Greek power-punks The Overjoyed have made a thrilling start to 2019. FFO: Rocket From The Crypt, Direct Hit!, The Lillingtons
Review by Mark Bartlett.
It’s early January and, with all the fantastic music of 2018 still fresh in our hearts and ears, The Overjoyed have fired a spectacularly catchy and fun starting pistol for what will no doubt be an even better 2019.
For those of you who enjoy making lists (much like myself) you’d do well to check out this fantastic slice of pop-punk n’roll immediately; as well as pop a note in your diary to remember it for your end of year considerations, as I don’t foresee more than a handful of albums being able to match both the catchiness and consistency of this record.
The Overjoyed are a four-piece hailing from Athens, Greece, and I feel they’re somewhat underrated in the UK. Given the strength of the material on offer here, I can’t imagine them being much of a secret for long, though (London’s finest The Burnt Tapes recently concluded an eventful tour of Greece with them that you can read about here). Continue reading “Album Review: The Overjoyed – Aced Out”
Leeds’ Eat Defeat have created a true pop-punk gem, with a positive take on mental health struggles.
Review by Mark Bartlett.
Leed’s based pop punks Eat Defeat were already arguably the UK’s greatest unsung pop-punks, and I mean pop-punk in the classic Drive Thru record’s/Warped Tour sense rather than the diluted squash of the countless Neck Deep-alike easycore contenders. Their last EP Time And Tide, which was released through Umlaut Records, was a shining example of modern UK pop-punk. Their 2nd full album I Think We’ll Be Ok, expands on the promise of Time And Tide in terms of song composition (and recycles one song and a Japanese release exclusive track from it) and adds superior lyrics and a strong uniting album theme.
I Think We’ll Be Ok is their first release for Bearded Punk records and features some pretty gorgeous, colourful artwork that nicely sets the tone for an album that tackles tried and true topics such as depression, anxiety and the complexities of relationships, but all wrapped in a sugary exterior and an ultimately optimistic place.
First track A Little Less Than Ok sets a high bar immediately with an utter sharknado of melody attacking you from every direction. Lovely guitar textures abound and there’s enjoyable harmony and rich, crunchy and full production here in spades. ‘I can’t break out of this mental state’ sets up the lyrical conflict of the album pretty perfectly.
Second track Duvet Day, is as concise a statement as can be at 41 seconds but no less affecting; the lyrical sentiment, “You’ll take this duvet away from me when you pry it away from my cold, dead hands,” is one a lot of us can easily relate to. Continue reading “Album Review: Eat Defeat – I Think We’ll Be Okay”
Mark speaks to Ontario’s premier power-pop-punks Pkew Pkew Pkew on their recent UK tour.
Interview by Mark Bartlett.
The May 12th was a particularly great day for me. My band, Our Lives in Cinema, had the opportunity to support one of my very favourite bands, Canada’s Pkew Pkew Pkew at London’s famous New Cross Inn. It’s Pkewx3’s first ever European tour and their first UK show. Presale tickets were comfortably into triple digits and everybody was suitably stoked about the fun ahead, what with The Burnt Tapes and The Run Up also playing. I’m also doubly happy because I had the opportunity to interview the band prior to the show.
My fandom meant that I was pretty nervous to meet them, but they quickly put me at ease prior to our recorded chat with a friendly beer in the nearby park. I can happily confirm they’re all a great bunch of dudes. If you’ve never heard Pkew Pkew Pkew, they write concise, insanely catchy pop-punk about drinking, hanging out with your pals and eating pizza… but through a sort of gruff, glorious Bruce Springsteen/The Hold Steady lens. I spoke with them at length to talk about their tour, their upcoming record and their history.
Let’s start with the obvious! How are you?
- Mike: It’s been awesome. I’ve never been over here before. Everybody’s been really nice to us, fed us, put us up… we’ve been eating really well, actually.
- Ryan: I think we’ve lost a little bit of weight; we normally gain weight on tour.
- Dave: There ain’t one Taco Bell in Europe
- Mike: You don’t even have Taco Bell. We have Taco Bell sponsorship.
Continue reading “Pkew Pkew Pkew: Toronto’s Hidden Gem [Interview]”
Mark speaks to Hassan from London’s indie-punk lovelies Triple Sundae about their smashing new EP Peace of Mind.
Interview by Mark Bartlett.
London’s marvellous melodic-punk 4-piece Triple Sundae have just released their new EP Peace of Mind through Umlaut Records. It’s the perfect primer for the summer and the bands most focused, accomplished effort to date. It’s full of amazing songwriting and sugary, addictive melodies across its three great tracks.
I caught up with lead vocalist and guitarist Hassan Afaneh to talk about the band’s future, his inspirations and the state of the UK music scene.
How did Triple Sundae come to be?
Triple Sundae came around at the tail end of 2013 when I had hit up Mike [Smith, guitarist] about wanting to start a band. I was in a really dark place following some pretty shit events within my personal life and it had been two years since I’d played in a punk-oriented band. That outlet was very much needed. A couple of months of finding members and song-writing sessions went by and then boom Tripsun was born in February 2014.
Have you all played in bands previously or do any of you moonlight in other projects?
Each of us have played in bands prior to Triple Sundae (and during!).
I’ve played in punk bands, emo bands, hardcore bands, ska bands, acoustic bands, neo-soul bands… it goes on. I was only ever good at playing music, so to preserve my sanity I was jumping on project after project!
As well as TS, I play in On a Hiding to Nothing, Zandro drums for Lead Shot Hazard and Andy had started a project named Postcards. One thing is for certain though – we have all played in ska bands at one point in our lives. Ska lives bro.
How would you describe your sound to someone? Is there a genre within punk you feel especially akin to?
If you like anything on Side One Dummy, Jade Tree Records or Quote Unquote then you’ll probably dig it. Continue reading “Triple Sundae Interview: Hard-Earned Peace of Mind”
Mark speaks to Diana of Sweet Diego about their new EP, their inspirations and where the band is headed in 2018.
Interview by Mark Bartlett.
Sweet Diego are a new West Midlands-based band, who play pop-punk with a wry, Brit-pop slant to it. Their excellent second EP The After Party is out right now and they’re playing Dügstock on Easter Sunday. Shout Louder’s Mark Bartlett spoke to lead singer Diana Nguyễn to discuss the new EP, their inspirations and where the band is headed in 2018.
What’s the origin story of Sweet Diego and where did the name come from?
Before I joined Sweet Diego I was writing songs solo on my acoustic guitar, but I was too shy to share them online. Singing was a secret hobby of mine at the time but I found it extremely difficult to write songs on my own because I only knew a few guitar chords, which meant that all my songs were either really short or incomplete. It frustrated me that I had so many ideas but couldn’t put them together, so one day I decided that I wanted to collaborate with people. I spent some time online searching for musicians who had similar music tastes to form either a duo or a band and it was a crazy journey for me, but I met some amazing people along the way.
After some trial and error, I finally came across Mitch (our bassist) who was looking for a lead singer to join their trio, who were previously a five-piece named The Real Quaid. We exchanged demos and found that our writing styles and tastes in music were very different. I love listening to punk rock but I had never written a punk rock song before, however I instantly vibed with one of their tracks. So I wrote lyrics to it, recorded it on my laptop, named it 40 (which was later changed to Kabigon on our first EP, Kong’s Little Finger) and sent it over to Mitch who digged it and booked our first practice. I was anxious that it was going to be super awkward, but they were all so hilarious and we kicked off to a great start. Prior to Sweet Diego, I had never performed on stage or recorded music in a studio before, so I’m very thankful for the all of the amazing experiences that I’ve shared with these guys; they truly are some of my favourite people.
Have you all played in bands previously or do any of you play in other projects?
Performing in Sweet Diego has helped me gain more confidence over time. I only used to send songs to a few of my friends but now I’ve started sharing some of my solo work online, which was a huge step for me. I post short covers and originals on my Instagram in my spare time, which is a lot different to Sweet Diego’s music – it’s much slower and emo. Continue reading “Sweet Diego: “Past Regrets, Staying Hopeful and Accepting Your Flaws”[Interview]”
Check out this bangin’ melodic punk line-up hitting London on March 3rd!
Shout Louder’s very own Mark Bartlett has put together a blindingly good all-dayer in South London, to celebrate the release of Our Lives In Cinema‘s new EP All Talk and Triple Sundae‘s new single Indecisive, both out on Umlaut Records in the near future. They’ve curated an exciting collection of up-and-coming bands from around the country, all of whom are linked by a talent for fast, catchy, hooky melodies. In short: fun.
The lineup includes some incredible bands, such as Manchester’s freshest power-punks Aerial Salad, melodic fast-punk favourites Captain Trips and London’s own Triple Sundae, who will no doubt be playing some tunes from their seriously exicting new record.
You’re also going to fall in love with Arms & Hearts, a solo singer-songwriter with one hell of a voice, in the style of Brian Fallon or Chuck Ragan. You’ll walk out of the gig desperately wanting to get his beautiful lyrics tattooed all over you. If that’s not your thing, FastFade and Second In Line will bring you back into the fast-punk game. Continue reading “Gig Alert: Cinemania Fest”
Mark Bartlett dissects the magic of recording, songwriting democracy and why we should all contribute to the art we enjoy.
Check Out: All Talk #1: What’s The Point Of Being In A DIY Punk Band?
Hi, I’m Mark Bartlett, lead singer of obscure London emo/pop-punk/post-hardcore/whatever-punks Our Lives In Cinema.
Bands, let’s all examine our work ethic for a moment…
I want to look as excited as I actually feel but I’m just really, really sleepy (and still recovering from a nasty bout of flu). It’s the first of 5 days of recording our new EP All Talk at The Clubhouse in Tunbridge Wells with Ricky Beetlestone. The spirit is absolutely willing but there are giant fuck-off bags under my eyes and a tired rashness to my cheeks that’s making me look like Phil Mitchell at peak booziness.
I finished work at 2am last night, which meant I was forced to get the N199 night bus outside Charing Cross with all the pissed up Friday night misfits, thus eventually crawling into bed at 3:45am. This isn’t ideal for a 7:45 wake-up time. To be fair, I don’t have to do anything today apart from be here and give approving nods and dismissive headshakes.
I know absolutely fuck all about the technical aspects of the recording process so, after meeting all round nice chap Ricky and lugging a few drum bits around, I snuggled into the leather sofa at the back to try and have a nap. Actually, I did pause to be suitably impressed by the monolithic mixing desk, which seemingly had 500 different dials and doohickeys that a luddite like myself could never comprehend.
Despite my sleepiness (that I hope didn’t come off as apathetic rudeness to our new producer friend), I am excited. This is the best part of being in a band. We’re making a record; it’s going into the digital cloud to live forever and provide some evidence to future society about exactly who their silly ancestors were.
And this is where the internal panic sets in and confidence turns to doubt. Are all the parts up to scratch? Are the songs too long? Will people hate my voice as much as I do? Are the lyrics cringey? Is this the best we can do? Continue reading “All Talk #2: Are You Trying Hard Enough?”