Gig Review: Only Strangers’ Album Launch @ The Pilgrim’s Pit [03/03/2018]

We visit Stoke-On-Trent to celebrate Only Strangers new album, with support from Rising Strike and The Kirkz.

Article by Sarah Williams.

I admit, I was sceptical about travelling to Stoke-On-Trent for a gig on a Saturday night. It’s not exacty known as a hive of musical activity. Fortunately, I was proved completely wrong – I wound up enjoying one of those fleeting gig experiences that you can never recreate.

The Pilgrim’s Pit is an unusual space: esoteric artwork and a ‘city of culture’ sign adorn the exposed brick; UV lighting makes your teeth glow like rave-yard tombstones; bunting and model aeroplanes hang from the ceiling. The room has just enough space for thirty audience members, with barely room for the drumkit against the back wall. The bands stand on the concrete floor like the rest of us – no stages or barriers here.

Even without the intimacy of the venue, this would be a special evening. It’s the launch of Only Strangers’ self titled debut album, a truly high-quality record that they’ve invested two years in making (read our review here). They’re ready to share it with the world for the first time, so they’ve invited a handful of friends and family along to the show. I’m sure they could pack out a bigger venue given the chance, but they’ve chosen to celebrate in their hometown with select few. Playing with them are some of their close friends, who happen to be two classic TNS bands: indestructible Macc’ lads The Kirkz and a ska-core assault from Rising Strike.

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The Kirkz are on first, filling the room with their nu-metal infused, hooky hardcore. It’s classic TNS fare that sounds just as hard as ever. They open with Zombie Nation and it’s impossible not to get into the catchy chorus on Tanks and Machinery. The room stays stubbornly sub-zero despite all the bodies congregating into confined space. Max, unmistakable Captain of The Kirkz, roams energetically around in the small gap in front of the mic stands, pausing between songs to instruct people to mime the T-sign at him if they need to get past to use the toilet. A slight downside to the lack of elbowroom is that there’s little definition between the guitars and vocals (which miraculously improves in time for Only Strangers, like it was some sort of plot), but it’s a fresh and raucous set that buzzes with energy. The Kirkz remain a stone cold classic act; it’s a great start to the evening. Continue reading “Gig Review: Only Strangers’ Album Launch @ The Pilgrim’s Pit [03/03/2018]”

Shout Louder Podcast #1: There’s a Bear in the Circle Pit!

Welcome to our brand new Shout Louder podcast, bringing new music and gig gossip direct to your ears.

We are extremely excited to announce a our brand new podcast!

This new branch of Shout Louder is designed to bring new music, gig gossip and amusing anecdotes direct to you ears.

Your podcast hosts are Sarah Williams and Mark Bell. Sarah’s the puppet master of Shout Louder and a certified gig-addict. Mark’s an illustrator, guitarist and promoter who runs Umlaut Records, along with the other lovely guys from Mug. If you don’t know him personally, you will probably recognise his artwork from a t-shirt you own!

Why is there a bear in the mosh pit? What’s it like to play to a crowd of deaf people? What waxy horrors lurk inside Sarah’s ears? How many tangents can Sarah drift off on? In this episode we talk about some of the bands we’ve seen recently, album’s we’re currently obsessed with and the worst gig Mark’s ever played. You can also hear music from F.O.D., The Shell Corporation, Only Strangers and Arms & Hearts.

Give it a listen, give it a share and give us a shout! Let us know what you think.

The podcast will be available online through iTunes and all your lovely podcatching clients in the near future. Bare with us for now – we’re trialling the first episode through this website online.

In future, we are hoping to get some guests involved, bring you some interesting info and interview, and new loads of new music.

If you like it, please subscribe and give us a share! We would also love to hear your feedback so that we can be even better next time. Give us a shout!

Album Review: Only Strangers (S/T)

Agonisingly good gruff, melodic punk rock with hooks aplenty. FFO: Hot Water Music, Iron Chic, Leatherface and Leagues Apart.

Review by Ollie Stygall.

One thing that punk rock needs is to be delivered with passion. It’s the passion that separates punk from guitar-based pop and stops bands sounding like Blink 182. Stoke-on-Trent 4-piece Only Strangers ooze passion from every pore on their debut full length album. Since their inception in 2010, the band have honed their craft with some independently released EPs and a split release with Liverpool’s Pardon Us, but it’s this album, on Manchester-based Horn And Hoof Records, that should and, I’m confident, will put them on the map.

Punk rock is a many hued genre, from the indecipherable noise of bands such as Chaos UK and Extreme Noise Terror, to Fugazi’s dub-infused grooves to Siouxsie And The Banshee’s gothic drama to NOFX’s nasal thrash. Only Strangers sit firmly in the middle ground with an excellent set of emotionally charged, high-energy punk rock songs. Taking their cue from punk rock Americana, Only Strangers are the UK’s answer to Hot Water Music. The similarity cannot be denied but does that matter? When a band releases as strong a bunch of songs as this, that bristles with a sense of urgency and energy as this does, then that is what counts. Let’s face it, if you’re going to be compared to another band it may as well be an awesome one. That said, beyond the quality of this release, Only Strangers show a huge amount of future potential and will continue to grow and develop into a world class band.

Continue reading “Album Review: Only Strangers (S/T)”

Top 5 Album Releases of 2017

Shout Louder’s favourite picks from a year of brilliant new albums.

Article by Sarah Williams.

By sticking to the classic Top 5 format for our end-of-year round-up, I’ve really made a rod for my own back. It would be easier to write a Top 10 or a Top 40 with all the amazing releases this year.

As a result, there are some surprising absences from my Top 5. Propagandhi’s Victory Lap has received a lot of repeat play at Shout Louder HQ, but I’d still take any of these smaller bands over it. Bear Trade, Matilda’s Scoundrels and 88 Fingers Louie have all put out brilliant full-lengths. I’m a huge fan of The Smith Street Band, but for me More Scared of You Than You Are of Me just doesn’t have the sheer gut-wrenching emotive force of their earlier releases. I feel similarly about The MenzingersAfter The Party.

Shamefully, I’ve not given enough time to Iron Chic’s You Can’t Stay Here or Hard GirlsFloating Now to include them, although I know I’m going to become obsessed with both. I only recently heard Hateful Monday’s Unfrightened but that would definitely be on the Top 5 if I had got to it sooner! There are also plenty of less punk releases that I have enjoyed. If you’re into Canadian hardcore then You’re Not You Anymore by Counterparts will be a highlight. One of my other favourites has been Thundercat’s Drunk – it’s fabulously eclectic stoner/soul/nu-jazz stuff.

I have one final thing to mention before I get on with it: the new Only Strangers album. The release has been pushed back to 2018, but had it been released in December as planned there is no doubt that it would be in my Top 5. I’ve been rinsing a pre-release copy on repeat for weeks. If you like gruff melodic punk like The Burnt Tapes, Hot Water Music or Iron Chic, keep an eye out for the release in the next few weeks.

Finally, here are my Top 5 Albums of 2017:

#5: Aerial Salad – Roach

Aerial Salad Roach Cover

Aerial Salad are a refreshing suprise. There is something exciting about their debut album that I can’t explain; it has a modern-classic air to it. Songs like Habits and Problems are instantly memorable and relatable. The bassline on Check My Mind is as comforting as your pulse. The opening line to 97, ‘I just told my Mum I’m gonna kill myself, it’s so easy now,’ is so raw it burns. Roach is an album with guts.

It’s even more suprising that the album sounds refreshing, because in many way it’s copy-cat familiar: Aerial Salad’s sound is reminiscent of bands like Greenday, PUP, Gnarwolves, Jawbreaker and Nirvana. The is a raw quality to the production and rough delivery that makes the album sound fresh, unique and special. Discovering Roach is like finding £50 discarded and trampled in the street. Give it a listen and get ready to become obsessed.

Check out our 2-part interview with Jamie Munro here and here, plus our review of Roach here.

 

#4: Gnarwolves – Outsiders

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Gnarwolves are a somewhat marmite band within the scene, but for me Outsiders is merely further proof that they can do no wrong musically. From the warm, plaintive opening of Straightjacket I am completely and utterly hooked. ‘I found love at the bottoms of bottles, the edges of twilight where my Sunday slips into my Monday,’ is a fitting introduction to Thom Weeks’ evocative and memorable songwriting. The album then cascades through equally dark and uplifting tracks like Wires and Paint Me A Martyr, full of appealing melodies, hooks and infectious refrains. Continue reading “Top 5 Album Releases of 2017”