Fullcount: Do-It-Yourself Skatepunk In Action [Interview]

“We applied the DIY ethic to almost everything we’ve done together over the years.” Quebec City skate-punk Fullcount discuss ‘Part of The Game’.

Interview by Sarah Williams.

Renowned Canadian skate-punks Fullcount have just announced a brand new album: Part of The Game. These Québecois are known for their breakneck-fast, coarse-vocalled take on melodic hardcore, with the awesome but unusual feature of three guitarists.

Another unique aspect of Fullcount’s approach is their resilient, admirable do-it-yourself attitude. As well as writing the record, they self-recorded and produced Part Of The Game in their own studio. They’re also releasing the record themselves, with a international distribution from Lockjaw, Thousand Island and Mudcake Records, plus Milestone Sounds in Japan.

To learn more about the journey that’s brought the band to this release, Sarah checked in with guitarists Jean-Phillipe Alain and P-O Brouard.

It’s brilliant to hear you’ve got a new album on the way! You’ve just announced that you’ll be releasing Part Of The Game on October 12th.

Did you find the writing or recording process more or less challenging on this album than the previous one?

PO : Way more than writing Concessions & Compromises. It’s the first time we’ve written an entire record from scratch with the actual line up.We did take our time at writing those songs, we wanted to do things right. Although we spent a lot of time working on it, I guess we’ve played our cards properly and we’ve put efforts to the right places. We’re proud of the outcome and we’re excited to share it with the punk rock community.

JP : We wanted to challenge ourselves in our writing skills. We did the whole recoding ourselves and wanted to deliver the best audio quality possible, so we also had to improve our recording gear. Jessy is the mastermind behind all that you hear on that record. He spent countless days and nights putting all the pieces together to make it sound huge. He has played a huge role in crafting the songs structures, making arrangements, editing, mixing and figuring out the right tones and harmonies better than anyone else. I swear we had some hard times dealing with 3 distinct guitar parts and their interplays! That was a challenge.

What part of the album are you most excited for people to hear?

PO : On my behalf, each and every song deserves a listen; there isn’t any album filler in my opinion, they were all crafted lovingly. There are some fresh features like song arrangements and new tempos that listenners haven’t heard from Fullcount yet. We had a wider vision on this record. There’s also a handful of cool collaborators who have lent their voices to a few tracks. We’re more than ready to watch you press play! Continue reading “Fullcount: Do-It-Yourself Skatepunk In Action [Interview]”

Album Review: Nerdlinger – Happy Place

Australian melodic skatepunkers Nerdlinger has delivered a smasher. FFO Lagwagon, Frenzal Rhomb and Teenage Bottlerocket.

Article by Alan Corcoran.

It’s summer and most of the world has been burning to a crisp in the past few weeks, so what better time to dust off your skateboard, cruise over to your friend’s BBQ and listen to some punk rock, delivered courtesy of Nerdlinger and their new album Happy Place.

The Australian melodic skate punkers have covered a lot of ground both literally and figuratively since 2013 and it’s therefore no surprise that this album has both an energy and diversity to it that is damn refreshing in a genre that’s been going since the 90s.

A fairly standard 30 second intro song starts things off, followed by guitar playing and melodies in both Contagious and Can Yu Forgive Me? that will have fans of Blink-182 reminiscing on a time when Tom Delonge wasn’t off somewhere chasing space men.

 

The first four songs barrel past in under ten minutes and while there are the spicy riffs and drum fills associated with skate punk, there are also plenty of satisfying melodies that lean towards pop punk. The aforementioned Contagious is a prime example of an intro and verse that sizzle with intensity, before serving up a tasty chorus. Continue reading “Album Review: Nerdlinger – Happy Place”