Gig Guide: Bands You Need to See in September

We’ve done the hard work for you and found the best gigs September has to offer. Get out there and support your local venues.

You’ve survived the summer. You’ve had a hectic few months of eating, drinking, socialising, spending and sunning yourself. You’re savouring the last opportunities to enjoy a pub garden after work on a weekday. Hopefully you’ve caught plenty of sweaty summer shows, some outdoor community concerts and maybe even a festival or two.

Once the August Bank Holiday weekend is over you can stop, right? You can knuckle down to the daily grind, vegetate with Netflix on your sofa and save up your pennies for Christmas. Nope! I hate to break it to you but there’s still an awful lot happening…

We’ve done the hard work and found the best of September’s gigs for you to enjoy:

Wotsit Called Festival

  • Where: The Palace, Hastings
  • When: Friday 29th and Saturday 30th September
  • Who: The Restarts, Nosebleed, Riggots, Pizzatramp…
  • Event Page HERE / Tickets £10 advance, £15 OTD

Hosted by the lovely folks in Matilda’s Scoundrels under the Toxic Wotsit moniker, Wotsit Called Fest is two days of straight-up bangers bound to get you stomping feet, throwing elbows and sinking pints with aplomb.

Nosebleed will be royally cavorting around The Palace as headliners on Friday – there are few more exciting things than their riffy punk ‘n’ roll. It’s also the launch party for Matilda’s new album As The Tide Turns, so folk-dancing with reckless abandon is mandatory.

Starting early, Saturday features London thrashers The Restarts, Wigan’s heaviest duo: Riggots, northern post-hardcore from The Fuckin’ Glorious and ska-punk comedy gold from The Crash Mats. There will be cocktails and DJs until 2am which sounds like a delightfully dangerous combination. Not to be missed!

In the meantime, enjoy their pre-fest playlist:


Kick The Crutches All Dayer

  • Where: The New Cross Inn, London
  • When: Saturday 23rd September
  • Who: Vanilla Pod, The Kimberly Steaks, Müg, On a Hiding to Nothing
  • Event Page HERE / Tickets £5 early bird

I can guarantee this is the most fun you will find for £5 this September.

Deep breath! For this princely sum you can see… Vanilla Pod, The Kimberley Steaks, Pizzatramp, Natterers, Misgivings, Müg, BROCKER, On A Hiding To Nothing, Werecats, Nietzsche Trigger Finger, Strange Planes and Fastfade. Phew!

With that many bands, I’m not sure how they’re going to fit any punters in the venue. The merch table’s going to need its own postcode. There are probably some bands you’ve heard of and some you haven’t, so why not get down early and enjoy the whole lot? It’s a great opportunity to discover someone new.

If you catch one band, make sure it’s The Kimberly Steaks. They’re everything that Greenday could have been:

Continue reading “Gig Guide: Bands You Need to See in September”

Why I Love Punk Rock: Guest Article from Colin Clark

Colin’s Punk Rock World is one of the best punk blogs out there. Colin and I are swapping posts, so he can shout about why he loves punk so much.

Hello! My name is Colin and I write for the punk rock blog Colin’s Punk Rock World (or CPRW for short). A few months ago I cyber bumped into Sarah from Shout Louder, this blog you’re currently reading. After initially trying to recruit her for CPRW we struck up a friendship and decided to do some blog swaps and some collaborations. The first of these blog swaps will be pieces on why we love punk rock so much. So why do I, Colin from Colin’s Punk Rock World (CPRW for short) love punk rock so much?

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Colin enjoying some punk rock pizza.

I feel like that before I really begin I should give a brief account of how I first discovered punk rock. I, like many of you reading this was a teenager who was slowly finding out who they were. It was 1998 and The Offspring’s Pretty Fly (For A White Guy) was just released. I didn’t know The Offspring’s previous punk rock history or that this was even punk rock music but I was hooked and eventually got the album Americana that Christmas. Soon I discovered more punk bands such as Green Day and Blink 182 before digging slightly deeper and eventually discovering bands like Reel Big Fish, Less Than Jake, New Found Glory and Dropkick Murphys. I loved these bands but it wasn’t what really tipped me over the edge of becoming fully obsessed with punk rock. It was eventually discovering underground UK bands such as [Spunge], Lightyear, Capdown, Jesse James, King Prawn and 4ft Fingers. I discovered these bands and my life changed forever.

So why do I love punk rock so much? Well first of all it’s the music. That’s blatantly obvious. If you’re reading this post it’s probably because you love punk rock music as well, so you know that it’s the best type of music. It’s fast, it’s fun, you can sing-along, it makes you dance, you can relate, you can learn, it’s passionate, it’s energetic and most importantly it’s an escape. Everyone needs some escapism in their lives, something to take them away from all of the rubbish that goes on around them on a personal level as well as a global one. There’s no better feeling than putting on your favourite record and singing along to every word. As well as just being a whole lot of fun there’s a comforting feeling to it, like spending time with an old friend. I did tell a little lie there, there is one better feeling – hearing these songs played live, in a small sweaty basement or bar and screaming along to the songs with your new best friends. I’ll talk more about live music and the people a little further down the page because next I want to talk about learning from punk rock music. Continue reading “Why I Love Punk Rock: Guest Article from Colin Clark”

Punk Rock Holiday 1.7 Review Part 4: Friday – The Big One!

The final dose of my PRH adventure, featuring 13 hours of bands, lot of crowdsurfing, and some inappropriate jokes about how much I enjoy Propagandhi.

The final instalment is here! And it doesn’t get better than this line-up.

Make sure you also check out:

Kid Crowdsurfing Punk Rock Holiday

Friday

  • Mainstage Highlight: Propagandhi (duh)
  • Beach Stage Highlight: La Armada / Darko
  • Cover of the Day: Straightline – Boom Boom Boom Boom!!

On Friday morning I wake to discover a small lake forming at the front of the tent. Luckily the dam I built with sullied clothes has kept it at bay and, in fact, it’s evaporated a little in the heat. We venture out of the campsite to a makeshift bar on the roadside, starting the day with battery-acid €1 coffee and Slovenian schnapps called Unicorn Tears. It beats an alarm clock.

Friday is the big one. Although the rest of the week has been fun, there’s not a single band on today’s line-up that I’m willing to miss. The Beach Stage is a Lockjaw Records extravaganza of heavy, technical chaos, and the evening bill is knicker-moisteningly intense: 88 Fingers Louie, Snuff and Propagandhi. Propa-fucking-gandhi! Ask anyone earlier in the week who they’re looking forward to seeing: the answer is always Propagandhi. I’m worried I may die from excitement. Or alcohol poisoning.

Sat at the roadside bar we can hear ominous ripplings of thunder from over the hills, and the skies open once again. I grab another tongue-melting coffee and wait for the storm to pass, knowing that I’m going to need to bail the tent out again.

Amusingly, when the rain lets up, I notice a few people roaming around the campsite, foraging for rubbish. Garbage is a valuable commodity at PRH. You pay €10 on entry that’s returned when you hand in a full trash bag: a system so efficient that it’s a challenge to find enough litter to reclaim your deposit. The €1 cup-deposit scheme also means there’s not a single cup to be found on the ground (the complete opposite of many English festivals). On the last day we wind up are optimistically searching bins for discarded cups, just to reclaim out deposits – that’s how clean it is!

Beach Friday Punk Rock Holiday

I get down to the Beach Stage early and listen to Corbillard sound checking while dipping my toes in the glacial water. The beach is quiet, with a light mist rising from the river. The water’s no longer clear, because the storm has shaken up the silt overnight. As the singer ‘one-two-one-two’s into the mic it booms madly around the mountains, making the strangest echo.  Continue reading “Punk Rock Holiday 1.7 Review Part 4: Friday – The Big One!”

Punk Rock Holiday 1.7 Review Part Two: Wednesday

Part 2 / 4 of my PRH writeup, featuring Not On Tour, Face to Face, Good Riddance and an entire paragraph on the subject of melon balls.

Welcome to Part Two of my Punk Rock Holiday writeup.  Make sure you also check out Part One, Part Three and Part Four.

Acid Snot Punk Rock Holiday

Wednesday

  • Mainstage Highlight: Face to Face
  • Beach Stage Highlight: Not On Tour
  • Cover of the Day: Acid Snot’s Ska Medley

Today is the first serious band day for me. After a good long sleep and a quick trip to the shop for supplies, I’m feeling fresh and ready to go.

The primary daytime activity at Punk Rock Holiday is recovering on the beach, wearing your hangover like a badge of pride. The sand is populated with inflatables: boats, rubber ducks, unicorns – you name it. Festival-regulars load their vessels with beer and float downstream from the campsite to the Beach Stage, dodging the checkpoints where they confiscate cans on the way into the arena. Genius.

I enjoy watching Acid Snot rinse through some technical pop punk (yes, I did just say that) in the dappled shade of the Beach Stage. This foursome from Barcelona bring the party-vibe: they pull off an amazing medley of Superman, Take On Me, One Love and Rhythm of the Night with some seriously sweet, fast-as-fuck saxophone. Resident wheelchair hero, Richie Parker, joins them on stage to juggle water balloons – a big favourite with the crowd. It’s novel watching a heavier band playing in the sunshine, although it’s just as sweaty as a tiny basement show. Continue reading “Punk Rock Holiday 1.7 Review Part Two: Wednesday”

Punk Rock Holiday 1.7 Review Part One: Monday + Tuesday

The first installment of sunny Slovenian fun, featuring The Offspring, Petrol Girls, Pennywise and a world-class hangover.

You must have heard the rumours: “Punk Rock Holiday is the best punk festival there is.”

I’ve lost count of how many times I’ve heard that statement this week: from hungover punks recovering with a cocktail on the beach, to drunk friends revelling in how good the headline band is. It’s an onstage mantra that every band has repeated.

Everything you’ve heard is true. Breath-taking scenery, sunshine and beaches. Unrelenting punk rock, high-octane hardcore and stagediving chaos. Punk Rock Holiday offers everything you could possibly want from a festival, and does it with a relaxed nonchalance that makes it feel safer and better organised than any outdoor festival I’ve previously attended. Punk Rock Holiday is the best punk festival there is*.

There’s too much to discuss in one article, so here’s five straight days of punk rock and relaxation divided between four posts. I hope you enjoy it as much as I did. Continue reading “Punk Rock Holiday 1.7 Review Part One: Monday + Tuesday”

An Interview with Kamikaze Girls

We talk to fuzzy garage duo Kamikaze Girls about their impressive debut album, ‘Seafoam’, writing about sensitive subjects, frustrations and more.

In early June Kamikaze Girls released their first full-length studio album, Seafoam. The duo from Leeds have previously put out two EPs, a three-track cassette and a David Bowie tribute, so it feels like they’ve taken the long road to this release. I’ve had the chance to enjoy their powerfully atmospheric live shows a number of times over the past 3 years, including recently on tour with Gnarwolves, and I’ve been itching to hear the new album.

Seafoam is the perfect follow up to their last EP, SAD. The new record takes the same emotional themes and infuses them with more grit and maturity. Their unique blend of grungy garage rock and shoegaze pop perfectly complements Lucinda’s dynamic vocal, which flips from delicate melody to raw fury between bars. The lyrics impart a turbulent cacophony of emotions, openly covering suicide, assault, depression and recovery, with a few sweet love songs thrown in. Ultimately it’s a complex, emotional and deeply relatable record, and impressive achievement for a first album.

To celebrate the album release, they recently embarked on a co-headline tour with London indie-punks Nervus. I was fortunate enough to sit down with Lucinda Livingstone (vocals + guitar) and Conor Dawson (drums) ahead of their show at The Smokehouse in Ipswich to discuss their new album, the difficulty of writing such personal songs, and the frustrations and misconceptions they’ve encontered along the way. Continue reading “An Interview with Kamikaze Girls”

EP Review: Paper Champ – Easily L.E.D.

Brand new UK skatepunk that’s heavy on nostalgia value. FFO: Vanilla Pod, Goober Patrol and No Use For A Name.

Paper Champ are a 4-piece skate punk band from Ipswich, Suffolk. Following a successful Kickstarter campaign to finish off the recording, they’ll be releasing their first 5-track EP Easily L.E.D. this week.

Formed from the ashes of Ipswich melodic punks The 4130s, they put out their first demo in October 2016, featuring additional vocals from Goober Patrol’s Simon Sandall and Dan Goatham of Spoilers/7 Day Conspiracy. Easily L.E.D. is a mellower follow-up, although it’s still got a fresh, rough-around-the-edges feel.

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Paper Champ live at The Smokehouse in Ipswich (26/07/2017)

The recording is a great reflection of their energetic live shows. Songs like Way Over The Line hit a more pop-punk vibe, not dissimilar to No Use For A Name or even Sum 41 in terms of melody. Stories From Around Campfires has great melodic bass intro, reminiscent of 88 Fingers Louie’s 100 Proof. Continue reading “EP Review: Paper Champ – Easily L.E.D.”