Gig Review: Behind-The-Scenes at Manchester Punk Festival 2019

A review of MPF from Sarah, who volunteers at the event. Friends, frantic dashes between venues and some top-class hardcore, including Not On Tour, Adrenalized, Svalbard, Consumed, Fair Do’s and Snuff.

Although there will be reviews aplenty, at Shout Louder we want to offer two unique perspectives on the fifth year of Manchester Punk Festival. Mark Bartlett’s given us is highlights as an MPF virgin, where as Sarah Williams is an MPF veteran who volunteers at the festival. In this edition, Sarah gives us a unique perspective from behind the scenes.

Excitement for Manchester Punk Festival begins long before the doors open to the public. Unfortunately, excitement can easily be mistaken for stress.

Weeks before the main event, I’m inundated with messages asking about guest list, accommodation, press accreditation and band recommendations. I’m only a volunteer, I’m not even one of the organisers – I can’t begin to imagine the sheer insanity of their inboxes. How they manage to keep it together in the days leading up to the festival, I will never know.

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Thursday

The hard graft starts in earnest on Thursday – the eve of the festival. I drive to Moston to join a five car convoy; our best method of transporting all the festival merchandise in the absence of ROPTM’s van. I’m blasting out Ocean Wisdom round the M60 like some boy racer on the way, which is harshly interrupted by a phonecall about a bounced band payment and a confusing artist hotel booking. We get it sorted in seconds, like pros.

Delivering the merchandise is the first time I’ve seen MPF’s brand new venue: The Union. It’s a huge, modern student building fittingly decorated in Manchester’s signature yellow-and-black. I’m shocked to see the size of the main hall. As we climb ladders to hang banners, it starts to look like a ‘real’ festival venue. It’s fucking huge. Continue reading “Gig Review: Behind-The-Scenes at Manchester Punk Festival 2019”

Album Review: Hardkore Dokument UK #1 7”

This split from Pizzatramp, Grand Collapse, The Domestics, Guilt Police, Wolfbeast Destroyer and Rash Decisions proves that the UK hardcore scene is still very much alive, well and kicking the shit out of music with its size 12 boots.

Review by Ollie Stygall.

Growing up as a kid in the ’80s was a great thing. It was very much the golden era of hardcore and saw the D.I.Y. ethic, that had grown up around punk in the late ’70s, expand into interesting areas, particularly the rise of the split release.

Split releases allowed bands and labels to co-operate on co-releases that spread costs while also introducing bands to each other’s fan bases. Some of these split releases have become legendary artefacts of the scene at the time: the Chaos UK/Extreme Noise Terror Earslaughter release still remains, for many, the best document for each band. Split releases, such as the Heresy/Concrete Sox release, paved the way for Earache Records and, perhaps a harder to find and more esoteric release was the 4-way Japanese hardcore beast that combined Outo, Gauze, Lipcream and Systematic Death.

Continue reading “Album Review: Hardkore Dokument UK #1 7””

7 Punk Rock Bands To Stalk In 2019

Our recommendations for ones-to-watch this year – these bands are set to explode.

Written by Sarah Williams. Cover photo by Cold Front Photography.

Now that we’ve completed our round-up of 2018 (check out our top albums, EPs, festivals and live bands) it’s time to look ahead of the future.

The DIY punk scene is thriving in Europe currently; it’s feels like we’re on riding the crest of a wave that’s growing into a tsunami. Online connections are enabling us to share recommendations and enthusiasm across continents, so word is spread quickly about exciting new acts.

It’s easy to find new music nowadays, however I’ve believe there are two methods that stand out above the others: watching support acts at gigs and listening to recommendations from your friends. In 2019, I implore you to get out and see as many new bands as possible. To get you started, here are Shout Louder’s top recommendations:

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Wolfrik

Canadian thrashers Wolfrik are unlike any other band I’ve heard… although it’s safe to say they’re fans of Alexisonfire, A Wilhelm Scream, Protest The Hero and Belvedere. I’ve been keen to get their EP Skeleton City into the ears of anyone I can find and, so far, everyone’s been bowled over by their awesome sound.

Fortunately Skeleton City also found its way to the ears of the Manchester Punk Festival promoters, who pretty much instantly added them to the bill. If Wolfrik are as good live as they are on record then they’re going to tear the faces off the whole UK punk scene when they arrive in England in April. Erring on the metal / rock end of the punk scale, they combine a variety of genres, but it’s all fast, raucous fun with a healthy dose of experimentation. Continue reading “7 Punk Rock Bands To Stalk In 2019”

Exclusive: Incisions Stream New Self-Titled Album

Be the first to hear the raucous new album from Incisions.

Who do you think is going to explode in 2019? Our money’s on Incisions.

It’s refreshing to see a newer hardcore punk band with so much energy and anger. They’ve outgrown their Manchester hometown and they’re primed to kickstart a revolution around the country. That’s why we’re so excited to be the first to share their new album Incisions with you, ahead of its release on TNS Records on December 7th.

There’s still time to grab the album on brilliant white/black splatter vinyl or on CD, direct from TNS Records.

In the meantime, listen up, listen loud and don’t forget to tell your friends.

Check out the Follow video here: https://youtu.be/bTMGLpjBk_M

Follow Incisons on Spotify: http://bit.ly/IncisionsFollow

Check out TNS Records’ Incisions playlist: http://bit.ly/incisionsTNS

Pre-order the album on vinyl and CD: http://bit.ly/IncisionsAlbum

Podcast: Revenge Of The Psychotronic Man Farewell Special

We say goodbye to Manchester DIY punk legends Revenge, in this hilarious, boozy session.

A couple of weeks ago, Sarah met up with Andy Davies, Chris ‘Big Hands’ Hinsley and Matt Woods from Manchester’s Revenge Of The Psychotronic Man down the pub. We got pissed and we talked shit… and we recorded the whole thing.

Revenge have been a band for nearly 15 years, however they’ve chosen to call it a day in 2018. We took this final opportunity to celebrate their history as a band, and to say goodbye to an act that have been overwhelmingly influential in the UK punk scene – a shining example of what can be achieved through a truly DIY approach.

You can expect talk of human pyramids, tigers, Mr Blobby and  Princess Diana… all accompanied by a healthy pint or four. We also have an exclusive announcement: listen up and you’ll get to hear the first band announcement for their farewell gig on December 8th.

These were the tunes we played:

  • Revenge… – Planet Earth II
  • Revenge… – Another Way
  • Revenge… – Booze Time
  • Bootscraper – Captain Gin vs. Victory Gin
  • Revenge… – Beer For Breakfast (Tim G Remix)

Incisions: The Sound Of Young, Working-Class Anger [Interview]

“Like Minor Threat had been dragged through every bar in Manchester,” Incisions are ready to tear your world apart.

Interview by Sarah Williams. Photos by Cold Front Photography.

Incisions are a fresh, no-nonsense, blast of fury from Manchester, who’ve just announced that they’ll be releasing their self-titled debut album via DIY legends TNS Records in December.

Incisions’ Quit Now was one of our Top 5 Releases of 2017 and their new material promises even more exciting things. Seen live, their fast, take-no-prisoners approach captivates audiences.  We spoke to vocalist/guitarist Jordan Lloyd to get the latest on their new album and their plans to conquer the scene.

Hey Jordan! How would you sum up Incisions for someone who’s just discovering you?

Hey! We are heavily influenced by all the hardcore bands and Slayer but like to try and bring a bit more melody into the songs. We try to play everything as fast as we can. We recently were told we are ‘the audio equivalent of a brick through a window’. I liked that.

Tell me a bit about how Incisions came to be – how did the band form?

I moved to Manchester a few years ago ’cause I wanted to start a band and there place where me and Steab (guitarist) grew up had no music scene at all. I found a really good drummer. We put an ad out for a bassist and met Mandog. We then met up at the first Manchester Punk Festival and obviously MPF is enough to make anyone want to start a band… we were both pretty overwhelmed by the whole weekend as is the case for everyone that goes, so we were much more serious about what we wanted to do after that.

Our drummer moved back to Spain before we really got going, but Tom joined straight away and then took it up a level. We’d written our first EP after a couple of weeks. Tom left just after we finished recording Quit Now. Stefan has been playing live with us since the second EP.

You’ve undergone some line-up changes since then, too. Give us an update – what’s the line-up looking like now?

Yeah, Archie (a.k.a. Betty Egg) from Clayface is playing bass for us now which is ace cos I love him and he’s pretty easy to influence when I want to go out and get drunk.

Andy is now playing drums for us he plays in Animal Byproducts as well, he’s from Barnsley so none of us can understand a word that he says but he seems friendly.

Stefan is still killing it on his snide Gibson and they all still have to put up with me!

I was completely gripped by the Quit Now EP you released last year, in fact it was in our Top 5 EPs of 2017. How does the album differ to the EP musically?

Yeah, thanks for that. We were really proud of making that list!

I think we started to find our sound when writing the last EP but we had come to terms with it when we wrote the album, so this was a bit more focused in that sense. Someone said it sounds like Minor Threat had been dragged through every bar in Manchester. I think it’s a bit more direct lyrically than the EPs have been and there are more riffs. Continue reading “Incisions: The Sound Of Young, Working-Class Anger [Interview]”

Podcast: Derrick Johnston from Make-That-A-Take Records

Scottish DIY legend Derrick Johnston shares some wisdom and some love for our flourishing punk scene.

2018 has been a busy year for Derrick Johnston. As one of Scotland’s DIY musical stalwarts, he’s probably best known for running Make-That-A-Take Records and being one of the organisers of Book Yer Ane Fest. His band Uniforms have recently released a new 7” EP via TNS Records and he’s been solidly touring his solo project Tragical History Tour. He’s part of a crew that runs Conroy’s Basement in Dundee alongside a good ol’ regular job. It’s been non-stop.

Fortunately, Derrick managed to impart some of his wisdom and share some mutual music appreciation with Sarah on today’s podcast. With years of experience in booking and playing shows, promoting bands and making the most of what you’ve got, Derrick’s an honestly inspiring individual and a pleasure to listen to.

Enjoy today’s podcast and remember, even when you’re feeling like Sisyphus pushing the rock up the hill, the pure love created by the DIY punk scene is more than worth the effort.

Continue reading “Podcast: Derrick Johnston from Make-That-A-Take Records”