What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Southampton’s skate-punk extravaganza slayed. Featuring Darko, Fair Dos, PMX, Almeida, Grand Collapse and excessive caffeine consumption.
Review by Sarah Williams. Photos by Alia Thomas, video by Rob Piper.
When I first saw the line-up announcement for Punkle Fester, it was an immediate no-brain decision to go. Featuring the likes of Darko, Fair Dos, PMX and Almeida at the top of a bill of thirteen acts, it is conceivably the best UK skate-punk shred-fest I have ever encountered. The bar for this gig is set extremely high; clearly worth the four hour trip to The Talking Heads in Southampton.
We have Lee Warren and local Southampton skate-punks Captain Trips to thank for this monstrously good line-up, and they’re in good spirits when I rock up at Saturday lunchtime. Portsmouth trio The SLM kick things off, turning out silly fast punk reminiscent of The Ergs. They throw some nice metallic guitar licks into the mix, coming across a bit like a drunken NOFX practicing for a Slayer covers set. Or Slayer practicing for NOFX covers set, I can’t decide.
Their songs cover a range of important topics, with titles like Bitten By A Zombie, Turtle Shark and Here Come The Raptors. Vocalist/guitarist Rob clearly enjoys introducing the songs with rockstar-style flair, although the rest of the band keep ribbing him to keep within their allotted set time. Their new song Paradox Maradox adds a bit of depth to their set with some more earnest singing. They finish off with a cracking song about zombie sharks and a shout along of ‘sword, sword, sword!’ from the small but enthusiastic audience.
Between bands, Rich Mayor (frontman of Captain Trips) plays a quick acoustic set in the lavishly decorated front bar, adding some lovely atmosphere to the smoking terrace. He plays Give Me A Shout from his solo album Decade, which gives his voice a chance to shine without the force of a full band behind him. He’s got a unique sound that’s warm but rough around the edges, and a talent for a catchy songwriting.
The Bitter-Town Hounds bring a lot of hair and energy to the mix, introducing a welcome metal edge to the day. They make good use of on-stage space, playing off each other’s energy. Their drummer can’t run around but he looks like he wants to, hurling a lot of passion and energy into his kit. The vocalist has the perfect confident rock delivery and the bass really stands out, partly because of the great sound in The Talking Heads. The highlight of their set is an unexpected but deeply enjoyable cover of Suicidal Tendencies’ Cyco Vision. More of that, please. Continue reading “Gig Review: Punkle Fester [14/10/2017]”