EP Review: Sombulance – Lifer

The new release from South Coast skate-punks Sombulance is a lesson in creativity and precision. FFO: A Wilhelm Scream, Darko and Propagandhi.

Sombulance have that exciting new-favourite-band quality that traps your heart in your throat when you first stumble across it. Based in Southsea, this quintet are yet more proof that the finest melodic hardcore in the UK originates from the South Coast. They’ve been together since 2005 and released a full album back in 2010, so they’re hardly a ‘new’ band, but they’ve recently reassembled and refreshed their line-up so it feels like a new start. Since catching their explosive set at Manchester Punk Festival in 2016, I’ve been eager to hear more from them, and I was lucky enough to catch them slaying the Beach Stage at Punk Rock Holiday – one of my highlights of the week.

Lifer was released at the beginning of August, just in time for PRH and live shows with Pears and Darko. Sombulance play especially melodic skate-punk, underpinned by themes of regret and redemption. Expect 18 minutes of intricate, thoughtful composition, technical guitar and memorable song-writing. Sharing their new drummer, Marc Morey, with progressive thrash virtuosos, Almeida, the EP is also blessed with fast-paced, creative percussion. Lifer is an big advancement on their 2010 album A Cynic’s Response, particularly in terms of production quality.

The EP opens with The Articulation of Afterthoughts, a bittersweet and reflective love song with some of the most heart-wrenching lyrics on the record, “When she comes around the world seems a little brighter, and when she takes control my shoulders become lighter… When explanations fail to make you see what’s true, I am alone, I’m here with you.” In terms of composition, this is one of the most accomplished tracks on the album, coaxing the listener through a dynamic story that adeptly blends lyrics and melody. The elaborate layers of guitar sound like a waterfall rushing by, blending in delicate, brighter tones in the middle. Ant Harrison and Will Pearce’s dual guitars flow with force and beauty through all 6 tracks, giving Sombulance their unique edge.

The coda slides nicely into Lessons Lost, which is a heavier but punctuated by livelier, brighter drum lines. Throughout the all 6 songs, there’s not a single bar without layers of imaginative nuances that really hold your attention. The attention to detail in their composition is impressive, each listen piquing a new interest. Continue reading “EP Review: Sombulance – Lifer”

EP Review: Paper Champ – Easily L.E.D.

Brand new UK skatepunk that’s heavy on nostalgia value. FFO: Vanilla Pod, Goober Patrol and No Use For A Name.

Paper Champ are a 4-piece skate punk band from Ipswich, Suffolk. Following a successful Kickstarter campaign to finish off the recording, they’ll be releasing their first 5-track EP Easily L.E.D. this week.

Formed from the ashes of Ipswich melodic punks The 4130s, they put out their first demo in October 2016, featuring additional vocals from Goober Patrol’s Simon Sandall and Dan Goatham of Spoilers/7 Day Conspiracy. Easily L.E.D. is a mellower follow-up, although it’s still got a fresh, rough-around-the-edges feel.

Paper Champ WM Edit-10
Paper Champ live at The Smokehouse in Ipswich (26/07/2017)

The recording is a great reflection of their energetic live shows. Songs like Way Over The Line hit a more pop-punk vibe, not dissimilar to No Use For A Name or even Sum 41 in terms of melody. Stories From Around Campfires has great melodic bass intro, reminiscent of 88 Fingers Louie’s 100 Proof. Continue reading “EP Review: Paper Champ – Easily L.E.D.”

Gig Review: Gnarwolves @ The Borderline (20/05/2017)

You can taste the anticipation in the Borderline before Gnarwolves take the stage. I’m primed, in position, and I’ve made a tactical effort to finish my drink so I don’t end up wearing it.

Here are 5 things I learned tonight:

  • The revamped Borderline is perfectly designed for stage-diving pandemonium
  • Kamikaze Girls are fucking awesome (okay, I kinda knew that already)
  • Shut Up is destined to be the best song on the new Gnarwolves album
  • Bottle to Bottle has become so close to my heart that hearing it live makes me tear up
  • I have just seen the best show of the year so far

Continue reading “Gig Review: Gnarwolves @ The Borderline (20/05/2017)”