Podcast #11: KNRD Fest 2018 Special

Listen to our live (and drunk!) podcast with After The Fall, The Human Project, Forever Unclean and The Affect Heuristic!

We are excited to share our latest podcast featuring chats with not one but four bands! We chatted literal shit with After The Fall, The Human Project, Forever Unclean and The Affect Heuristic!

KNRD Fest (pronounced ‘conrad’) is a magical skate/melodic punk adventure in the Bavarian woodlands, taking place near Nuremberg, Germany. It’s a wonderful weekend of bands, banter and excessive boozing that we’ve attempted to capture in audio form for you!

We’ve also aimed to answer some essential questions for you, including:

  • How much do you remember from last night?
  • Whose anus is a “literally like an ex-soviet airbase’s windsock”?
  • Why should you always check the pockets of a pair of pooed-pants?
  • What event nearly killed After The Fall?
  • How do Forever Unclean turn all bad times into good times?
  • What do Sean Arnold’s nipples taste like?
  • Who won’t ‘doink’ with The Affect Heuristic?
  • Who’s the most socially flamboyant person at KNRD Fest?
  • And of course, what’s your personal worst tour story?

We recorded four segments across the Saturday of KNRD Fest and, as they progress, you can also enjoy hearing Sarah and her guests getting progressively more drunk!

We also play a track from each band:

  • The Human Project – The Rhetoric
  • After The Fall – Patroon Island
  • Forever Unclean – Weird
  • The Affect Heuristic – Vessel

 

 

 

 

Album Review: The Human Project – Clarion Call

Leeds’ tech-punk tornado, The Human Project, produce another passionate call-to-arms on new album Clarion Call. FFO: Propagandhi, Darko, Fair Do’s.

Article by Joelle Laes.

If you’ve heard The Human Project’s previous album Origins, you already know what to expect. If this is your first time listening to this quartet from Leeds, let me give you an idea of what to expect from Clarion Call: 11 tracks of techy punk rock riffage with the occasional breakdown, singalongs and absolutely exceptional vocals.

In moshing terms: be prepared to go from a relaxed listen to stomping through the room, belting out the lyrics with fists in the air in a matter of seconds. Not advised to listen to while driving. Accidents will happen.

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Where Origins was already politically charged, encouraging listeners to stop and question what they were made to believe, on Clarion Call The Human Project sound like a band that have ran out of patience. They are clearly expressing disappointment and anger about today’s political climate because they’ve had enough. You could say that’s a classic ‘punk’ approach, but it is far more than that. For starters, their lyrics are much more eloquent than the standard, “Fuck the government.”

The Human Project have found a way to make tech-punk feel atmospheric and build up to outbursts of air guitar-worthy riffage, in combination with exceptional high-pitched vocals. On Clarion Call they’ve successfully incorporated a post-hardcore vibe that reflects their sister-band Sounds of Swami, with whom they share guitarist Luke Yates and drummer Joe Dimuantes. The outcome is Propagandhi-esque at times; slightly more melodic but equally as trailblazing.

Desperate Times starts off the album slowly, quietly building with an enticing voice, leaving me excited for what’s to come. Desperate Measures seamlessly follows and I found myself literally deafened and amazed by the lyrical beauty of it. I advise you not to give in to your urge to put the volume up a notch on the first song. That One Percent, the first single to be release from the album, brings the right combination of heaviness, speed and the THP signature vocal harmonies. Continue reading “Album Review: The Human Project – Clarion Call”

Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo

Episode 4 is packed full of punk rock treats for you! We have an interview with Australian party machines The Bennies, a massive Umlaut Records giveaway to celebrate the new Consumed release and tales of SBÄM Fest and El Topo Goes Loco. We also play new tunes from The Human Project, Youth Avoiders, Tragical History Tour and Consumed!

Our highlight was catching up with Anty and Nick from The Bennies in Beligum, and asking them about their worst experience ever! Hold on till the end of the episode for that.

First up, Mark and Sarah discuss their recent gigs, including an account Austrian punk festival SBÄM Fest, including talk of Propagandhi, Satanic Surfers, No Trigger, Astpai, Wonk Unit, Donots and The Murderburgers. Sarah gets emotional, has Iron Chic mansplained to her, gains a boob bruise and discovers the perils of getting drunk with Darko two weeks in a row.

We also cover Belgian sunny ska/skate romp El Topo Goes Loco, including The Bennies, Beat The Red Light, The Affect Heuristic, Thanx 4 All The Shoes, The Burnt Tapes, Slack Birds, Imperial Leisure and Not Available. Mark also chats about TIE Fighter Pilot, Project Revise and Butt Plug Babies, plus we share a love of a Bangers.

Come join us in Sarah’s living room, talking faster than light to get through all this awesome content.

Continue reading “Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo”

EP Review: Traits – Illuminate

The new ballsy, melodic punk rock EP from Leeds’ Traits will gnaw its way into your subconscious. FFO: No Use For A Name, Lagwagon, The Human Project.

Review by Ollie Stygall.

The Traits were a garage rock band formed in 1967 who had a hit with Nobody Loves The Hulk in 1969…this isn’t them! It’s amazing the blind alleys Google can lead you down when you’re researching a band for a review. Traits, minus the ‘the’ are a new four piece band from Leeds featuring members of Random Hand and The Human Project, and a guy called Jon who is apparently lovely, according to one of the write ups my Google search threw up. I’m sure they’re all splendid chaps equally. [Ed: Sarah W personally vouches for this!]

Traits (don’t go putting “the” in front of it!) are a straight ahead, melodic punk rock band. By that description alone you can probably start to build a mental image of how these guys sound and you’d probably fall pretty close to the mark. Now, being honest, there are a million bands doing this kind of stuff right now so the question is, how well do Traits fare against their peers? Fortunately they fare extremely well. For such a new band, albeit with plenty of individual experience, they have a fully-fledged and powerful sound with a keen grasp on song writing and an ear for a naggingly catchy melody. Each song here has at least one hook that will gnaw its way into your subconscious, whether it’s the insistent chorus of I’ve Made My Bed or the quirky riff that rears its head during Drop The Status Quo. If the band had a mission to grab your memory and hold on tight then they’ve ticked that box!

Traits Illuminate EP Cover.jpg

As you might expect, the energy remains high throughout, rarely dipping below an ADHD endorsed 100mph but, on the odd moments when the Ritalin kicks in and they slow it down, it provides a welcome breathing space and shows a strong grasp of song dynamics. The guitars of Jon Simmons are tight and edgy and stand front and centre in the mix whilst the rhythm section of Joe Tilston on bass and Dan Powell on drums lock together tighter than a pair of shagging dogs! Johnny Smith’s voice is an interesting one, and may be an acquired taste for some, although it’ll be a favourite for fans of The Human Project. He operates in the higher registers but still maintains some grit in his throat. In fact, and this may make him cringe, he would also make a pretty good metal singer, as evidenced on I’ve Made My Bed which flirts tantalisingly with thrash metal in places… fortunately staying just on the right side of the line though. He has a credible power and delivery to his singing though that should bring round anyone who might, at first, find his voice a little irritating. Continue reading “EP Review: Traits – Illuminate”