Listen to our fresh new radio show: an hour of punk rock and chat. Featuring Hightime, Sunliner, Modern Shakes, Cigar, Link 80, Not on Tour and many more.
I’ve taken a bit of a hiatus with our regular Shout Louder Podcast activity – largely to do laziness! After weeks of coronavirus lockdown, I thought it was time to share some new music with you, albeit in a different format to usual.
Rather than my usual offbeat interview-style, I’ve compiled a radio show of new punk rock releases, with a few older favourites thrown in. I’ve talked my usual absolute nonsense between songs for you listening pleasure.
Listen below or subscribe on Soundcloud / any decent podcast platform for an hour of upbeat tunes.
Knife Club are the most mysterious punk band of 2020 – teasing live shows and recordings without ever revealing who they really are. If you’ve missed the hype, we posted an article speculating about their identity (sorry folks: we were in on the joke the whole time).
Today you can finally learn the identity of the band! Our interview below sheds light on the whole affair. To celebrate, they’re launching pre-orders of their first full-length album We Are Knife Club – available from TNSrecords.
Watch this video right to the end, and read the interview below to find out exactly who Knife Club are and what they’re all about!
You can finally tell the world who you are! Introduce yourselves for us.
We’ve made a Spotify playlist of all the best punk rock bands we’ve seen live this year, just for you. Want to discover your new favourite band, or relive the best music festivals of 2019? Look no further.
Live music is the best barometer for new bands. No matter your budget, it’s impossible to capture the energy of a good gig on vinyl. Watching a band live is the fastest way to fall in love with them.
Writing in August, I’ve been fortunate enough to enjoy a plenty of punk gigs and festivals already this year. Feisty bands like Not On Tour, The Penske File and Nosebleed have consistently got me dancing. I’ve been impressed by old favourites like The Bronx and Consumed, who haven’t lost their edge. And I’ve caught new acts like Cryptic Street and Daves and had my mind blown.
Here is a Spotify playlist of the best punk rock bands of 2019 so far. Who would be on your list?
A review of MPF from Sarah, who volunteers at the event. Friends, frantic dashes between venues and some top-class hardcore, including Not On Tour, Adrenalized, Svalbard, Consumed, Fair Do’s and Snuff.
Although there will be reviews aplenty, at Shout Louder we want to offer two unique perspectives on the fifth year of Manchester Punk Festival. Mark Bartlett’s given us is highlights as an MPF virgin, where as Sarah Williams is an MPF veteran who volunteers at the festival. In this edition, Sarah gives us a unique perspective from behind the scenes.
Excitement for Manchester Punk Festival begins long before the doors open to the public. Unfortunately, excitement can easily be mistaken for stress.
Weeks before the main event, I’m inundated with messages asking about guest list, accommodation, press accreditation and band recommendations. I’m only a volunteer, I’m not even one of the organisers – I can’t begin to imagine the sheer insanity of their inboxes. How they manage to keep it together in the days leading up to the festival, I will never know.
The hard graft starts in earnest on Thursday – the eve of the festival. I drive to Moston to join a five car convoy; our best method of transporting all the festival merchandise in the absence of ROPTM’s van. I’m blasting out Ocean Wisdom round the M60 like some boy racer on the way, which is harshly interrupted by a phonecall about a bounced band payment and a confusing artist hotel booking. We get it sorted in seconds, like pros.
Delivering the merchandise is the first time I’ve seen MPF’s brand new venue: The Union. It’s a huge, modern student building fittingly decorated in Manchester’s signature yellow-and-black. I’m shocked to see the size of the main hall. As we climb ladders to hang banners, it starts to look like a ‘real’ festival venue. It’s fucking huge. Continue reading “Gig Review: Behind-The-Scenes at Manchester Punk Festival 2019”
We are proud to announce the first ever Shout Louder Fest!
We are seriously excited to announce the first ever Shout Louder Fest, created in association with Lockjaw Records.
Shout Louder Fest will take place at Gullivers in Manchester on February 2nd, promising a mix of melodic punk, ska, skate-punk and hardcore. Grab your ticket now!
We’re calling it a ‘fest’ but, if we’re honest, Shout Louder’s head honcho Sarah W is turning 30 and wants you all to come and party with her. To celebrate, she’s hand-picked a line up of all her favourite bands for this massive all-dayer in Manchester, including Faintest Idea, Fair Do’s, The Human Project, PMX, Aerial Salad, The Burnt Tapes, Goodbye Blue Monday, Nosebleed and Follow Your Dreams.
Let us know if you can join us on our Facebook Event.
Here’s a taste of all the awesome bands you can enjoy:
Long-term TNS favourites Faintest Idea bring the rudeboy street/ska-punk party all the way from the East of Anglia. Shouty smash-the-state vocals, irresistible brass, Alan Partridge accents. What more do you want?
FFO: Random Hand, Rancid, The Specials, dancing till you drop
Masters of shred, breakdowns and political ‘choruses’, locals underdogs Fair Do’s bring seriously uptempo, technical skate-punk with a metal edge. Now that they’ve finally released their album ‘Leopards’ you can learn all the lyrics and sing along too.
What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Mark and Sarah discuss all things MPF 2018 including insider tips and line-up clashes, plus we announce the Wotsit Called Fest headliner!
We are so excited to share Podcast #4 with you! This is our favourite one so far; we just hope you love it as much as we do. You can listen on iTunes, Soundcloud and many other podcatchers, or on the link below.
Recorded in the extremely silly, hungover aftermath of Dugstock Festival Mark and Sarah discuss all things Manchester Punk Festival in detail. We pick through the whole line-up, talk about the festival’s history and give you insider tips on surviving the weekend. Even if you’re not attending the festival, it’s worth a listen to hear some fantastic punk tunes and to laugh at how tired we are.
At Shout Louder, our April revolves the smorgasbord of sonic splendour that is Manchester Punk Festival. Now in its fourth year, MPF takes place over April 19th – 21st and, besides featuring many fantastic bands, it is also a major friends-fest. Every year the festival inspires punk rock pals from around the country to descend upon the Rainy City, this year seeming to pull even more attention from around the UK and further afield.
That said, it’s already sold out so we’re not going to bang on about it here. We will be banging on about it soon, with a series of related interviews and articles highlighting some of the acts you may be less familiar with. Keep your eyes peeled for pieces over the coming weeks, plus a very hungover episode of our podcast.
If you’ve got cash, time and energy leftover from Manchester Punk Festival, there are our top picks of this month’s events:
Gig of The Month: Nosebleed Album Release & Tour
When: April 7th
Where: Wharf Chambers, Leeds
Who: Support from Riggots, Snake Rattlers, Batwölf , Bones Shake and Guns On The Roof
Nosebleed are always jaw-droppingly entertaining live, so imagine how good they’re going to be in their hometown, surrounded by friends, at the launch of their debut album. It’s going to be complete rock ‘n’ roll carnage. Just don’t forget to give Dickie some love when Ben and Elliot abandon him to roam around the dancefloor.
The line-up they’ve organised is the perfect complement to their stripped-back, raucous style. Every act puts their own unique twist on the punk rock that we love, be that minimalist hip-shaking venom from Snake Rattlers, Bouncing Souls-esque perfection from Guns on The Roof or entropy-made-audible in the form of Riggots. Continue reading “Gig Guide: Bands You Need To See In April”
Episode 3 is here! Featuring brand new music from Call Me Malcolm, Nosebleed and Triple Sundae, plus tunes from March and On A Hiding To Nothing.
We’re back! In Episode 3 we are excited to share three fresh tracks with you ahead of their release – you can look forward to new songs from Nosebleed, Triple Sundae and Call Me Malcolm. We also have some fast noisy stuff from March and On A Hiding To Nothing.
Sarah get annoyed and goes off on tangents, while Mark is there to rein her back in as usual. Mark shares his love of All Saints and displays an incredibly poor knowledge of hip hop, Sarah shares a love of The Strokes and a hatred of Good Charlotte as we discuss some of our musical origins. We also share a mutual story about getting rained on Punk Rock Holiday.
After having a good whinge, we discuss some of the most exciting releases of the moment, including Our Lives In Cinema,Eat Dirt, Money Left To Burn and The Affect Heuristic. We take plenty of time to discuss the shows we’ve been to lately including Shredfest (with No Contest, Laughing In The Face Of, Almeida, Sombulance, LineOut and Dead Neck), Pat Butcher‘s carrot in a minute gag, Only Strangers, Kiss Me Killer, Honey, The Domestics and The Kirkz.
The podcast is available on Itunes and all other good podcatchers, or you can listen to it right now:
You can subscribe to the podcast on Itunes or whichever podcatcher you use. You can also find all of our previous episodes on Soundcloud. Please give us your feedback. Is there anything we should be doing differently? Let us know.
If I had to criticise the previous two Nosebleed releases, their Something In My Head and It’s Alright EPs, I’d have to say that there’s simply not enough of them. This trio from Leeds have a talent for writing short, energetic punk ‘n’ roll ditties, enough to get the soberest of crowds cavorting madly around a dancefloor. If you do not want 22 minutes of solid gold hits then Nosebleed are not the band for you.
The problem with having a reputation for electrifying live performances, as Nosebleed have been building for themselves since 2014, is that the recorded equivalent is often a bit of a damp squib. That’s far from the case with their debut album Scratching Circles On The Dancefloor (up for preorder from TNS now). This record will have you jiving in your bedroom, in your kitchen, in your car, at the bus stop and spinning round on your office chair until your boss yells at you. Scratching Circles transports Nosebleed straight into your home, like Dickie’s set up his drum kit on your sofa, Ben’s stomping on your coffee table and Eliott’s spitting lyrics at your face while you try to calmly sip your morning brew.
There is a lot of new material on the album, plus some recycled hits from the previous releases. Reworking a handful of songs works in this context; Nosebleed are the kind of band who become even more appealing when you are familiar with the words, so opening the album with I’m Okay is the perfect way to draw the audience in. If you’ve seen Nosebleed live then you will already be a fan of Time And Time Again, Psycho and I Can’t Tell You Anything. Good news: the re-recorded/re-mastered versions are even more killer. The production’s got a lot more depth, richness and clarity that makes a world of difference.
The first new track is I’m Shaking which sets the scene for the lo-fi garage punk party we’ve dived into. There’s a lot of twangy rock ‘n’ roll riffs followed by grittier palm muted sections. Through the whole album, every single guitar solo makes you bust into a silly grin: this is proper, dirty punk ‘n’ roll just the way you like it. Continue reading “Album Review: Nosebleed – Scratching Circles On The Dancefloor”