Podcast: Tom May from The Menzingers

Enjoy this in-depth chat with the frontman of Pennsylvania’s melodic punk legends The Menzingers.

Cover photo by The Shutter Happy Jose

While indie-punk heroes The Menzingers were touring Europe this summer, Sarah was lucky enough to catch singer and guitarist Tom May for a fantastic chat about creativity, musical growth and stealing Madonna’s tour bus (among other things).

We recorded this conversation at Brakrock Ecofest in Belgium earlier this year. Tom’s an inspiring, interesting individual and a great podcast guest; we’re sure that you’ll enjoy listening to this as much as we enjoyed recording it.

We managed to cover a lot of ground over just under an hour, plus we play new tunes from The Menzingers, Spanish Love Songs and Triple Sundae. We discussed the journey that brought The Menzingers from Alpha Kappa days up to their current After The Party incarnation, and how their current sound has developed. We covered some van-based hijinks and on-stage food poisoning. We even talked about some of Tom’s personal high points with the band, and some of his interests outside of music.

You can listen here or on Soundcloud directly. You can also subscribe to the Shout Louder Podcast on all good podcatchers, including Apple Podcasts, Google Podcasts, TuneIn, Stitcher and heaps more…

We played the following tunes:

  • The Menzingers – Toy Soldier
  • Spanish Love Songs – Joana, In Five Acts
  • Triple Sundae – Indecisive

Gig Review: The Menzingers @ Koko (19/04/2017)

The Menzingers, The Flatliners and The Dirty Nil get Camden shouting.

I imagine that watching The Menzingers as a punk fan is the closest I’ll ever get to watching Robbie Williams as a pop fan: in every song the crowd were belting the lyrics out, word-perfect and at full volume, at times even louder the band. If frontman Greg Barnett had dropped the mic and walked out, the audience could have carried the show.

This speaks volumes to how well The Menzingers have not only mastered writing catchy hooks, but how they have tapped into a seam of identifiable, bittersweet sentiments that resonate perfectly with a contemporary audience. Their song-writing truly encapsulates the flawed existence that many of us experience, illustrated best in The Obituaries where the crowd scream, “I will fuck this up, I fucking know it,” repeatedly at the top of their lungs.

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