Interview: Shoreline on German Punk, UK Tours and Their New EP

We talk to German melodic punks, Shoreline, about the Münster punk scene, what it’s like touring the UK and the release of their new record.

Interview by Sarah Williams.

Shoreline are a melodic punk band from Münster, Germany. They are due to release their debut EP You Used To Be A Safe Place on 19th January 2018 via Uncle M Records. They’re celebrating by touring Germany with Great Collapse plus a stint in the UK, including dates in Manchester, London, Nottingham, Cardiff and Worcester.

I’m a huge fan of You Used To Be A Safe Place already. It will appeal to fans of angsty melodic indie-punk like The Menzingers and Gnarwolves although it’s got a gritty quality to it that only a smaller band can deliver. The current single Breakfast (at 5pm) is a memorable little tune with brighter guitars and a grittier vocal; it gives me flash-foward fantasties of jostling sweatily through a drunken crowd at The Fighting Cocks, singing along at the top of my lungs. The final track on the EP, Silent Friend, has future-anthem written all over it. It’s so close to Cavalcade-era Flatliners that I’ve struggled to stop listening to it.

Shoreline You Used To Be A Safe Place Interview

I always think that a band travelling from the European mainland to tour the UK is a good sign – it’s not easy to get bookings, so they tend to know what they’re doing both musically and within the DIY scene. We spoke to singer/guitarist Hansol Seung about the Münster punk scene, the differences in touring the UK vs. Mainland Europe and their new release.

Hi Hansol! Thanks for taking the time to talk to us.

Hi Sarah! Thanks so much for having me.

Tell us a bit about the band. How did you get started?

We started the band in fall 2015. At first it was just Julius [guitar/vocals] and me [guitar/vocals]. I think we met through some weird Facebook students group, in a comment section about our music taste, where he’s listed some of my favourite bands. We eventually met at shows and became friends – that was around 2014, I think. We were always talking about starting a really fast-paced, melodic punk rock band, just like NOFX or The Flatliners.

We searched for a drummer for such a long time, it was mental. We finally found one in Martin, who was playing in his old band Words Ring True back then. To be honest, we’d known each other for quite a while! I even filled in on bass for them once or twice, but it took a while for us to ask him if he wanted to join us. He seemed really busy with Words Ring True and Julius and I were looking for someone who would dedicate as much time as we would, rather than seeing our band as sort of a side project. Turned out Martin was ready to do so and ever since then he has put so much effort into Shoreline that we’ve never ever questioned his dedication for this project.

Tobias, our bassist was the last one to join us. I knew him from university, since we shared a lot of the same lectures. He wasn´t too much into punk rock back then, but it came together nicely ever since the first rehearsal.

I’ve never been to Münster. What’s the punk scene like there?

The punk scene in Münster is awesome. There are so many bands and people creating things, promoters and people who dig this kind of music. Most of the bands of our genre know each other; we´re all friends really. A lot of the bands also tour a lot and get themselves out there. I think I have hung out with Michel from Hal Johnson in sweaty DIY Venues all over Europe. I´d say there are few cities in Germany or in Europe in general (that I personally know of) that have such a personal, close and flourishing punk scene like Münster has. We are really fortunate to be a part of it. Continue reading “Interview: Shoreline on German Punk, UK Tours and Their New EP”

EP Review: The Burnt Tapes – Alterations

The new EP from London’s favourite ‘regret punks’ is a moody, melodic masterstroke. FFO: Iron Chic, Leagues Apart and Red City Radio.

Review by Mark Bartlett.

When I first saw The Burnt Tapes on a poster (a year or so ago) I’d already decided that they were awesome before ever hearing a note of music, such is the power of an excellent band name. But a band needs to be more than just a really really cool name. On Alterations the London-via-Athens band deliver six tracks that stand toe to toe with their peers and cement their position at the top of the pile of London’s best punk bands. Tone Apostolopoulos (vocals & bass), Phil Georgoulopoulos (lead vocals & guitar), Panos Tessaromatis (vocals & guitar) and Jordan Hall (Drums), have delivered one of 2017’s standout melodic punk releases.

Burnt Tapes 1.jpg

Short opener Alterations sets the tone and pace nicely. Sonically, it all begins in a fairly sunny fashion, with triumphant progressions and some flowery harmonies that are effectively betrayed by vocals that take the granite chewing grit of Hot Water Music’s Chuck Ragan, viewed through a modern Iron Chic-esque lens. “‘Cause at twenty-eight, what the fuck can you change?”

Lead track Oh Marie was the first song I was exposed to. I immediately got vibes that took me back to circa 2001 post-hardcore/emo classic bands. Musically, the chord changes are a bit Good Mourning-era Alkaline Trio. The opening progression is menacing and bubble-wrapped in glass half-empty pessimism. Lyrically, we’re in a dark place here: “I’ve looked better, you’ve looked worse. Crawling on the ground for your last cigarette.”

It’s followed by one of the two strongest tracks on the record. The excellently punny Wayne Regretzky opens with a huge, sparkly pop riff that leads into the most dynamically interesting verse-to-chorus changes on the EP. Lyrically, it’s poignant and personally affecting with the refrain, “All good things pass, real fast,” delivering the record’s best lyrical moment. Continue reading “EP Review: The Burnt Tapes – Alterations”