Gig Guide: Bands You Need To See In February

February has a landslide of shows to bust you out of your January drought in style!

Article by Sarah Williams.

Thank fuck January is over. The darkest month is always a death note for gigs. People are too busy pretending that they’re going to save money, stop boozing or start dieting, when in reality we’re all cramming our faces with leftover Christmas chocolates and eyeing up the crème de menthe. No wonder it’s the month we’re most likely to off ourselves.

Fortunately, February is absolutely chock-a-block with noisy fun times. I’m double-booked on three of the four weekends and curating my top gigs was a right mission. I hope you all appreciate the effort and, in turn, make the effort to get down to one of these splendid shows.

Now, firstly, some shameless self-promotion. I’m not going to announce a Gig of The Month in February because I’m a tad biased…

Actionmen & PMX UK Tour

  • When: February 1st-4th
  • Where: Manchester, Ipswich, Guildford, Portsmouth
  • Who: Actionmen and PMX are playing with the likes of Darko, Fair Dos, Riggots, Drones and many more.

The first weekend of February sees four gigs from two incredible bands, including one hosted by Shout Louder in Ipswich.

Actionmen are an Italian trio who you’ll rarely catch in the UK. Deciding how to describe them is a bit of a challenge, so you best come check them out for yourselves. Fast-punk, metal, funk, psychadelia, garage, utter craziness? All of these things are good. Apparently ‘post-melodic hardcore’ is a term made up purely for them. You know the general rule that if a band have travelled from mainland Europe to play here it’s always worth seeing them? That rule has never applied more. They’ve been flooring audiences since 2000 and, if you’ve not caught them before, you’d be a fool to miss this opportunity.

PMX are also travelling all the way down from Scotland for four dates in England. If you’ve not heard me bang on about how great they are already, they’re a supremely talented bunch who’ve been peddling skate-punk and melodic hardcore for over 20 years. They’re preparing to release a new album this year and they’ll no doubt play plenty from their recent EP Dark Days. We had an exclusive interview with them last weekend, check it out: Part One and Part Two.

We also interviewed Darko who will be playing our show in Ipswich on February 2nd. They have put together an incredible line up on February 3rd to celebrate the 1 year anniversary of Bonsai Mammoth – definitely a worth the trip:

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If that’s a tad to far for you, you can catch them at any of the following shows:

Continue reading “Gig Guide: Bands You Need To See In February”

PMX Interview #2: Some Things Always Seem To Change

Part 2: Perth’s perennial prodigies PMX discuss their plans for 2018, X-Factor auditions and lament the loss of Myspace.

Interview by Sarah Williams.

Yesterday, in the first instalment of our 2-part interview with PMX, we got an exclusive look at their history as a band. Check out the article for all the ups and downs that coming of age in the skate-punk scene brings.

As we learned, PMX have been going for over 20 years, although that did include a hiatus and a few variations in their line-up. 2017 has been an especially busy year for them and 2018 is shaping up to be even bigger.

They have just announced the release of a single-session live album, Clochridgestone, on February 26th, the aim of which is to the fund the recording of a full-length studio album later in the year. They’re playing a run of dates with Actionmen in February (including one put on by Shout Louder on February 2nd at The Smokehouse in Ipswich), a handful of festivals, plus a jealous-making jaunt to Japan.

To get us up to speed, singer and guitarist John Harcus and I discussed how they’ve changed and what they have planned for the future.

Your priorities must have changed a lot since you got started 20 years ago. When you first started out as a band, what was your main aim?

To be honest, Pmx has always been about having fun and that priority has not changed to this day. We have always strived to better ourselves as musicians and get our music out there to like-minded individuals who enjoy the music we enjoy playing. It’s always been that way.

What would you say is your main priority for the band now?

To last another 20 years!

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What’s been the highlight of your musical career?

Too many to mention. I’ll put my X-Factor audition at the bottom of that list! We have been lucky enough to play alongside some of our favourite bands and tour in places we never thought we would ever see, let alone play in. We hope to extend that list in coming years.

Hang on, X-Factor auditon?!

Long story short, when I was playing solo my mate Tom filmed this rad video of me playing two of my tracks live (below). At somepoint in 2012 I was emailed by some A&R type who saw the video, asking if I would like to come to London to play my tracks to some music producers at Sony Music. There wasn’t really much more info than that other than it could be for publishing, performing or TV.

I went, and when I got there found myself at the Sony Offices. They took me to this casting couch setup where I played live to them and they asked if I would be interested in going for auditions for X Factor. I thought, “Fuck it, you only live once”, so I went to the Free Mantle Media/Syco Offices, did the audition, then fucked off. Never heard from them again! Continue reading “PMX Interview #2: Some Things Always Seem To Change”

PMX Interview #1: 20 Years of Skate-Punk History

Part 1: Scottish skate-punk legends PMX share their history – embarrassing haircuts, namedrops and hangovers ahoy!

Interview by Sarah Williams.

PMX are overwhelmingly good at what they do: they’ve got melodic mass appeal mixed with the technical aspects of hardcore, infused with a refreshing dose of Scottish humour. Watching them live in the past has left me a little bit awestruck.

I have not been able to take their most recent EP Dark Days off repeat (seriously, it’s getting embarrassing). The band add clever, technical guitar runs and drum fills into songs without overly showing off and, more importantly, without detracting from the accessible appeal of the vocals and song structures. It’s catchy as fuck.

That being said, PMX are somewhat of an enigma to me. Their live shows are like gold dust and it’s been over two years since their last release.

Their reclusive nature makes sense when you consider how long the band has been together. Looking at PMX now, it’s hard to believe that they have been going for over 20 years. They’re still young enough and their sound is vibrant, relevant and forever growing. I suppose that’s what happens when you get started at 14 years old; they have the experience of veteran musicians but they’re still very much in tune current releases.

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I was lucky enough to catch up with singer and guitarist John Harcus to learn more about this mysterious powerhouse of a band. In Part Two you can read about the new tunes they’re writing and the live dates they’ve got planned. Firstly, though, you can learn exactly how you manage to keep a band together for over 20 years…

PMX have been a band since 1997. How the hell have you managed that?

Hey Sarah! How’s it going? Good question! To answer that in full I’ll have to cast my mind back through countless clouds of purple haze and a copious amount of hangovers. I’ll give you some of our backstory/history to put it all into perspective. Matt, our bro Paul and I started Pmx back in high school. We originally called ourselves PMT (Pre-Musical-Tension. Shite, eh?) and recorded our first record as a 3-piece back in 1998.

It consisted of nine tracks that ripped off Kerplunk by Green Day with a hint of Nirvana‘s Nevermind. We didn’t know if we were grunge or punk so we did a bit of both!

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A year later, after countless shows around the Perth and Dundee area, our friend Danny joined on second guitar. Our influences were quickly changing as we started listening to bands such as NOFX, The Offspring and Lagwagon.

We recorded a four track E.P. in 1999 titled The Stroppy Bitch Project. It was the start of us experimenting with more technical and faster songs. Around that time we competed in numerous battles of the bands and started gigging further afield.

 

By 2000, our sound had become what is now considered skate-punk and we recorded our third EP titled Goodbye Normality. This was our first attempt at playing double-time punk rock that the Fat Wreck Chords influence had bestowed upon us.

Around 2001, we played our first mini tour down in London, started getting quality support slots at Glasgow’s metal/rock club, The Cathouse, with Household Name Records bands and international touring bands and generally playing as many gigs as possible.

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Our fourth E.P. was in the bag by 2002. It featured the very first version of our track PmxTV from our first album Rise and Shine and was the start of us trolling the internet far and wide, pushing our music on any guestbook or chat forum possible.

In 2003/2004 I started recording a twelve track demo of Rise and Shine from home. During that period we played alongside bands like as Captain Everything, Five Knuckle, Skirtbox, Route 215, King Prawn and loads more. These were bands that we very much looked up to. While playing a mini tour with Route 215 from London, their lead singer, Rod, told me how much he loved our track Rockstar and basically said, “I’m going to let our label boss hear this shit and get you guys signed.” Continue reading “PMX Interview #1: 20 Years of Skate-Punk History”

Top 5 Punk Gigs of 2017

Shout Louder’s favourite gigs of 2017.

Article by Sarah Williams.

This was an unbelievably tough call. I’ve been to more gigs this year than I ever have before, and the vast majority of them have been worth shouting about. It’d probably be easier to do Top 5 Worst Gigs.

Strangely, some of the best gigs I’ve seen haven’t been punk at all. I spent a lot of this year working at The Smokehouse, a DIY music venue in Ipswich, so I’ve attended a lot of shows that I wouldn’t normally give time to. Easily my most memorable gig this year was Rich Quick, a fast lyrical MC from Philadelphia. The night was quite poorly attended, which meant that those of us behind the bar could actually go and enjoy the performance. Rich spent the whole set roaming through the crowd, rapping straight in our faces and handing out prints of his artwork. It was really unique, intimate and one that I’ll be telling people about in years to come.

Two of my other favourite shows (that didn’t make the cut) were Run The Jewels at the Albert Hall in Manchester, and the Youngblood Brass Band at Islington Assembly Hall in London. Although both performances were incredible, energetic and extremely memorable in their own right, it was the venues that really set these two gigs apart. The Albert Hall is a restored Wesleyan chapel with wood panels, stained glass windows and a huge pipe organ that was a quirky contrast to RTJ’s emblematic fist-and-gun stage display. Islington Assembly Hall is a Grade 2 listed hall full of 1930s art deco features, including a sprung wood floor that made it so much fun to dance around to the band.

But, after much deliberation, I managed to select these five shows as my top gigs of the year:

#5: Descendents @ Kentish Town Forum, London

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This gig would have been higher up my list if it weren’t for the support acts. Without being disrespectful of The Kenneths and Abrasive Wheels (who are both good in their own right), when you’re paying £35 a ticket you expect to see bands closer to the genre and calibre of Descendents. As such the evening felt a bit disconnected.

That being said, Descendents turned up and put on an unbelievable show. Opening with Everything Sux, they charged through 32 hits back-to-back, including not one but two encores. I’ve never seen a crowd demand two encores before, but it was absolutely warranted in this case. They’re as tight and accomplished as you would expect of a band their size. There wan’t a single moment in the set that I didn’t really enjoy.

Check out our review of the gig here.

 

#4: Kick The Crutches All-Dayer @ The New Cross Inn

As far as I’m concerned, this gig is what DIY punk is all about. £5 for 12 bands. A brilliant venue in London. Record label distros. A relaxed atmosphere and a line-up that didn’t stop. It was a completely accessible day of music in London.

Better-known acts like The Kimberly Steaks and Pizzatramp (and Vanilla Pod, although they had to pull out last-minute) are worth going to see on their own, so as part of an all-dayer they’re a fantastic excuse to rock up and check out some band you’re less familiar with. My biggest take-away from the day was Bristolian act Neitzsche Trigger Finger, easily one of the strangest and most entrancing I’ve seen all year. I also got to catch Fastfade, Strange Planes and On A Hiding To Nothing for the first time, and completely loved all of them. It was also a treat to catch Mug, Misgivings and Werecats, all of whom are consistently great. In short, the standard was held extremely high for over ten hours of fast-punk frivolity. Continue reading “Top 5 Punk Gigs of 2017”

Gig Review: Punkle Fester [14/10/2017]

Southampton’s skate-punk extravaganza slayed. Featuring Darko, Fair Dos, PMX, Almeida, Grand Collapse and excessive caffeine consumption.

Review by Sarah Williams. Photos by Alia Thomas, video by Rob Piper.

When I first saw the line-up announcement for Punkle Fester, it was an immediate no-brain decision to go. Featuring the likes of Darko, Fair Dos, PMX and Almeida at the top of a bill of thirteen acts, it is conceivably the best UK skate-punk shred-fest I have ever encountered. The bar for this gig is set extremely high; clearly worth the four hour trip to The Talking Heads in Southampton.

We have Lee Warren and local Southampton skate-punks Captain Trips to thank for this monstrously good line-up, and they’re in good spirits when I rock up at Saturday lunchtime. Portsmouth trio The SLM kick things off, turning out silly fast punk reminiscent of The Ergs. They throw some nice metallic guitar licks into the mix, coming across a bit like a drunken NOFX practicing for a Slayer covers set. Or Slayer practicing for NOFX covers set, I can’t decide.

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Their songs cover a range of important topics, with titles like Bitten By A Zombie, Turtle Shark and Here Come The Raptors. Vocalist/guitarist Rob clearly enjoys introducing the songs with rockstar-style flair, although the rest of the band keep ribbing him to keep within their allotted set time. Their new song Paradox Maradox adds a bit of depth to their set with some more earnest singing. They finish off with a cracking song about zombie sharks and a shout along of ‘sword, sword, sword!’ from the small but enthusiastic audience.

Between bands, Rich Mayor (frontman of Captain Trips) plays a quick acoustic set in the lavishly decorated front bar, adding some lovely atmosphere to the smoking terrace. He plays Give Me A Shout from his solo album Decade, which gives his voice a chance to shine without the force of a full band behind him. He’s got a unique sound that’s warm but rough around the edges, and a talent for a catchy songwriting.

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The Bitter-Town Hounds bring a lot of hair and energy to the mix, introducing a welcome metal edge to the day. They make good use of on-stage space, playing off each other’s energy. Their drummer can’t run around but he looks like he wants to, hurling a lot of passion and energy into his kit. The vocalist has the perfect confident rock delivery and the bass really stands out, partly because of the great sound in The Talking Heads. The highlight of their set is an unexpected but deeply enjoyable cover of Suicidal Tendencies’ Cyco Vision. More of that, please. Continue reading “Gig Review: Punkle Fester [14/10/2017]”