Upbeat Israeli skate-punks Not On Tour are celebrating their new album ‘Growing Pains’ and their upcoming tour that takes in Groezrock, Manchester Punk Festival and SBAM Fest.
Interview by Sarah Williams. A shorter version is published in the Manchester Punk Festival programme, for which this was written. You can download the programme here. If you haven’t already, be sure to grab your MPF2019 tickets before they sell out!
Not On Tour are, without a doubt, the band we’re most excited to see at Manchester Punk Festival. Fans of 80’s punk ala Descendents, Bad Religion or Minor Threat will be instantly enthralled by their fresh take on a classic sound.
This Israeli four-piece have a cult appeal that’s spread across the global punk scene through ‘have you heard’ whispers in the past few years. Their catchy, political skate-punk ditties see them taking a headline slot at MPF, and touring to celebrate the release of their new album Growing Pains.
We’re excited to welcome you back to the UK! Manchester Punk Festival will be your first English show since 2013. How has the band grown since your last tour here?
- Nir (bass): A major change to the band is our new guitar player, Mati. Growing Pains is the first time we’ve written music with another guitarist and we are really pleased with the result!
Sima (vocals): We’ve played in a lot of other countries since then, all over Europe and also Japan and Russia. Last 3 years have been a big change in the amount of crowd and the places we play. Also having a booking agent has been a real relieving step for us.
What can British audiences, who might not have seen you before, expect from Not On Tour?
- Nir: An energetic show with a kick-ass female singer, fast and catchy melodic punk rock tunes that won’t let you stand without shaking your booty.
Continue reading “Interview: Not On Tour gearing up for Manchester Punk Festival”
Dutch pop-punks Coral Springs channel skate-punk talent to deliver a skilled and varied debut album.
Review by Alan Corcoran.
There’s a moment at 1 minute 46 seconds into Taking A Fall, the second song of Coral Springs‘ Always Lost, Never Found, that made me realise that this album is a keeper. It is a brief, catchy breakdown that bounces along and radiates a feeling of pure joy. It’s not slow, or even particularly heavy, but goddamn does it elevate a good song into a great one. It’s the type of artistic genre-melding movement that New Found Glory produced in Not Without A Fight, but it’s applied with a more deft touch.
Coral Springs, despite their name, influences and general aesthetic, do not hail from So Cal, but rather the West Coast of the Netherlands. Cartological pedants amongst you might point out that most of the coastline in the Netherlands is technically west coast – that it doesn’t even have an East Coast – but that’s beside the point.
Before you have a chance to draw breath after that breakdown, Voices crashes in with an opening riff that I don’t want to compare to blink-182 after guitar lessons from some euro skate-punkers, but… Continue reading “Album Review: Coral Springs – Always Lost, Never Found”
Why drive all day to play one set? The Human Project make a trip full of in-jokes and good times go quickly, en route to Coral Springs’ album launch in Leiden, Netherlands.
Article by Sarah Williams. Gig photos by Mia Weerdesteijn.
05:15 and I’ve accidentally set my alarm for 5pm, so Luke Yates, guitarist in The Human Project has to knock on my door to wake me up. I have one job (to get out of bed on time), and I’ve failed it.
It’s an early start, as are many of these trips. Loading merchandise into the back of a van at 5am, after staying in Luke’s spare room in Leeds the night before, I start considering why we bother. As a teenager, I imagined going on tour would involve a big Nightliner – a tour lorry with bunks beds, big screen TVs and a bar. As an adult I look forward to jumping in the back of a Mercedes Vito to travel in boredom for 10 hours, just to watch a band play for 30 minutes.
There’s an acceptance to it. It’s not glamorous, but it is fun. Luke jumps in the drivers seat of the van and we taxi round Leeds in the pre-dawn darkness to collect the rest of the band.
Continue reading “The Human Project Tour Diary: Driving 24 Hours For A 40 Minute Set”
Our recommendations for ones-to-watch this year – these bands are set to explode.
Written by Sarah Williams. Cover photo by Cold Front Photography.
Now that we’ve completed our round-up of 2018 (check out our top albums, EPs, festivals and live bands) it’s time to look ahead of the future.
The DIY punk scene is thriving in Europe currently; it’s feels like we’re on riding the crest of a wave that’s growing into a tsunami. Online connections are enabling us to share recommendations and enthusiasm across continents, so word is spread quickly about exciting new acts.
It’s easy to find new music nowadays, however I’ve believe there are two methods that stand out above the others: watching support acts at gigs and listening to recommendations from your friends. In 2019, I implore you to get out and see as many new bands as possible. To get you started, here are Shout Louder’s top recommendations:
Canadian thrashers Wolfrik are unlike any other band I’ve heard… although it’s safe to say they’re fans of Alexisonfire, A Wilhelm Scream, Protest The Hero and Belvedere. I’ve been keen to get their EP Skeleton City into the ears of anyone I can find and, so far, everyone’s been bowled over by their awesome sound.
Fortunately Skeleton City also found its way to the ears of the Manchester Punk Festival promoters, who pretty much instantly added them to the bill. If Wolfrik are as good live as they are on record then they’re going to tear the faces off the whole UK punk scene when they arrive in England in April. Erring on the metal / rock end of the punk scale, they combine a variety of genres, but it’s all fast, raucous fun with a healthy dose of experimentation. Continue reading “7 Punk Rock Bands To Stalk In 2019”