Tag: ska punk

Exclusive: Call Me Malcolm Premiere Video For ‘Restore Factory Settings’

Watch the latest video from ska-punk breakthrough stars Call Me Malcolm exclusively at Shout Louder.

Shout Louder are proud to bring you the latest music video from summery South London ska-punk kings Call Me Malcolm.

In 2018, Call Me Malcolm were responsible for restoring lost faith in the ska-punk genre, with the release of their album I Was Broken When You Got Here (read our review).

Filmed at Level Up Festival 2018, the video for Restore Factory Settings follows the band’s theme of channelling mental health struggles into relatable, singalong lyrics. It also revisits the nostalgic screens of Windows 95…

“Restore Factory Settings is about the moment you realise you suffer with mental health issues, and trying to process that as the world moves on around you,” said guitarist/vocalist Lucias. “Our songs are not typically tied to one moment or event, but in this case I wrote it about a day I was unable to get out of bed, and the waves of realisation that cascaded out of that. In the wider narrative on I Was Broken When You Got Here, we resolve that it’s ok to not be ok. This song begins that story.” Continue reading “Exclusive: Call Me Malcolm Premiere Video For ‘Restore Factory Settings’”

Album Review: Call Me Malcolm – I Was Broken When You Got Here

Meet the soundtrack to your summer. FFO: Less Than Jake, The JB Conspiracy, Lightyear, Random Hand.

I Was Broken When You Got Here is destined to be the soundtrack to your summer. London’s Call Me Malcolm have taken all the best elements of late-90s ska punk and rolled it into one irresistable package, modernising it by opening up about depression and anxiety.

It has been a long time since I’ve encountered an album that I couldn’t take off repeat, but I’ve listened to very little else for the last three weeks. It is due for release on Be Sharp Promotions and Bad Granola Records on Friday April 6th and take my word for it: you need this album in your life.

Press Art - Album CoverIt is not often nowadays that a ska-punk album comes along and completely stops you in your tracks. It’s not 2003. Ska-punk is no longer in vogue, if it ever was, however for those of us who do like our punk brassy, sunny and loaded with upstrokes, it is a very special thing. Arguably there has been a resurgence this year, but it’s been spearheaded by the return of some legendary live bands, not by new album releases.

Then Call Me Malcolm blast in out of left-field and drop this catchy, infectious masterpiece that grows more ingrained into your skull with every listen. Call Me Malcolm have been on the scene for quite a number of years and, although I’ve always liked them, I would never have expected them to come out with an album that, with the right marketing, could honestly rival Less Than Jake. Perhaps it’s my lack of presumption and expectation that allowed me to be wowed by this record, however it’s stood up to hundreds of repeat plays without becoming a ounce less enticing. Continue reading “Album Review: Call Me Malcolm – I Was Broken When You Got Here”

Random Hand: Can’t Stop Changing Plans [Interview]

Joe Tilston discusses Random Hand’s hiatus, their return to the stage and what they’ve been plotting in the meantime!

Interview by Sarah Williams. Photos nicked from Bev, from RH’s ‘last’ Manchester show.

It is hard to measure the impact that Random Hand have had on my life. They’ve been going since 2002, but I think I stumbled across them in 2007 when I first heard Scum Triumphant. They were one of the first small bands that I became properly obsessed with, so therefore they became my gateway into DIY. Literally, this website would not exist if Random Hand hadn’t been there to kick-start my gig addiction. I also wouldn’t own half as many sweat-encrusted band t-shirts.

For many years, Random Hand were one of the most explosive bands in UK ska-punk. Back in 2015 they announced that they were going on hiatus for a couple of years. Although they never used the words ‘break-up’ themselves, there was uproar in the punk community and many promoters billed their farewell tour as their last ever gigs. The news was especially shocking coming from a band who were a mainstay of the live circuit. No matter how many gigs they played, they always gave 110%, guaranteeing the best loud, sweaty and raucous performances you could wish for.

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The news of the hiatus was delivered alongside a crowd-funding campaign for a self-released album as a farewell gift to their fans. Hit Reset dropped on 13th September 2015, just as they came off stage at their final, incendiary gig at The Camden Underworld. The album was an unusual parting gift (particularly as they weren’t playing it live) and an opportunity to record with the final iteration of their line-up.

Robin Leitch (vocals/trombone), Joe Tilston (bass), Dan Walsh (guitar) and Sean Howe (drums) recently announced that they would be reuniting in 2018. Their first gig back is in their home town of Leeds, followed quickly by Manchester Punk Festival. They are also releasing their first album Change of Plan on vinyl via TNS Records. It’s a gorgeous red record, encased in an updated version of Si Mitchell’s classic artwork, due for release on February 9th.

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I sat down with Joe Tilston to discuss their plans for the new year and to get some insight into why they left us in the first place.

Random Hand are back! Why now?

We were very honest about it being a hiatus. I know some promoters weren’t quite as honest and said it was our last gig on occasions, but on our social media statuses and at every gig we always said it was a hiatus. It’s a break. If anyone asked anything beyond that we said, “We need two years off.” That was the watershed; having two years off and seeing where that took us.

It literally ticked over two years. I was on the phone to Robin just after he’d finished one of the projects he was working on and we said, “Shall we have a practice then?” That was it, really! It was one week less than two years that we had our first practice back. I think we all just needed the head space. We needed to let it go, not think about it and become our own people. Continue reading “Random Hand: Can’t Stop Changing Plans [Interview]”

Stand Out Riot: Reunions, Releases and Rumours [Interview]

“We might be older and slower than we used to be, but that won’t stop us having the most fun.”

Interview by Sarah Williams.

In a year that’s been blessed with exciting ska-punk reunions, Stand Out Riot are the latest to bring us exciting news. It’s been four years since the Manchester/New Mills sextet have played together regularly, but they’re joining forces once again to release their 2007 album The Gentleman Bandits on vinyl for the first time.

The Gentleman Bandits is a stomping, brassy riot of fast ska-punk – good luck standing still when you get this on your turntable for the first time! Stand Out Riot take cues from bands like Streetlight Manifesto in their more complex composition, incorporating heavier hardcore sections and party-folk elements that are reminiscent of Gogol Bordello. Announced last week, the record is now available from TNS Records, in a gorgeous translucent blue and yellow splatter. If, like me, you want to expand your unnecessarily large collection of merch from defunct ska punk bands, you can also order a new t-shirt while you’re at it.

They’re also getting together for a one-off reunion show, headlining Anarchistic Undertones’ New Year’s Eve shindig at Gullivers in Manchester, accompanied by the likes of Revenge of The Psychotronic Man, Riggots, Wadeye, Habits and The Mighty Bossmags. On top of there there are rumours of more appearances next year, although nothing’s announced at the moment. Very exciting times indeed.

Sarah recently jumped at the opportunity to catch up with bassist Will Garland, to find out more about why they’ve chosen to get together now and what else there is to be excited about in future.

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Apart from a one–off gig at Manchester Punk Festival in 2015, Stand Out Riot haven’t been together for quite a few years. What’s prompted your return to music?

Yeah, we haven’t had regular gigs since our last European tour back in 2013! Most of all, we really miss playing. It’s strange because we never really said we were going away – there was no farewell gig or last hurrah. The gigs just became less and less frequent because we got busy with our other lives. But now it’s been far too long and we’re very exciting to be playing again.

The band went through some line–up changes over the years. Who’s involved in the current incarnation of the band?

We’re back to a classic line up – almost the same as when we recorded The Gentleman Bandits back in 2010. We’ve known each other in one way or another for 25+ years now which is pretty crazy. Ben Streets on Drums, Francis Hunt on vocals and trombone, Hannah Hunt on sax, Tessa Hunt on violin and vocals, Ste Anthony on guitar and vocals. I play bass and do some vocals too.

What’s been keeping you and the rest of the band busy in the years without Stand Out Riot?

We’ve all done a lot of travelling, but also started settling down and getting real jobs. Hannah has gone around the world a few times. Tessa was in France for a year. Francis is in the US right now on tour with the Front Bottoms. I moved to Denmark to be a research scientist; that’s kept me super busy for the past 3 years. A few of us are now teachers. Ste is married and has a baby! Real life is pretty damn time consuming.

At the moment it looks like a temporary get–together for a few shows. Would you consider a permanent reunion?

We would love to be back playing regularly. For us in the past, we never made the band full time – it was always something we enjoyed doing in between everything else. When we were at school and university it was much easier to do that, but now we have proper jobs and responsibilities it’s very hard to co-ordinate that with all six of us.   Continue reading “Stand Out Riot: Reunions, Releases and Rumours [Interview]”

Beat The Red Light: A Force To Be Reckoned With [Interview]

Pook and Eddie discuss their reunion, moonlighting with The Filaments and the struggle of getting eight people together for band practice.

Article by Sarah Williams. Amusingly old photos by Bev/Hold My Pint Photography.

Once famously described as ‘Slayer meets The Slackers’, Beat The Red Light are a genre-defying collision of metal, punk and ska, probably best likened to Voodoo Glow Skulls or Capdown, if Capdown listened to black metal. Their combination of heavy, overdriven guitars, double-kick intensity and coarsely shouted vocals isn’t too hard to fathom, but the killer difference with this band is the way they use their four-piece brass section like an assault weapon. They flip from bouncy ska sections into hardcore beatdowns before your feet have figured out what’s happening, inspiring absolute chaos in a pit. It is a truly unique sound that’s perhaps a bit niche, but immensely enjoyable for those of us who’ve gotten our heads round it.

Sadly, Beat The Red Light officially disbanded in November 2015. Now, almost exactly two years after the split, they’ve announced that they’ll be reforming for Manchester Punk Festival in 2018: the most ideal reunion imaginable. Having released their album Salt The Lands on Manchester DIY label TNS Records in 2011, crowds in the Rainy City have always given them the best reception, even more so than in their hometown of High Wycombe.

At present, MPF is their only official booking, but rumours abound for more on the horizon! Salt The Lands on vinyl for the first time? Support slots with Lightyear? A mainland Europe tour with Faintest Idea? A Mexican mega-tour? I caught up with singer/trombonist Pook and sharply-dressed saxophonist Eddie O’Toole to dispel a few myths, and to find out why they’re coming back now.

Beat The Red Light have gotten back together! What have you got in store for us?

  • Eddie: I wouldn’t say that we’re ‘back together’. We’re just doing a few shows that we thought it would be fun to do. We’re being very choosy about them. We probably split up because it was so hard to do all the shows we wanted to do….
  • Pook: And to get everyone together for band practice.
  • Ed: Everybody lives in different places and they’ve got kids, so it’s not going to be any easier! It’s going to be very selective.
  • Pook: Hopefully the motivation of us wanting to do these shows should be more than enough for us to try and, um…. have some band practices.

So you haven’t managed to get together for a practice yet?

  • Pook: I don’t think we’ll be practicing until maybe the day before Manchester Punk Fest.
  • Eddie: Can I just note that it is exactly two years to the day since we split up?
  • Pook: It’s weird because we didn’t really have any plans. Andy and Bev from TNS messaged me asking us to do it. At different times when we all got together (which were very few and far between) we’d be like, “Aw, I miss the band.” It just seemed like the right gig. If we were going to do a reunion gig then it would have to be for the right reasons, and what better reason is there than going back to your band’s second home? We never properly did a goodbye gig for Manchester.

No, your last Manchester show was Manchester Punk Festival in 2015.

  • Pook: I actually announced it on stage, “This is going to be our last Manchester gig.”
  • Ed: That was kind of the break up announcement as well.
  • Pook: Half the band members didn’t even know! “Yeah, that was our last Manchester gig.” Deal with it! [Some other band members] were fuming! But I was right. That was our last Manchester gig.

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You played the after party in the Joshua Brooks that year, right?

  • Ed: The aftershow was much more fun [than playing in Sound Control]. It’s always nice to play in a bit more of an intimate space.
  • Pook: There were a lot of lunatics at that gig. I remember there was a lot of body diving, and then some guy got on stage. I thought he was going to go for a stage dive but then he rugby tackled me to the floor and started screaming in my face. I was hitting him with the microphone trying to get him off me. He was off his rocker; he was having a fantastic time. That was a nice hot, sweaty gig.

Continue reading “Beat The Red Light: A Force To Be Reckoned With [Interview]”

Gig Review: The JB Conspiracy @ The Waterfront [09/11/2017]

The JB Conspiracy play This Machine in full to celebrate 10 years since its release, at The Waterfront in Norwich.

Reven by Sarah Williams.

When The JB Conspiracy announced that would be touring to celebrate the 10 year anniversary of This Machine I nearly fell off my chair.

Have I seriously been listening to This Machine for 10 whole years? God knows how many times I’ve played it. It was on constant repeat through most of 2008-10 for me and I regularly revisit it. I can honestly say that it is one of my favourite albums of all time, and certainly one of the only releases from 10 years ago that I still feel is every bit as relevant now as it was then.

The record has a timeless quality that has enabled it to surpass many of the other albums of it’s time. Although they’re a ska punk band, it’s an awful lot more than that. The instrumentation is second to none; there’s a huge amount of intelligence and love that’s gone into all of the parts, especially the sterling horn section. They keep a dancing pace throughout the record that’s impossible to resist. This eight-piece from London have been going for an awfully long time and they’re still just as lively as ever.

Before the show I run into Bobble (of Faintest Idea fame) and ask him how the tour is going so far, as he’s playing trombone with The JB. “I get to play This Machine every single night!” he says, “Every night! This is the best thing ever!”

JB Conspiracy This Machine Tour

I amble into The Waterfront in Norwich just as Jim Higgs is starting his set. He’s got a roster of heartfelt pop songs, which he accompanies with some springy acoustic guitar. He’s got a delightfully smooth voice to go with it, and throws a Dido cover into a set filled with appealing original tunes.

Local three-piece Other Half are up next. When I picked up their album earlier this year it quickly jumped up the list of my favourite recent releases, so I’ve been quite excited to see them live again. It’s angsty, atmospheric indie-punk with a brilliant blend of male and female vocals, very much on par with bands like Hard Girls.

Disaster strikes at the end of the first song when Cal’s guitar string breaks, starting off a quite hilarious series of quips and tales of awkwardness. “Mr Soundman,” Cal asks, “Can I turn up the distortion on my guitar to hide all the mistakes?” He asks bassist, Sophie, to fill in on the talking while he tunes up. She he looks discomforted by this prospect, but she goes on to tell us a story of how bad her day has gone, which has the entire audience in stitches. Their stage presence is delightfully awkward and works perfectly with their moody, introspective sound. The highlight of their set is Misery Movement, the title track from their album, which I recommend you all check out. Continue reading “Gig Review: The JB Conspiracy @ The Waterfront [09/11/2017]”

Album Review: The Crash Mats – 69 Peruvian Panpipe Classics

The Oldham trio have just released 28 minutes of irreverent ska/punk ‘n’ roll nonsense that captures all the energy and hilarity of their live shows. FFO: Snuff, Teenage Bottlerocket and having a good time.

This weekend super-fun ska punks The Crash Mats released their second album 69 Peruvian Panpipe Classics. It’s 28 minutes of solid comedy gold, out on Horn & Hoof records now. Spoiler alert: there’s not a panpipe in sight.

The trio from Oldham have been around since 2008, and yet ‘maturity’ is the last word you’d use to describe this record. Their songs are short, snappy punk ditties and that can’t fail to plaster a grin on your face, covering such thought-provoking topics as The North, getting high and how your parents may react to finding a dead babysitter. If you’ve had the joy of catching The Crash Mats live before, you’ll know they’re unbelievably fast and fun. Before I saw them I’d never had the opportuntity to skank along to the Chucklevision theme tune and I am eternally grateful to them for that. 69 Peruvian Panpipe Classics take all of that energy and delivers it staight to your living room.

The Crash Mats 69 Peruvian Pan Pipe Classics

The album opens with an invitation to join them on a Hot Air Balloon Ride (“Would you like a ride in my hot air balloon?”), rolling through to Drive Me to Drink (“You drive me to drink, you drive me to drink.”) and heavier Oldham’s National Anthem (“Meat pie, chips and gravy!”). The Crash Mats are by no means lyrical genuises, but they sure do get their point across. It’s fun on record, but the drunken-singalong potential live is second-to-none. Continue reading “Album Review: The Crash Mats – 69 Peruvian Panpipe Classics”