Article by Sarah Williams.
The final instalment is here! And it doesn’t get better than this line-up.
If you’ve only just stumbled upon the review, make sure you also check out:
- Mainstage Highlight: Propagandhi (duh)
- Beach Stage Highlight: La Armada / Darko
- Cover of the Day: Straightline – Boom Boom Boom Boom!!
On Friday morning I wake to discover a small lake forming at the front of the tent. Luckily the dam I built with sullied clothes has kept it at bay and, in fact, it’s evaporated a little in the heat. We venture out of the campsite to a makeshift bar on the roadside, starting the day with battery-acid €1 coffee and Slovenian schnapps called Unicorn Tears. It beats an alarm clock.
Friday is the big one. Although the rest of the week has been fun, there’s not a single band on today’s line-up that I’m willing to miss. The Beach Stage is a Lockjaw Records extravaganza of heavy, technical chaos, and the evening bill is knicker-moisteningly intense: 88 Fingers Louie, Snuff and Propagandhi. Propa-fucking-gandhi! Ask anyone earlier in the week who they’re looking forward to seeing: the answer is always Propagandhi. I’m worried I may die from excitement. Or alcohol poisoning.
Sat at the roadside bar we can hear ominous ripplings of thunder from over the hills, and the skies open once again. I grab another tongue-melting coffee and wait for the storm to pass, knowing that I’m going to need to bail the tent out again.
Amusingly, when the rain lets up, I notice a few people roaming around the campsite, foraging for rubbish. Garbage is a valuable commodity at PRH. You pay €10 on entry that’s returned when you hand in a full trash bag: a system so efficient that it’s a challenge to find enough litter to reclaim your deposit. The €1 cup-deposit scheme also means there’s not a single cup to be found on the ground (the complete opposite of many English festivals). On the last day we wind up optimistically searching bins for discarded cups, just to reclaim out deposits – that’s how clean it is!
I get down to the Beach Stage early and listen to Corbillard sound checking while dipping my toes in the glacial water. The beach is quiet, with a light mist rising from the river. The water’s no longer clear because the storm has shaken up the silt overnight. As the singer ‘one-two-one-two’s into the mic it booms madly around the mountains, making the strangest echo. Continue reading “Punk Rock Holiday 1.7 Review Part 4: Friday – The Big One!”