Band Spotlight: Nieviem [Interview]

Lincoln’s newest skate-punks Nieviem are definitely one to watch.

Fans of UK melodic hardcore should kee their eyes peeled for Nieviem. Having formed in Lincoln in 2016, they’re a reliatively new group that breathe life into 90’s-style melodic skatepunk with a does of heavier, nu metal influenced backline.

We spoked to guitarist Bart Stanczyk and vocalist Hope Bateman to learn more.

How would you sum up Nieviem for someone who’s just discovering you?

Hope: A Tony Hawk soundtrack, or as I think we’ve previously been described, think of Bad Religion with a lass on the mic.

Bart: Female-fronted mixture of Pennywise, BigWig, Millencolin and Bad Religion.

Tell me a bit about how Nieviem came to be – how did you meet?

Bart: I met our previous drummer Tomek at work. As far as I remember we started jamming together in 2010. Few years later our bassist Kuba joined us but we still used to play covers just for fun. Nieviem were officially established when previous vocalist Vicky joined us in on April 2016. One year later she had to leave the band due to health issues, but thanks god we found Hope and we carry on until now together. Continue reading “Band Spotlight: Nieviem [Interview]”

Exclusive: Fastfade Premiere ‘Walkie Talkie’ Video & Announce Debut Album

Enfield’s scrappiest skate-punks get wet and wild in their new music video.

Fastfade are hard not to love. Taking influence from Frenzal Rhomb, MxPx, early Greenday and decent-era Blink 182, these three young Londoners are the edgy, exciting injection of energy that the UK skate-punk scene needs.

Walkie Talkie is the first single from their debut album Happy If You Aren’t, which will be released through Umlaut Records on Friday 14th December. They’re celebrating the release with a launch party supporting No Fun At All at London’s New Cross Inn on December 19th.

“Walkie Talkie is one of our slower but more hard hitting songs, proving that we don’t only play at 260bpm and sing about getting dumped or something,” said Fastfade about the single. “With this song we tried to show off a little bit of everything that we could do and to make something so catchy it sticks in your head and pisses you off a little.” Continue reading “Exclusive: Fastfade Premiere ‘Walkie Talkie’ Video & Announce Debut Album”

Podcast: Punk Rock Holiday Cocktail Special #2

Listen to Sarah getting drunk with Spoilers, Rebuke and Captain Trips on this second Punk Rock Holiday special.

On today’s podcast, we will be whisking you back in time to the beautiful, sun-drenched beach at Punk Rock Holiday. Sarah grabbed Spoilers, Rebuke and Captain Trips for a chat at Slovenia’s premier punk festival. Grab a drink, put your feet up and listen to us getting progressively drunker as the day goes on.

Ben Davis and Dan Goatham from Kentish punks Spoilers have just released a sterling debut album in the form of Roundabouts. They’re a hilarious bunch so we jumped at the change to discuss the album, their summer holiday plans and

We speak to Petter Mossberg and Phil Nordling from skate-punks Rebuke. We share a pina colada, discuss their 15 years as a band, the current Swedish music scene and some of the bands they currently admire.

Finally, we spoke to Rich Mayor of Portsmouth skate-punks Captain Trips. We were officially 10+ cocktails deep at the time of recording, so it’s nice to have a recorded reminder of a conversation we’d no doubt have forgotten. We cover important topics like showering, cress, sweat, flip-flops, Dean Gaffney and solo projects.

I highly recommend sticking around to the end, as Sarah’s sobriety goes rapidly downhill in quite an amusing way. As Petter quite accurately puts it, “You meet too many cocktails.”

We play the following songs:

  • Spoilers – Roundabouts (from album Roundabouts is out now on Little Rocket Records, SBAM Records and Boss Tunage)
  • Rebuke – Take To The Seas (from their album Wouldworks, out on Disconnect Disconnect Records)
  • Captain Trips – Bottom Of The River (from their EP Stand By now on Umlaut Records)

If you enjoyed this, check out our first PRH Cocktail Special with Ducking Punches, The Murderburgers and Dead Neck.

Podcast: Tree from Manchester Punk Festival

We talk DIY, dogs and new music with Manchester’s tallest promoter.

As DIY giants Manchester Punk Festival have just announced the first installment of their 2019 line-up, we thought it was time for Ian ‘Tree’ Robinson to join us on the podcast.

Tree’s a staple of the Northern punk scene, known for booking regular gigs through the Anarchistic Undertones collective and tours via AU Tour Booking. He’s got years of experience in DIY bookings, plus a Northern attitude that makes him quite an entertaining guest.

We discuss Manchester Punk Festival’s changes, what he’s learned from 10 years of booking punk shows and some of our current favourite bands and labels. We also talk about Propagandhi. A lot.

P.S. The star of tonight’s show is our cover model, Bernie, who you can follow on Instagram @dci_burnside.

Continue reading “Podcast: Tree from Manchester Punk Festival”

MPF Band Spotlight: Captain Trips [Interview]

Manchester Punk Festival Band Spotlight: Captain Trips will be bringing some fast, heavy skate-punk straight from the South Coast. Stoked.

It’s all gone a bit MPF mad here at Shout Louder HQ. There are so many great bands that we don’t know where to begin! To help you make the most of the festival, we have spoken to a handful of the bands we’re most excited to see. Even if you’re not coming to MPF, there’s plenty to learn and enjoy.

We will be posting every day in the lead up to Manchester Punk Festival. Check out the full series here.

Band Spotlight: Captain Trips

Keen Shout Louder readers will know that we’re massive fans of Fareham’s Captain Trips. They toe the line of seriously exciting skate-punk, they organise Punkle Fester and in their upcoming new EP they’re delving into an Iron Maiden-like melting pot of heavier, harder rock. If you like your hardcore melodic and if you like your covers to be 80’s power ballads then you will enjoy this band.

I was so excited to see them pop on the Manchester Punk Festival lineup that I had to speak to singer/guitarist Rich Mayor to learn more (and to wind up Manchester locals Fair Dos).

Why should people come check out your set at Manchester Punk Festival?

Well hello, Shout Louder, I trust you’re keeping well. That’s a great question, and if it’s ok with you I’d like to take a moment to speak directly with the people… Hi people, my name’s Rich Mayor from Captain Trips. We’re playing on the Thursday at Manchester Punk Festival. Please come and see us because we would really like it if you did.

Which bands are you most excited to see at the festival, and why?

The line-up is pretty incredibly stacked this year, but before I find out they all clash with each other I hope to see Propagandhi, because I called them headlining when chatting with Danny from Fair Do’s before the line-up was announced. He lied to my face and said they weren’t playing. And you think you know someone…

Anyway, Eat Defeat for the fun times, Wonk Unit because they are also much fun, Waterweed because that’ll be new fun, Darko for old fun, and Fair Do’s because it’s the only way I get to hear their new tunes. I thought we were pretty good at taking ages to get stuff recorded and out there but these guys are just… Incredible. Next level shit.

EDIT: I answered these questions prior to the running times were announced. However, I have minimal clashes the whole weekend, there must have been a large Tree-like guardian angel looking out for me. Also, we’re playing with Waterweed in Pompey the day before MPF. I stand by my comments about the Do’s.

Your influences seem to fall somewhere between Propagandhi and John Farnham. Are there a lot of different tastes in the band?

Yeah for sure. Lee and Phil like a lot of the more rocky side of punk, Andi was a massive metalhead before he saw the punk rock light and I solely listen to power ballads. We package all these styles up and pop them through the fast skate-punk wringer and deliver it to your door. Maybe we should have called ourselves John Gandhi. Or Propagarnham. Definitely Propagarnham. Continue reading “MPF Band Spotlight: Captain Trips [Interview]”

Consumed: Hindsight, Hopes & Tony Hawks [Interview]

Skate-punk legends Consumed discuss regrets, releases, the modern music scene and how their families are part of it.

Article by Sarah Williams. Photos by JJ Photography UK.

Consumed have been a huge influence for nearly two decades, having originated the classic UK skate-punk sound back in the late 90s. They’re known for their the two records they released on Fat Wreck Chords (Breakfast At Pappas in 1998 and Hit For Six in 1999), both of which showcase their solid, fast, hook-laden punk rock style, which has often been described as quintessentially British.

They went on hiatus in 2003 and reformed in 2015, after much cajoling from Steve from Vanilla Pod. Since then they’ve been popping up across the country and there’s exciting news of a new EP in the works. As I said when I saw them recently, old-school Consumed fans are in for at treat – then new material sounds like classic Consumed, but it’s even fresher and more exciting.

I met up with guitarist Will Burchell and drummer Chris Billam in the backroom at London’s New Cross Inn, just before Christmas. I quizzed them about their past regrets and future releases, how they’re briging their families into music, and how they feel the punk scene has changed in 20 years.

You reformed for Podstock in 2015 and you’ve done a few shows since. What’s kept you going?

  • Chris Billam (drums): We just enjoyed playing Podstock. Also, when we played Podstock we were shit, so a lot of it was wanting to exorcise that demon! It was awful. Awful. I know the two of us were really nervous and I think it showed. We were out of our comfort zone. I was using the house kit, which was pretty shit, we were rushed for time, we had issues with the sound… we’d built it up to be this huge thing: The Return Of Consumed.

You’ve done a few shows since. I saw you at The Black Heart – that was great.

  • Will Burchell (guitar): That was when it started to feel like a proper gig. After Podstock we were like, “Thank Christ that’s over.”
  • Chris: We even started in the wrong key.
  • Will: Yeah. We started with a song off a compilation that was never properly released. I don’t know why – there were loads of these really weird decisions. We started playing that song in the wrong key and it was just sloppy.
  • Chris: It went downhill from there.
  • Will: We’ve probably done 30 shows since then? 25?
  • Chris: No… more like 20.

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You’ve got a couple of shows lined up, particularly the skate-punk all-dayer in Ipswich in February.

  • Will: It’s murder getting anything booked in. It’s a miracle we do anything because of the laborious internal dialogue we have just to get anything agreed.
  • Chris: Yeah. It’s hard enough trying to get four of us in the same room. It’s not because we hate each other. It’s just life.
  • Will: That’s the reason we’ve only got Liverpool and Ipswich and murmurings of this Japanese jaunt, although I’m not convinced that will happen. I feel like I’m tempting fate by saying it out loud.
  • Chris: Also, we’re a bit jaded with it all. If we did play too much we’d lose interest in it all, and we don’t want to lose interest. As soon as we’re back to the dark side of playing we’ll probably say, “Nah, let’s not do this anymore.” Because why would you? We’re all established in our own lives and weekends are precious. At a weekend you have time to be with your partners and kids, or you can go play in a shitty venue somewhere to five people. You’ve got to get it right.
  • Will: We’ve also taken gigs when it’s been a bit of an adventure. We’ve had a couple of jaunts over to Austria and Germany and those are fun travelling with friends.

You said three of you have kids. What about your taste outside of these gigs? Do you still listen to punk or have you matured into slower, more age-appropriate fare?

  • Will: How dare you!
  • Chris: I’m not going to lie. I put Kenny G on the other day. But then, by the same token, I took it off after about 30 seconds. I do still listen to punk but I’m very selective – I don’t mean that in an elitist way, it’s just that over the years you hear so much that you pare it down into what you’re really into.
  • Will: I think you do reach an age where your music taste calcifies.  When you’re a teenager you just consume music. We always talk about a record shop in Nottingham called Selectadisc. When punk was sort of breaking, you’d literally just devour new music. You’d learn about things from ‘thanks’ lists on record and you’d go in and say, “Right, I want all of the new whatever.” And then it would take three weeks to arrive.
  • Chris: Now with the fact that you can download and stream things, it’s so disposable. Whereas if you’re doing it the way Will’s just described you’d think, “I’m going to like this record, so I’m going to give it as much time as I possibly can.” Whereas now you can just go, “Ah well, it sounds alright,” and move on to the next thing. Propagandhi are still doing it, they’re great. There are always going to be some great bands doing it.
  • Will: There’s a handful. Clowns was the one I was thinking of – Bad Blood was the last album that really made me go ‘fucking hell’.
  • Chris: That album just took my face off. It’s fucking amazing.

Continue reading “Consumed: Hindsight, Hopes & Tony Hawks [Interview]”

Album Review: Actionmen / Dead Neck – Defections (Split)

This split from Italy’s Actionmen and Manchester’s Dead Neck is an exciting and rare fast-punk find. FFO: Strung Out, Millencolin, Mr Bungle and having your mind blown.

Review by Sarah Williams.

Actionmen are a band that defy description. I’ve heard this Italian group called punk, funk, thrash, gypsy and psychedelia, which barely begins to sum up the fantastic, frenetic racket they make. Their sound is a flabbergasting melting-pot of different genre influences, although ultimately there’s the heart of a melodic hardcore band beating fast underneath it all. This is where they converge with Dead Neck, who are a similar melodic hardcore band from Manchester, with more traditional skate-punk influences evident in their intensely fast songs. Although Dead Neck don’t share Actionment’s flagrant disregard for genres, the two divergent sounds gel well together on this diamond of a split.

Actionmen are up first on the CD, which features four songs from each band. Opener Lion is the single they’ve chosen to stream ahead of the release, presumably because it’s the most accessible of their four tracks. The punk element is incorporated via machine-gun drumming under every second, however the guitars and vocal have more in common with trippy ‘indie’ rock sensibilities. There’s a depth in the distorted words, so gentle and slow in comparison to the percussion, that’s deeply appealing.

Born To Be High opens with a slightly mad little guitar riff. The combination of instruments and paces paints an intricate soundscape in your mind, like an artist daubing varied brushstrokes across your cerebellum, leaving you unsure whether to dance or nod appreciatively. Flowers has more traditional musical structure, nonetheless incorporating a variety of slightly disparate sounds, particularly in the higher-pitched guitar. Actionmen have a progressive approach to composition that borrows from a lot of different influences, bouncing between tones and time signatures with abandon, and yet they tie it together in a way that sound completely natural, flowing beautifully. It’s no surprise, considering two of the band are jazz musicians outside of this project, something which is clear in the skill and freedom of their songs.

If there’s one thing that unites the two bands on this, then it’s a love to short, fast songs. Actionmen’s contributions to the record are all within the under-two-minutes bracket, apart from C’est Dada which is by far the strongest (and maddest) song on the record. It begins with a staccato guitar part that grips your ears, before delving into a short punk section. The riff returns later on in an almost call-and-response section, that’s oddly reminiscent of the Mario Kart soundtrack (in a good way). The song descends into odd guitar twiddling that’s unusual but also intensely appealing.

Continue reading “Album Review: Actionmen / Dead Neck – Defections (Split)”