Famed UK punks debut the film of their last ever live show, featuring footage of their huge line-up of TNSrecords favourites: Faintest Idea, Pizzatramp, Nosebleed, Wonk Unit, Matilda’s Scoundrels, Casual Nausea, Rising Strike, Bobby Funk, The Domestics, Sounds of Swami… and a lot of shenanigans.
Shout Louder are proud to premiere The End of Everything: a film documenting the final live show of legendary Manchester fast-punks, Revenge Of The Psychotronic Man.
The farewell show took place at Rebellion, Manchester, on 8 December 2018, and marked the end of a long career of stupidly fast DIY punk rock.
The gig sold out four months in advance, and featured 14 bands: one for each year the band had existed. The line-up was announced shortly before the show, and the running order wasn’t revealed until minutes before each set, setting the scene for a day of chaos.
This film was made by Mark Richards and it features most of the bands who played, including Nosebleed, Pizzatramp, Wonk Unit, Matilda’s Scoundrels, Casual Nausea, The Domestics, Rising Strike, Bobby Funk, Sounds of Swami and more. It also includes extensive highlights of Revenge’s final emotional set, plus the once-in-a-lifetime Revenge ‘All Stars’ band, featuring a carousel of ex-members and associated musicians.
The sound was recorded by Julian Wallinger, with additional mixing by Simon Short.
We say goodbye to Manchester DIY punk legends Revenge, in this hilarious, boozy session.
A couple of weeks ago, Sarah met up with Andy Davies, Chris ‘Big Hands’ Hinsley and Matt Woods from Manchester’s Revenge Of The Psychotronic Man down the pub. We got pissed and we talked shit… and we recorded the whole thing.
Revenge have been a band for nearly 15 years, however they’ve chosen to call it a day in 2018. We took this final opportunity to celebrate their history as a band, and to say goodbye to an act that have been overwhelmingly influential in the UK punk scene – a shining example of what can be achieved through a truly DIY approach.
You can expect talk of human pyramids, tigers, Mr Blobby and Princess Diana… all accompanied by a healthy pint or four. We also have an exclusive announcement: listen up and you’ll get to hear the first band announcement for their farewell gig on December 8th.
Check out out top recommendatons for Dundee’s premiere punk festival.
Book Yer Ane Fest is a gem in the UK punk rock calendar. Over the years I’ve heard the name whispered, dropped into any conversation about the best punk festivals, but it’s shrouded in an air of mystery. Perhaps because of its wintry date (November 30th – December 2nd) or its ‘foreign’ location (taking place in the Scottish coastal town of Dundee), it’s sometimes overlooked on circuit English festival-goers follow.
I’m here to tell you the trip is more than worth it. Every year Book Yer Ane Fest has a stunning line up – an exceptional selection of the best DIY punk bands the UK has to offer, plus some choice selections from overseas, handpicked by the crew at Make-That-A-Take Records. They’re spread across two venues over three main days, with pre- and post-fest shows and a host of labels, zines and chartiable causes.
There are some absolutely incredible bands on the BYAF XII line-up, however we’ve picked out ten for you to check out.
N.B.: I’ve excluded a couple of my all-time favourites as they’re too ‘obvious’, but you should all clearly go and watch The Burnt Tapes, Forever Unclean, Roughneck Riot, Tim Loud and Uniforms, and all the other bands too!
Catchy, delightfully intelligent lyrics, with a rousing undercurrent of anger much needed in this brand of acoustic-led indie punk rock. From Edinburgh, Paper Rifles released a sterling albumThe State Of It All in March that is an instant love affair.
Having recently released Fears via Little Rocket Records, Irish alt-punk trio Lost Avenue have been touring heavily round. Their songs are powerful, driven and loaded with irresistable hooks.
Manchester’s DIY-heroes’ latest video captures the stunning crowd reaction at Manchester Punk Festival 2018.
Earlier in 2018, Manchester speed-punks and DIY-scene heroes Revenge Of The Psychotronic Man saldy announced that they would be splitting up in December.
The band have been active for 14 years, playing over 500 gigs all over the UK and Europe. In true Revenge fashion, the band decided to go out in style rather than fading away, making 2018 one of their most active years to date.
They announced a collosal run of live dates, all leading up to one massive headline all-dayer at Rebellion bar in Manchester on Saturday 8th December. Revenge have curated a bill of 14 support acts who they’ve shared stages with many times in their career, all doing 20 minute sets. The bands are booked along with a host of other surprises, however they won’t be announced until just before the gig! There are just 110 tickets left this this once-in-a-lifetime show – get yours before they’re gone.
Alongside this run of final gigs, the band have also released That Was Just A Noise. The album features 26 tracks from between 2004 and 2018, including some previously unreleased material and a series of rarities.
Planet Earth II is one of those new tracks. Already a live favourite, the track is a homage of sorts to David Attenborough, but also a discussion about spending every weekend on the road, being constantly knackered at ‘real’ work, but so grateful for the experiences the DIY punk scene offers.
Listen to our Spotify playlist for all of August’s hottest tunes!
This August Shout Louder’s keeping quiet whilst we all go rock out at Brakrock Ecofest and Punk Rock Holiday! We’ve still got time to share all of our favourite tunes with you, though. These are our hot tips for August 2018, enjoy!
P..S. Clowns, Astpai and The Penske File are all touring the UK in the next few weeks – go catch them live!
What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Now widely known as Manchester Pals Fest, MPF 2018 has been even more of a blinder than previous years. I guess we knew that it would be from the moment the line-up was first announced, with Propagandhi topping it. In a landslide of Facebook posts, messages and hugs once the weekend was over, the word out there is that it’s the best festival in the UK. The three-day weekender in the Rainy City is drawing like-minded punk rock fans from all around the world.
The festival is special both as a personal and a collective experience. If you attended, you would have been amazed by the number of familiar faces in crowd. I barely had time to chat to someone properly before running into the next person. With that many dedicated, creative and intelligent people surrounding you, it’s easy to see that the UK scene is thriving at the moment. Although it felt like we were all sharing this one great, special experience, as the weekend is split between five venues around town, it’s possible that you could have had a completely different experience to a friend who also attended.
With that in mind, these are my personal Top 10 experiences of the weekend. What were yours?
Ducking Punches closing Thursday’s show with Smoking Spot
“This is about how punk has taught us all our ethics; this is for all of you,” Dan Allen says between songs, instantly capturing the spirit of the festival. While most of my friends were queueing to get into Random Hand and getting turned away, I opted to catch Ducking Punches at Rebellion on Thursday night and I really don’t regret it.
Earlier in the day, Danny from Fair Do’s had said, “Look around you. This is what a beautiful, intelligent and ethical punk community looks like.” Both are examples of how appreciative the bands are of the event they’re attending. Far from being a big fest where you turn up, play and fuck off, Ducking Punches were around for the whole weekend, partying and enjoying the music like the rest of us. I had a transcendent moment during somewhere between Sobriety and Big Brown Pills from Lynn where I remembered that all my friends in the world are in this city with me, enjoying an incredible time. There is an overwhelming sense of community that I’ve not felt elsewhere – partly from the punk scene and partly from Manchester, a city with a strong sense of identity.
Closing on Smoking Spot was the perfect move from Ducking Punches, who’ve really grown with their new album Alamort. “This is a song about having the best time with your best friends,” Dan says. Perfect.
Watching my friends’ bands playing to sold out rooms
For many bands it’s their first time at the festival (and their first time in Manchester), but every act played to a huge crowd. Through general gigging and through this website I’ve become friends with some of my favourite bands, so I’m absolutely bubbling with pride when I see them getting an enthusiastic reaction from a big audience.
On Thursday, No Matter opened the festival to an almost full room at Rebellion. Following them were Captain Trips, a skate-punk group from the South Coast that I have a massive soft-spot for. I’ve been trying to get as many people to hear about them as possible, so to see Rebellion full for their set was incredible. Not only was the venue rammed – the crowd were dancing, moshing and generally enthusiastic about seeing them. It made my heart melt a little bit. Continue reading “Top 10 Moments of Manchester Punk Festival 2018”