I’ve just walked out of a Random Hand gig drenched in sweat and spilled beer, having shouted my lungs hoarse and skanked non-stop for 45 minutes. It’s like 2013 all over again.
I can’t recall dancing quite so enthusiastically for a ska band since Random Hand went on hiatus in 2015; there are very few bands who give 110% live the way that they do at every single show. Tonight’s gig at the Key Club in their local city of Leeds is a special return to form ahead of a handful of festival shows this summer.
Sounds Of Swami open the show, beginning with a slow, quiet section with just a bit of guitar and a gentle vocal. It’s the calm before the storm that they tear into late into the song. From Random Hand’s hometown of Keighley, they lend the show the vibe of a party with all your friends. They served as late replacements for Jesus & His Judgemental Father, but I’m much more excited to catch them, having gotten deeply into their album Furniture for Modern Living last year.
This humble four-piece are at the forefront of current post-hardcore, channelling bands like Sonic Youth and Fugazi in their own expert DIY fashion. They create a really gripping soundscape sweeps you up, lulls, then hurls you around the room. It’s lush, complex composition that’s interesting on record but utterly captivating live. There is an overwhelming amount of skill in this band that’s enabled them to be inventive and experimental with their sound. It also allows them to look totally at home with themselves on stage, producing a depth of sound that you wouldn’t think possible with just four instruments. They look like they’re having a great time doing it. Continue reading “Gig Review: Random Hand’s Comeback Show @ The Key Club, Leeds [17/04/2018]”
When a band says that their latest album is ‘recorded live onto 2″ tape in a converted chapel’ they instantly have my attention. Furniture for Modern Living by Sounds of Swami shows a raw and rough approach to recording that is lacking in today’s Pro Tools marketplace.
Sounds of Swami are a well known post-hardcore act who excel in mixing punk and atmospheric noise in an inventive, prog-influenced style, underpinned by lyrics that promote left-wing politics and DIY sensibilities. They’ve built up a strong reputation for exciting, aggressive live shows and they’ve captured that live intensity on Furniture for Modern Living. This follows their self-titled debut album and two EPs, all of which had had a uniquely raw production style that’s further developed on the new record.
Album opener Lull gives a lush post-rock sheen akin to ISIS and Godspeed. It draws you into a release full of dynamic shifts and a real sense of space. Guillotine takes the not-quite dissonant aspects of Lull but has solid riff work at it’s core. It is a more dynamic track that segues nicely into the next more traditionally hardcore song. Kill Me Already sounds like Fucked Up had a baby with Queens of the Stone Age and it grew up listening to Royal Blood. It is a phenomenal track, and a clear testament to the live ability of a band that have a real chemistry together. Continue reading “Album Review: Sounds of Swami – Furniture for Modern Living”