zeta Jones is Welsh – and hot – but she’d rather shag an American pensioner than Welsh blokes.
However, there is now something exiting to come out of Wales, other than the M4. A musical behemoth that does go some way towards righting the wrongs done by The Manic Street Preachers: and that is Pizzatramp.
Manchester Punk Festival has grown significantly since its beginning five years ago. As one of the biggest punk festivals the UK has to offer, it remains fervently independent, affordable and free from corporate sponsorship.
Now that MPF is booking massive international headliners, increasing its capacity with new venues and still selling out of tickets (in 2018, there’s a handful left for 2019); it’s easy to forget the DIY roots of the festival… but the organisers definitely haven’t.
The festival is coordinated by a collective composed of three distinct Manchester promoters: TNSrecords, Anarchistic Undertones and Moving North. Outside of MPF, AU and Moving North are still putting on small DIY shows at least once a month, while TNSrecords are working hard championing and releasing records from up-and-coming punk rock bands. All three groups work to promote independent music, tirelessly and with no expectation of financial gain, and they apply the same mentality to Manchester Punk Festival.
Origins of Manchester Punk Festival
Things all kicked off in 2013 with TNSrecords’ 10 Year Anniversary all-dayer; the biggest event they’d run by themselves. They’d had a stage at Strummercamp for a number of years, which contributed to their desire to run a bigger festival. In the year before, they’d seen a gap for a collaboration in the Manchester scene, which led to them calling a meeting of like-minded promoters.