Introducing the bands playing Do It Together Fest this weekend, including music videos, fun facts and recommended reading.
Do It Together Fest is a celebration of the DIY punk rock community, which we’re hosting alongside our friends Be Sharp Promotions and Colin’s Punk Rock World on 24-25th January 2020.
Sat in a beer garden last summer, I stumbled on the idea of putting on a London weekender (an evolution of Shout Louder Fest in 2019)… a flurry of WhatsApp messages and not a lot of thought later, we’d planned the whole thing.
Paul, Colin and I all have our birthdays over the same two weekends so, rather than competing, we’ve clubbed together to create this shindig. We’ve invited our mutual favourite bands to play, and we’re giving a platform to other promoters by offering stalls to labels and zines. I’m even making PAPERCUTS (our community themed book) to tie in with the event.
What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Episode 3 is here! Featuring brand new music from Call Me Malcolm, Nosebleed and Triple Sundae, plus tunes from March and On A Hiding To Nothing.
We’re back! In Episode 3 we are excited to share three fresh tracks with you ahead of their release – you can look forward to new songs from Nosebleed, Triple Sundae and Call Me Malcolm. We also have some fast noisy stuff from March and On A Hiding To Nothing.
Sarah get annoyed and goes off on tangents, while Mark is there to rein her back in as usual. Mark shares his love of All Saints and displays an incredibly poor knowledge of hip hop, Sarah shares a love of The Strokes and a hatred of Good Charlotte as we discuss some of our musical origins. We also share a mutual story about getting rained on Punk Rock Holiday.
After having a good whinge, we discuss some of the most exciting releases of the moment, including Our Lives In Cinema,Eat Dirt, Money Left To Burn and The Affect Heuristic. We take plenty of time to discuss the shows we’ve been to lately including Shredfest (with No Contest, Laughing In The Face Of, Almeida, Sombulance, LineOut and Dead Neck), Pat Butcher‘s carrot in a minute gag, Only Strangers, Kiss Me Killer, Honey, The Domestics and The Kirkz.
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Check out this bangin’ melodic punk line-up hitting London on March 3rd!
Shout Louder’s very own Mark Bartlett has put together a blindingly good all-dayer in South London, to celebrate the release of Our Lives In Cinema‘s new EP All Talk and Triple Sundae‘s new single Indecisive, both out on Umlaut Records in the near future. They’ve curated an exciting collection of up-and-coming bands from around the country, all of whom are linked by a talent for fast, catchy, hooky melodies. In short: fun.
The lineup includes some incredible bands, such as Manchester’s freshest power-punks Aerial Salad, melodic fast-punk favourites Captain Trips and London’s own Triple Sundae, who will no doubt be playing some tunes from their seriously exicting new record.
You’re also going to fall in love with Arms & Hearts, a solo singer-songwriter with one hell of a voice, in the style of Brian Fallon or Chuck Ragan. You’ll walk out of the gig desperately wanting to get his beautiful lyrics tattooed all over you. If that’s not your thing, FastFade and Second In Line will bring you back into the fast-punk game. Continue reading “Gig Alert: Cinemania Fest”
Hi, I’m Mark Bartlett, lead singer of obscure London emo/pop-punk/post-hardcore/whatever-punks Our Lives In Cinema.
Bands, let’s all examine our work ethic for a moment…
I want to look as excited as I actually feel but I’m just really, really sleepy (and still recovering from a nasty bout of flu). It’s the first of 5 days of recording our new EP All Talk at The Clubhouse in Tunbridge Wells with Ricky Beetlestone. The spirit is absolutely willing but there are giant fuck-off bags under my eyes and a tired rashness to my cheeks that’s making me look like Phil Mitchell at peak booziness.
I finished work at 2am last night, which meant I was forced to get the N199 night bus outside Charing Cross with all the pissed up Friday night misfits, thus eventually crawling into bed at 3:45am. This isn’t ideal for a 7:45 wake-up time. To be fair, I don’t have to do anything today apart from be here and give approving nods and dismissive headshakes.
I know absolutely fuck all about the technical aspects of the recording process so, after meeting all round nice chap Ricky and lugging a few drum bits around, I snuggled into the leather sofa at the back to try and have a nap. Actually, I did pause to be suitably impressed by the monolithic mixing desk, which seemingly had 500 different dials and doohickeys that a luddite like myself could never comprehend.
Despite my sleepiness (that I hope didn’t come off as apathetic rudeness to our new producer friend), I am excited. This is the best part of being in a band. We’re making a record; it’s going into the digital cloud to live forever and provide some evidence to future society about exactly who their silly ancestors were.
Hi, I’m Mark Bartlett, lead singer of obscure London emo-punks Our Lives In Cinema.
I’m currently in my bed. It’s raining outside; the wind is fucking noisy. I’m really tired and I’ve got a stinking cold. My eyeballs hurt as I’m writing, probably because I don’t own a computer and do all of my writing on the pages app on my phone.
I get myself pretty stressed out, and I feel like I have too much on my plate what with having a full time job (with very strange shift patterns) and all the demands associated with that. Next week my band is going into the studio to record EP no. 2 All Talk. We are also hosting a big charity fest/release party on March 3rd in Kingston, with some of my favourite UK bands. We are going to make new videos, get new merch and press ahead full steam with our plans for 2018.
When I get stressed out, my wife Ruth always asks why I don’t just drop a bunch of stuff (and get off my phone). After all… hobbies are supposed to be fun and relaxing right? I agreed. I resolved to quit social media and stop being such a try-hard, try to write some songs and be ‘off grid’ for a bit.
This lasted for one week max. A fortnight later, I’ve started organising a festival and taken on all the other stuff that comes with releasing a new record. This forced me to think about why I bother and what the overall point is. I think it’s important every now and then to re-examine why you’re in a band in the first place, give yourself a little bit of self-therapy and re-adjust your expectations accordingly. Continue reading “All Talk #1: What’s The Point Of Being In A DIY Punk Band?”