Podcast: Nuno & Trevor from A Wilhelm Scream

Listen to our hilarious chat with New Bedford’s melodic hardcore legends, recorded at KNRD Fest 2018.

The latest Shout Louder podcast features none other than Nuno Pereira and Trevor Reilly from melodic hardcore legends A Wilhelm Scream!

Sarah caught up with the vocalist and guitarist at KNRD Fest, in the beautiful Bavarian woods. We shared a drink and talked a bit about the magic of the music festival, the charm of sweaty club shows and some of the staggering things that have happened to the band on tour over the years.

Hailing from New Bedford, Massechusets, A Wilhelm Scream are one of the most influential bands in modern melodic hardcore punk. Since 1999 they’ve been turning out high-octane, aggressive punk anthems, releasing some of the best albums of the last 20 years, proppelled by unrivalled live shows. We’re glad we were able to catch them and we hope you enjoy listening to the episode as much as we enjoyed recording it.

Apologies in advance for the phone noise in the second segment – if it’s really bugging you then skip on past it to part three.

If you’re interested in reading more, start with Sarah’s personal account of following AWS’ UK tour with Darko, then Sarah’s 13 Best Memories From KNRD Fest. We also interviewed AWS drummer Nick Angelini back in May.

We also play a sterling selection of fast-punk tunes:

Cover shot by Cold Front Photography. Check out Josh’s full KNRD Fest gallery here.

 

 

 

Fullcount: Do-It-Yourself Skatepunk In Action [Interview]

“We applied the DIY ethic to almost everything we’ve done together over the years.” Quebec City skate-punk Fullcount discuss ‘Part of The Game’.

Interview by Sarah Williams.

Renowned Canadian skate-punks Fullcount have just announced a brand new album: Part of The Game. These Québecois are known for their breakneck-fast, coarse-vocalled take on melodic hardcore, with the awesome but unusual feature of three guitarists.

Another unique aspect of Fullcount’s approach is their resilient, admirable do-it-yourself attitude. As well as writing the record, they self-recorded and produced Part Of The Game in their own studio. They’re also releasing the record themselves, with a international distribution from Lockjaw, Thousand Island and Mudcake Records, plus Milestone Sounds in Japan.

To learn more about the journey that’s brought the band to this release, Sarah checked in with guitarists Jean-Phillipe Alain and P-O Brouard.

It’s brilliant to hear you’ve got a new album on the way! You’ve just announced that you’ll be releasing Part Of The Game on October 12th.

Did you find the writing or recording process more or less challenging on this album than the previous one?

PO : Way more than writing Concessions & Compromises. It’s the first time we’ve written an entire record from scratch with the actual line up.We did take our time at writing those songs, we wanted to do things right. Although we spent a lot of time working on it, I guess we’ve played our cards properly and we’ve put efforts to the right places. We’re proud of the outcome and we’re excited to share it with the punk rock community.

JP : We wanted to challenge ourselves in our writing skills. We did the whole recoding ourselves and wanted to deliver the best audio quality possible, so we also had to improve our recording gear. Jessy is the mastermind behind all that you hear on that record. He spent countless days and nights putting all the pieces together to make it sound huge. He has played a huge role in crafting the songs structures, making arrangements, editing, mixing and figuring out the right tones and harmonies better than anyone else. I swear we had some hard times dealing with 3 distinct guitar parts and their interplays! That was a challenge.

What part of the album are you most excited for people to hear?

PO : On my behalf, each and every song deserves a listen; there isn’t any album filler in my opinion, they were all crafted lovingly. There are some fresh features like song arrangements and new tempos that listenners haven’t heard from Fullcount yet. We had a wider vision on this record. There’s also a handful of cool collaborators who have lent their voices to a few tracks. We’re more than ready to watch you press play! Continue reading “Fullcount: Do-It-Yourself Skatepunk In Action [Interview]”

Exclusive: The Human Project Premiere Video And Announce Tour

Be the first to see the latest video from Leeds’ tech-punks The Human Project for ‘Pride Before A Fall’, plus get the latest on their UK + Euro tour.

We’re proud to share the new video from Leed’s premiere technical melodic hardore act The Human Project!

Pride Before A Fall is the latest single to be released from their second full-length album Clarion Call. To add emphasis to the subject matter of the song, the video is stripped back and claustrophobic. Guitarist, Luke Yates, explained his inspiration for the track:

Pride Before A Fall is an unusually personal song for me. It started out life as a rant against one complete stranger on a train to Leeds once, who was laughing very loudly to his mate about the recent sad death of the actor Robin Williams, and how he couldn’t believe that someone so rich and famous could possibly have anything to be sad about.

It just so happened that I’d been reading that morning about the high rate of ill mental health and suicide in the financial services sector in the UK’s biggest cities. The article focussed on young men in their 20s and early 30s who were keen to impress their bosses by working insane hours, and by never showing any outward signs of ‘weakness’.

Not to judge a book by its cover, but this guy fitted the bill perfectly – clearly a city office worker, keen that everyone should hear his view that Williams ‘only had himself to blame’.

It struck me that he perhaps didn’t realise that he was, statistically, in a group particularly at-risk of extreme mental health issues, and that maybe if he was aware of this, he might wind his neck in a bit, but I guess probably not…

All of this made me pretty angry and upset, due to the fact that an old school friend of mine who I’d only recently reconnected with, had taken his own life just weeks earlier, having last been seen on that same service to Leeds.

The second prechorus centres around another old friend with a similar story, who, weirdly, I bumped into for the first time in years on that same Leeds train just days before she passed away.”

“The song is a call for empathy and humility, and for consideration of the other humans around you.”

Continue reading “Exclusive: The Human Project Premiere Video And Announce Tour”

Album Review: The Human Project – Clarion Call

Leeds’ tech-punk tornado, The Human Project, produce another passionate call-to-arms on new album Clarion Call. FFO: Propagandhi, Darko, Fair Do’s.

Article by Joelle Laes.

If you’ve heard The Human Project’s previous album Origins, you already know what to expect. If this is your first time listening to this quartet from Leeds, let me give you an idea of what to expect from Clarion Call: 11 tracks of techy punk rock riffage with the occasional breakdown, singalongs and absolutely exceptional vocals.

In moshing terms: be prepared to go from a relaxed listen to stomping through the room, belting out the lyrics with fists in the air in a matter of seconds. Not advised to listen to while driving. Accidents will happen.

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Where Origins was already politically charged, encouraging listeners to stop and question what they were made to believe, on Clarion Call The Human Project sound like a band that have ran out of patience. They are clearly expressing disappointment and anger about today’s political climate because they’ve had enough. You could say that’s a classic ‘punk’ approach, but it is far more than that. For starters, their lyrics are much more eloquent than the standard, “Fuck the government.”

The Human Project have found a way to make tech-punk feel atmospheric and build up to outbursts of air guitar-worthy riffage, in combination with exceptional high-pitched vocals. On Clarion Call they’ve successfully incorporated a post-hardcore vibe that reflects their sister-band Sounds of Swami, with whom they share guitarist Luke Yates and drummer Joe Dimuantes. The outcome is Propagandhi-esque at times; slightly more melodic but equally as trailblazing.

Desperate Times starts off the album slowly, quietly building with an enticing voice, leaving me excited for what’s to come. Desperate Measures seamlessly follows and I found myself literally deafened and amazed by the lyrical beauty of it. I advise you not to give in to your urge to put the volume up a notch on the first song. That One Percent, the first single to be release from the album, brings the right combination of heaviness, speed and the THP signature vocal harmonies. Continue reading “Album Review: The Human Project – Clarion Call”

Fair Do’s: No One’s Going To Set Standards For You [Interview]

Manchester’s finest talk working-class roots, quality-control and how hard it is to learn your own songs sometimes!

Interview by Sarah Williams. Live photos by Alia Thomas.

Manchester’s melodic hardcore shredders, Fair Do’s, have just announced that they’ll be releasing their first full album Leopards on July 27th, through Lockjaw Records. I have been begging for this album since 2014 and I can’t believe it’s finally happening.

There are few bands that combine hardcore punk with metal in the way Fair Do’s manage to, and they back it up with a hard-earned technical prowess that makes them stand out from the crowd. They formed in 2009 and released an impressive EP Trying Times in 2014, going on to kill it on stage all over Europe, playing with the likes of A Wilhelm Scream, After The Fall, The Decline and H20, including major festivals like Punk Rock Holiday.

I caught up with vocalist/guitarist Danny Cummings and drummer John Holt over a pint, to learn about the hard work they’ve put into Leopards, their working-class sensibilities and why you might hear hints of Beyonce in Danny’s choruses.

You’re releasing a new album: Leopards! That’s exciting. What took you so long?

  • John Holt: Oh, Jesus.
  • Danny Cummings: It took a while recording it, because we did it over weekends.
  • John: I tracked the drums in September 2016.
  • Danny: It was a different beast to the EP. The EP was thrown together: recording guitar at one studio, drums at another. We made a vocal booth in the corner of Josh’s flat for that. Whereas this we’ve done it properly, tracked everything.

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Quality is clearly a major focus for Fair Do’s – it has to be to produce something so wonderfully technical. How do you keep the bar set so high?

  • John: There’s no one there to set standards for you; you can’t expect anyone to go, “You should be better than that.” It’s your job to do that for yourself. No one’s going to care that you had a bad show apart from you.
  • Danny: And the three people stood next to you.
  • John: When people see Fair Do’s as a band stood next to each other, they think we’re going to kill each other. You have to be able to say things and just move onto the next business. Harsh things need to be said occasionally, so sometimes you have to have a shouty, sweary match.

Do you argue with each other a lot, then?

  • John: One of the pitfalls of Fair Do’s is that we produce tunes before we can play them. The songs are written and composed but we can’t actually play them.
  • Danny: We can play them at that we demo them, or try some midi drums. We make sure we’re writing stuff that we can play.
  • John: Yeah, we’re not faking playing stuff, but we’ll come up with ideas that are not obtainable until after many moons of practice.
  • Danny: Dave’s alright, but for the rest of us it’s the sort of stuff we have to sit down and spend an hour a night working on it for six weeks to be able to nail it.

Continue reading “Fair Do’s: No One’s Going To Set Standards For You [Interview]”

The Affect Heuristic: Melodic Hardcore’s Best Kept Secret [Interview]

Scottish/Belgian melodic hardcore newbies The Affect Heuristic are the most exciting thing to happen so far in 2018.

Interview by Joelle Laes / Intro by Sarah Williams.

The Affect Heuristic are one of the single most exciting things to happen so far in 2018. They teased a short burst of Tightrope last year, before releasing an absolutely stunning split with Money Left To Burn in February. This is a record that deserves to be spun to breaking point; we’ve had it on non-stop since we got our hands on it.

Shout Louder aired an exclusive stream of Vs because we think it’s the most exciting record we’ve heard all year. It’s now out in a gorgeous digipack format on Lockjaw Records. If you haven’t heard it yet, you need it in your life. It’s intricate, technical melodic hardcore with a sweet twist of metal, erring more on the side of Shai Hulud or Between The Buried and Me, but maintaining all the wider appeal of Darko or F.O.D.. It’s also worth mentioning that it’s been mixed by PMX’s John Harcus, so the end product is tight as fuck.

Conveniently, Shout Louder’s writer and Less Talk More Records’ lovely Joelle happens to live with The Affect Heuristic’s guitarist Dave Gourlay, so he was easy to pin down for an interview.

Hello. I know you quite well but maybe our readers don’t. Can you introduce yourself? Who are you, what is your role in the band?

I’d like to just kick this off by saying it’s a real honour to be doing this. I bloody LOVE Shout Louder and what you’re all doing for punk and music in general. Podcasts are a tour de force of relevance, bizarre ranting and comedy. (All credit to Sarah!)

Now, to business. Hiya, I’m Dave, I play guitar and awkwardly fumble with any dates we’re given to the point of utter confusion of everyone else in the band.

Hi Dave. Congrats on your first release!

Oooh! Thanks so much for the enjoyment of the finished record! Glad you’re digging it after hearing it ad nauseum while I wrote it in our flat.

The fact that I still enjoy it after having to sit through it a million times shows how brilliant it is. I rather enjoyed watching it come to life.

Seriously surprised at that.

I’m not.

I’m more excited about the launch of the hot sauce than anything else. Bernie Bumhole is an aptly named winner. It actually dissolves toilets. First time I had it, I left teeth marks in the sink. If you didn’t pre-order it, you’ll have to wait to try it.

I’ve heard it numbs buttholes to the point where you can’t tell if you’re farting or not. Risky business that.

Every fart’s a gamble. It’s sneaky cause it can be a slow burner. It definitely isn’t slow the next day.

Yes, I’ve seen your face change and run for the bathroom a few times…

Apart from that time I sharted on the chair.

May it rest in peace in the tip.

Now let me ask the obvious questions first. You and the singer (Sean) are from Scotland. You’ve lived in Belgium for a few years and you’re about to move back to the UK. The rest of the band is Belgian. How does that work? How do you write songs or rehearse?

So far as writing and rehearsing goes, I’ll have to really knuckle down and start demoing more. I absolutely hate that stage of writing cause I can’t play it tight yet and hearing all those duff notes drives me mental. But this is going to be key.

I absolutely love those spontaneous moments we have in the room together where I have an idea and by the end of practice, we have a song (in this case, Tightrope). But this is a double edged sword, since I can sit down with Sean and involve him waaaay more while maintaining a regular actual practice schedule with the band back in Belgium.

So we’ll demo everything, do our homework and hopefully by tour time, it’ll all be sorted. They’re incredible boys, they never disappoint.

So you’ll be going back and forth to rehearse?

As much as I can. Ideally I’d like to get over twice a month. Or once a month but a full weekend of rehearsals. Practice is everything.

Ooft! Expensive! So if people want more new music, they better go buy your CD to help fund trips, eh?!

You are the main songwriter, correct? What is your writing process like?

Incorrect! I usually come up with a cool little lead riff and maybe a few other parts, we go over it in the room til we’re all happy. Or I write stuff I can’t play in Guitar Pro and pitch it to the band. Guitar Pro is both an amazing song writing tool and a curse (give me free stuff Guitar Pro).

Those bloody midi tracks… Very enjoyable.
Who have been your main influences as a songwriter? Who do you look up to?

I love guitarists like Billy Corgan, Erik Mongrain, Noel Gallagher, James Dean Bradfield, Graham Coxon but the guy that really kicked it all off for me was Matt Fox. I saw Shai Hulud for the first time and I was just glued to his hands. No-one on the planet can mix aggression and melody like he can. He really got me started on the through-composed, endless riffing, weird chords thing. (Note: check out Shai Hulud Food Puns on Facebook)

I also worship Paul Waggoner of Between the Buried and Me and Ben Weinman of The Dillinger Escape Plan. I have many guitar heroes but we’ll keep it PG for now. The only real, ‘punk’ guitarists I’ve ever truly worshipped have been Jake Kiley and Jackson Mould.

What type of music do you listen to when writing? Does it differ?

Anything but punk of any kind. Mainly techy/metal bands like Animals As Leaders, The Helix Nebula, Within The Ruins, (old) Veil of Maya, Black Dahlia Murder, etc. I also love all the pop music. J-Pop, old school rap, grime and that. I am fully down wit da yoof. Notable mentions go to Save Us from The Archon and CHON.

Now, moving on to the actual songs…Those lyrics, wow. My heart broke. When it comes to mental health there’s still a lot of stigma and taboos, especially when it comes to men’s mental health. What’s the core message you want to deliver with these lyrics?

Sean would be the best person to answer this since he wrote those lyrics but I can definitely relate. Toxic masculinity on the whole is just another part of the bullshit patriarchal society that should be dying out.

The idea that we’re so near the technological singularity and I can get pizza from a train station vending machine 24hrs a day but we still have gender inequity is a wholly archaic notion along with DVDs, shoes with wheels in or getting slapped for crying at a film and called a ‘poof’ (has never put me off The Outsiders or Stand By Me). It’s fucking laughable. Examples of this are everywhere and we can only do our best to be better and to do better. Writing songs about it is a definite start.

How has music affected your own mental health?

I’ve been pretty up and down lately. I suffer from depression and anxiety and this band has been a massive help in controlling my loud brain. There’s a real catharsis in playing/writing music. It gives me something to focus on and control when everything else around me seems to spiralling into oblivion.

If it wasn’t for music, I probably would’ve hurt myself a long time ago. Which isn’t good.
But it comes with its hazards. I get the worst post-show/tour blues. I hit a really rough patch especially after tours, particularly when I was trapped in that dead end job. Mind that? Carpets and the people who clean them are shit.

I think it’s quite common amongst musicians:you’re on the road, hanging out with like-minded and wonderful people, only to come home and be treated like what you’re doing is, ‘Not real’ if you get me?

Kind of… it’s like post-trip depression for me, only a hundred times worse I assume.

We probably feel it the exact same. Going back to the real world after an experience like that is soul crushing.

It really is.

Your first gig was at the Bonsai Mammoth anniversary party in Guildford in February. It was amazing. What are your plans as a band for the rest of this year? I see you have a weekender in Belgium planned (El Topo Goes Loco/Brak&Skate) But you also mentioned ‘Tour-time’?

Yeah! That first show with Darko was just unbelievable, what a great weekend. That day was so nerve wracking! All the best bands and us singing about monkeys, it was scary and utterly amazing.

And El Topo is going to be an awesome party! Jason and the crew have really outdone themselves this year and I’m seriously happy to be opening cause that means I can watch bands and have a Gincident.

NO INJURIES PLEASE! Some explanation: our best friend split her knee in half and broke some ribs at El Topo (2017) whilst watching The Human Project. There was a pool of blood, some duct tape and a visit to the doctor the next day for stitches. Since referred to as the “Gincident”.

No! The original Gincident was when Byatt (No Contest) got leathered at Balloonfabrik in Augsberg on gin/radler and he fell out the van while trying to puke and he cut himself to ribbons. And landed in his puke.

Wonderful! We’re getting off track here. Back to the plans!

As for the rest of the year, we have a show in Glasgow in June then in July, we’re touring the mainland the 10 days leading up to KNRD (10th – 21st). We have some dates available, just get in touch if you want us to noise you up. We’re on the road with Head Honcho from Seattle. Ananananada is a KNRD regular and a wonderful guy. Cannot wait to introduce him to Slovenian Schnapps!

Love Ananda. Great news! If you had to pick one band that is your collective favourite, who would it be?

This is actually pretty impossible. We all listen to different yet similar things.
Collectively…Might be Vengaboys.

Excellent choice. Can’t go wrong with that.

They like to party, I hear.

Tell us something about TAH we don’t know yet…

We’re heading into the studio this Saturday to start recording drums for the album.

I already knew that.

Yeah, you do cause we’re roomies… for the next couple of weeks.

Ahh, don’t blow my cover now!

Mimimi. You’re too nosey for your own good.

…Shut up Dave. When can we expect this new album? How far along are you?

You can expect it next year, would be awesome to have it ready to go on the one year anniversary of the, ‘Vs’ release but we’ll just have to see. We’re still very much writing it but we’re ready to start the process so that’s always good. Either way we’ll be looking at 10-12 songs, some of which are monkey themed.

Awesome! If there is one Scottish saying you’d like our readers to know about, what would it be?

We’ll cover, “Hee-Haw” which is what you get when you’re not getting anything.

“He who hingeth aboot getteth hee-haw”

Exactly. Long may your Still Game obsession continue. Just try not to force it upon Belgians or Southerners again. It doesn’t work.

I tried and failed miserably.

Zat us?

That’s plenty. Thanks for taking time out of your busy guitaring-schedule to answer my questions.

Thanks to you for taking the time. And thanks again to everyone at Shout Louder for liking the songs and sharing and mentions and all that, very much appreciated.

Nae bother.

Pick up a copy of Vs, the split from Money Left To Burn and The Affect Heuristic, from Lockjaw Records now. It could well be the best thing you hear all year.

Gig Review: Darko’s Bonsai Mammoth Anniversary Bonanza @ The Boileroom

Featuring: Actionmen, PMX, Drones, Fair Do’s, The Affect Heuristic and many more!

Review by Joëlle Laes. Photos/videos by Mirjam van Reijen, plus some snaps from Joëlle.

After so much anticipation created by the advent calendar announcements via social media, I couldn’t wait for the Bonsai Mammoth anniversary all-dayer, hosted by Darko, an event celebrating a year since the release of their epic debut album. Every announcement seemed like a gift that was personally selected for me. “You like this band? OK cool, we’ll book them.” Thanks guys. Perfect lineup.

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Some of my friends decided to get the ferry over the UK from Belgium, and I was lucky enough to snatch a seat in the car. Getting up at 5am the day before to make the trip over and paying a fortune for a hotel was a bit of a faff, but hanging out with friends and seeing fantastic bands makes up for the lack of sleep and the hole in my wallet. After a good night’s sleep, it was time.

It couldn’t have started better than with a Punk Rock Yoga Session by Jo from Bad Juju Yoga! I, however, got my myself in gear too late and missed it.

Though 2pm seemed like an early start for most attendees, the room filled up nicely for the first set of the day. Darko kicked off their anniversary all-dayer by playing Bonsai Mammoth in its entirety (Sarah recently talked to the band about it – check out the interview here). Watching them, for once completely sober and still half asleep, was an experience to remember. With nothing clouding your judgement, you begin to realise how darn good they actually are. Mesmerised by their guitarwork and vocal harmonies, head bopping commenced amongst the crowd. It definitely set me up for a good mood the rest of the day.

Totally new to me, Wild Tales follow them in getting people hooked by some more indie-ish, danceable tunes and good vibes. This new project from members of Trails and Atiptoe are rather different from the rest of the lineup, in a good way. I was sad to see that they don’t have any music online yet, however I’ve been told this bunch from Guildford will have an EP out soon.

The moment I had personally been waiting for finally arrived. The Affect Heuristic, a band consisting of both Belgian and Scottish members, started setting up for their first gig ever. It’s a strange feeling seeing them live for the first time after witnessing the whole writing process happen in my house. It’s safe to say the crowd was blown away by this shredfest, intertwined with Scottish banter and deep lyrics. The tracks Against The Grain, which addresses toxic masculinity, and Tightrope hit especially hard. For those eager to listen, you can check out two demo tracks here. Continue reading “Gig Review: Darko’s Bonsai Mammoth Anniversary Bonanza @ The Boileroom”