Album Review: Thanx 4 All The Shoes – Another Ride

The intense and heartfelt third album from Italy’s Thanx 4 All The Shoes is a solid skate-punk/thrash offering. FFO: Propagandhi, Strung Out, NOFX.

Review by Jake Jeremy.

Another Ride is the third album from Italian melodic hardcore outfit Thanx 4 All The Shoes, due to be released on November 25th on Disconnect Disconnect Records in the UK.

In their 11 years together, Thanx 4 All The Shoes have toured all over mainland Europe and Japan, building a reputation for their technical skill and thought-provoking lyrical messages. You can expect shades of melodic hardcore and thrash in the style of Propagandhi and Strung Out, however with a name like Thanx 4 All The Shoes I’m slightly gutted I’m not listening to a NOFX tribute band. Either way, I’m jumping in with gleefully expectant ears.

Opening track One Pen One Book instantly draws comparisons to Propagandhi, but I’m actually getting more of an 80’s thrash vibe from the quickly muted guitar attack and vocal approach. Think Anthrax and Megadeth if Chris Hannah wrote their newest tracks. It is a solid opening and a promising precursor to the rest of this album.

Title track Another Ride and it’s much of the same: fast and melodic with a twin guitar attack reminiscent of Propagandhi. What stands out most is the high-flying vocal harmonies and METAL AS HELL midsection where small guitar flourishes embellish another 80’s thrash thrill ride. This is what I want from this band: the sections where they truly let fly and break away from what’s ‘expected’ within standard modern hardcore are what set them apart. Continue reading “Album Review: Thanx 4 All The Shoes – Another Ride”

Gig Review: Punkle Fester [14/10/2017]

Southampton’s skate-punk extravaganza slayed. Featuring Darko, Fair Dos, PMX, Almeida, Grand Collapse and excessive caffeine consumption.

Review by Sarah Williams. Photos by Alia Thomas, video by Rob Piper.

When I first saw the line-up announcement for Punkle Fester, it was an immediate no-brain decision to go. Featuring the likes of Darko, Fair Dos, PMX and Almeida at the top of a bill of thirteen acts, it is conceivably the best UK skate-punk shred-fest I have ever encountered. The bar for this gig is set extremely high; clearly worth the four hour trip to The Talking Heads in Southampton.

We have Lee Warren and local Southampton skate-punks Captain Trips to thank for this monstrously good line-up, and they’re in good spirits when I rock up at Saturday lunchtime. Portsmouth trio The SLM kick things off, turning out silly fast punk reminiscent of The Ergs. They throw some nice metallic guitar licks into the mix, coming across a bit like a drunken NOFX practicing for a Slayer covers set. Or Slayer practicing for NOFX covers set, I can’t decide.

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Their songs cover a range of important topics, with titles like Bitten By A Zombie, Turtle Shark and Here Come The Raptors. Vocalist/guitarist Rob clearly enjoys introducing the songs with rockstar-style flair, although the rest of the band keep ribbing him to keep within their allotted set time. Their new song Paradox Maradox adds a bit of depth to their set with some more earnest singing. They finish off with a cracking song about zombie sharks and a shout along of ‘sword, sword, sword!’ from the small but enthusiastic audience.

Between bands, Rich Mayor (frontman of Captain Trips) plays a quick acoustic set in the lavishly decorated front bar, adding some lovely atmosphere to the smoking terrace. He plays Give Me A Shout from his solo album Decade, which gives his voice a chance to shine without the force of a full band behind him. He’s got a unique sound that’s warm but rough around the edges, and a talent for a catchy songwriting.

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The Bitter-Town Hounds bring a lot of hair and energy to the mix, introducing a welcome metal edge to the day. They make good use of on-stage space, playing off each other’s energy. Their drummer can’t run around but he looks like he wants to, hurling a lot of passion and energy into his kit. The vocalist has the perfect confident rock delivery and the bass really stands out, partly because of the great sound in The Talking Heads. The highlight of their set is an unexpected but deeply enjoyable cover of Suicidal Tendencies’ Cyco Vision. More of that, please. Continue reading “Gig Review: Punkle Fester [14/10/2017]”

Gig Review: Might As Well Fest III (07/10/2017)

An exciting London charity all-dayer featuring Kamikaze Girls, Almedia, Eat Defeat, The Burnt Tapes, Sombulance and more.

Photo credit: Awesome pics courtesy of Roberto Gasparro @ LivePix.

Now in its third year, Might As Well Fest is socially-responsible all dayer split across two tiny London venues: The Macbeth in Hoxton and the infamous Old Blue Last in Shoreditch. If the cracking line-up isn’t enough to coax people down, the promoters are also using the forces of music for good, raising money for two worthy causes: CALM and SANDS.

When I hurriedly stumble into The Macbeth at 3.20pm, I’m concerned that I’m late but turns out that I needn’t have worried: they’ve had some troubles of their own. Don Blake and Sweet Little Machine have pulled out last minute, and You Know The Drill’s van has broken down outside Birmingham. As a result, they’ve had to shift timings, drum kits, amps and expectations. The change in the set times is actually a positive: the opening bands will now have a bigger crowd and the heel-draggers like me, who couldn’t make it earlier, won’t be missing out. Nonetheless, I’m reminded that we ought to be extremely thankful to anyone with the resilience to put on DIY shows!

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A handful of early-birds assemble to watch Thirteen, a Scottish group who’ve joined the bill at the last minute. They play old school punk with a rock ‘n’ roll flavour, which is good, but slightly out-of-sorts with the rest of the line-up, which is a combination of fast-punk and pop-punk. It’s good pub-punk and not a bad way to kick things off for the day.

As I reviewed their EP recently, I have been very excited to catch Our Lives In Cinema live. This is only their 8th gig and their freshness shows: they look a little awkward on stage at the beginning of the set, settling in after two songs.

They open with Cut and Run – an awesome throwback to a lot of energetic early noughties punk. You can hear a strong Jeff Rosenstock influence in Mark Bartlett’s frantic, emotional singing which is conveyed better live. Bartlett has a unique style of performance: he packs as many words into a bar as possible while shaking around the stage. Currently it looks a little awkward, but with more practice I expect it to become an integral part of their act. Otherwise, they’ve got a good, solid rhythm section, strong drumming and great backing vocals. They close on their most anthemic song, I Got This, leaving the audience happy. Once they’ve got a few more shows under their belt, I look forward to seeing a much more confident and comfortable band.

Lay It On The Line are up next at The Macbeth. They’re the most hardcore band of the day. It’s a brutal and disordered performance, with frontman Mike spending much of show writhing, crouched or lying on the stage while screaming bloody murder. He gives the impression of a man on the edge of breakdown extremely well. It’s all held together with some warmer guitar backing, adding a more melodic edge to their otherwise extreme sound.

It’s unusual to see bands with two standalone singers (Casual Nausea’s the only one I can think of), but it really works. Mike and Alice and equally adept at screaming and conveying a lot of anger and emotion. It’s hard to make out the lyrics but their explanations of the songs are both surprising and entertaining – one song’s dedicated to fans of the Marquis de Sade (of which they assume there are none in the room), another is about a head teacher who was killed by a rent boy after he failed to pay up…  It’s fascinating to know what inspires people’s song writing sometimes. They pull out a fantastic cover of Rotting Out’s Positive Views and end the set in a wail of feedback.

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Recap are up next, and they are fantastic. That’s the least you can expect from Dave House and Mark Pavey’s latest project – a reincarnation of Pacer and follow-up to The Steal. They jokingly say it’s only their second show, but they’re anything but new to the game. Continue reading “Gig Review: Might As Well Fest III (07/10/2017)”

EP Review: Sombulance – Lifer

The new release from South Coast skate-punks Sombulance is a lesson in creativity and precision. FFO: A Wilhelm Scream, Darko and Propagandhi.

Sombulance have that exciting new-favourite-band quality that traps your heart in your throat when you first stumble across it. Based in Southsea, this quintet are yet more proof that the finest melodic hardcore in the UK originates from the South Coast. They’ve been together since 2005 and released a full album back in 2010, so they’re hardly a ‘new’ band, but they’ve recently reassembled and refreshed their line-up so it feels like a new start. Since catching their explosive set at Manchester Punk Festival in 2016, I’ve been eager to hear more from them, and I was lucky enough to catch them slaying the Beach Stage at Punk Rock Holiday – one of my highlights of the week.

Lifer was released at the beginning of August, just in time for PRH and live shows with Pears and Darko. Sombulance play especially melodic skate-punk, underpinned by themes of regret and redemption. Expect 18 minutes of intricate, thoughtful composition, technical guitar and memorable song-writing. Sharing their new drummer, Marc Morey, with progressive thrash virtuosos, Almeida, the EP is also blessed with fast-paced, creative percussion. Lifer is an big advancement on their 2010 album A Cynic’s Response, particularly in terms of production quality.

The EP opens with The Articulation of Afterthoughts, a bittersweet and reflective love song with some of the most heart-wrenching lyrics on the record, “When she comes around the world seems a little brighter, and when she takes control my shoulders become lighter… When explanations fail to make you see what’s true, I am alone, I’m here with you.” In terms of composition, this is one of the most accomplished tracks on the album, coaxing the listener through a dynamic story that adeptly blends lyrics and melody. The elaborate layers of guitar sound like a waterfall rushing by, blending in delicate, brighter tones in the middle. Ant Harrison and Will Pearce’s dual guitars flow with force and beauty through all 6 tracks, giving Sombulance their unique edge.

The coda slides nicely into Lessons Lost, which is a heavier but punctuated by livelier, brighter drum lines. Throughout the all 6 songs, there’s not a single bar without layers of imaginative nuances that really hold your attention. The attention to detail in their composition is impressive, each listen piquing a new interest. Continue reading “EP Review: Sombulance – Lifer”

EP Review: Paper Champ – Easily L.E.D.

Brand new UK skatepunk that’s heavy on nostalgia value. FFO: Vanilla Pod, Goober Patrol and No Use For A Name.

Paper Champ are a 4-piece skate punk band from Ipswich, Suffolk. Following a successful Kickstarter campaign to finish off the recording, they’ll be releasing their first 5-track EP Easily L.E.D. this week.

Formed from the ashes of Ipswich melodic punks The 4130s, they put out their first demo in October 2016, featuring additional vocals from Goober Patrol’s Simon Sandall and Dan Goatham of Spoilers/7 Day Conspiracy. Easily L.E.D. is a mellower follow-up, although it’s still got a fresh, rough-around-the-edges feel.

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Paper Champ live at The Smokehouse in Ipswich (26/07/2017)

The recording is a great reflection of their energetic live shows. Songs like Way Over The Line hit a more pop-punk vibe, not dissimilar to No Use For A Name or even Sum 41 in terms of melody. Stories From Around Campfires has great melodic bass intro, reminiscent of 88 Fingers Louie’s 100 Proof. Continue reading “EP Review: Paper Champ – Easily L.E.D.”

Gig Review: Gnarwolves @ The Borderline (20/05/2017)

You can taste the anticipation in the Borderline before Gnarwolves take the stage. I’m primed, in position, and I’ve made a tactical effort to finish my drink so I don’t end up wearing it.

Here are 5 things I learned tonight:

  • The revamped Borderline is perfectly designed for stage-diving pandemonium
  • Kamikaze Girls are fucking awesome (okay, I kinda knew that already)
  • Shut Up is destined to be the best song on the new Gnarwolves album
  • Bottle to Bottle has become so close to my heart that hearing it live makes me tear up
  • I have just seen the best show of the year so far

Continue reading “Gig Review: Gnarwolves @ The Borderline (20/05/2017)”