Incisions: The Sound Of Young, Working-Class Anger [Interview]

“Like Minor Threat had been dragged through every bar in Manchester,” Incisions are ready to tear your world apart.

Interview by Sarah Williams. Photos by Cold Front Photography.

Incisions are a fresh, no-nonsense, blast of fury from Manchester, who’ve just announced that they’ll be releasing their self-titled debut album via DIY legends TNS Records in December.

Incisions’ Quit Now was one of our Top 5 Releases of 2017 and their new material promises even more exciting things. Seen live, their fast, take-no-prisoners approach captivates audiences.  We spoke to vocalist/guitarist Jordan Lloyd to get the latest on their new album and their plans to conquer the scene.

Hey Jordan! How would you sum up Incisions for someone who’s just discovering you?

Hey! We are heavily influenced by all the hardcore bands and Slayer but like to try and bring a bit more melody into the songs. We try to play everything as fast as we can. We recently were told we are ‘the audio equivalent of a brick through a window’. I liked that.

Tell me a bit about how Incisions came to be – how did the band form?

I moved to Manchester a few years ago ’cause I wanted to start a band and there place where me and Steab (guitarist) grew up had no music scene at all. I found a really good drummer. We put an ad out for a bassist and met Mandog. We then met up at the first Manchester Punk Festival and obviously MPF is enough to make anyone want to start a band… we were both pretty overwhelmed by the whole weekend as is the case for everyone that goes, so we were much more serious about what we wanted to do after that.

Our drummer moved back to Spain before we really got going, but Tom joined straight away and then took it up a level. We’d written our first EP after a couple of weeks. Tom left just after we finished recording Quit Now. Stefan has been playing live with us since the second EP.

You’ve undergone some line-up changes since then, too. Give us an update – what’s the line-up looking like now?

Yeah, Archie (a.k.a. Betty Egg) from Clayface is playing bass for us now which is ace cos I love him and he’s pretty easy to influence when I want to go out and get drunk.

Andy is now playing drums for us he plays in Animal Byproducts as well, he’s from Barnsley so none of us can understand a word that he says but he seems friendly.

Stefan is still killing it on his snide Gibson and they all still have to put up with me!

I was completely gripped by the Quit Now EP you released last year, in fact it was in our Top 5 EPs of 2017. How does the album differ to the EP musically?

Yeah, thanks for that. We were really proud of making that list!

I think we started to find our sound when writing the last EP but we had come to terms with it when we wrote the album, so this was a bit more focused in that sense. Someone said it sounds like Minor Threat had been dragged through every bar in Manchester. I think it’s a bit more direct lyrically than the EPs have been and there are more riffs. Continue reading “Incisions: The Sound Of Young, Working-Class Anger [Interview]”

Spotify Playlist: Manchester’s Best Punk Gigs

Follow our playlist to discover up-and-coming punk bands who are playing near Manchester.

Although we’re often on the road for gigs, Shout Louder’s proud to have its HQ in Manchester, UK. It’s a city with a vibrant music culture that embraces the DIY ethic at the core of our community, with an abundance of punk shows to choose from every single week.

On the fence about going to a show? Not sure whether you’ll like the support acts? Want to know about all the latest gigs? We’ve made this playlist to help you with that, and we’ll be updating it with new gigs as they’re announced.

Follow the playlist to keep up to date with the bands we’re most excited to see in Manchester in the next two months, in approximately chronological order (first on the list are bands playing this weekend). Anything we haven’t added? Let us know.

P.S.: We’ve included a few shows that are a short train ride out of town; fuck the borders.

Special credit to Anarchistic Undertones, Moving North, Horn & Hoof, Under The Bridge, Evil Music and The Old Town House for consistently booking excellent shows. You’ve got to appreciate people working tirelessly behind the scenes to bring music right to your doorstep, without them this scene would be nothing.

Gig Review: Consumed @ Aatma, Manchester [13/07/2018]

Consumed rip through their Northern album launch show, with support from Don Blake, Triple Sundae and Hoof.

Article by Sarah Williams. Photos by Cold Front Photography.

We’ve been waiting for 16 years, but it’s finally here. Nineties UK skate-punk legends Consumed have chosen today to drop their EP Decade of No into our laps, after a long hiatus. Every chord, every note and every lyric is just as vibrant, exciting and relevant as their earlier releases and I’m supremely excited to celebrate the launch with them tonight.

The troopers at Anarchistic Undertones have organised tonight’s album release party at Aatma in Manchester, with a varied line up of supports in the form of Don Blake, Triple Sundae and Hoof. What better way to finish of your working week?

HOOF Live cred Josh Sumner Shout Louder 13072018 (2).jpg
I’m gonna get straight out there are say it: I bloody love Hoof. They don’t seem to have the big furore around them that you occasionally get with DIY bands, but there’s an understated charm to them and what they play is just very, very good. They fall into the camp of 90’s EpiFat-era skate-punk (and I’d hazard a guess Consumed are a big influence on them), producing a sound that’s comfortingly familiar and exceptionally well executed.

In the interest of building anticipation, they break a string approximately five notes into the set, leading to a lengthy re-stringing break before the show’s even started. Fortunately these guys are the masters of off-hand stage banter, and at least it didn’t halt the set halfway through.

HOOF Live cred Josh Sumner Shout Louder 13072018 (7).jpg

Back up and running again they rip through Epitaph and Petty Thieves, the title track from their relatively recent EP. It’s fast, hard punk rock with a strong grasp of melody and a tight technical edge, particularly on the snappy drum fills and odd twiddly riffs. They’re firmly in the class of bands incapable of playing less than breakneck speed, ideal for kicking off a show. Continue reading “Gig Review: Consumed @ Aatma, Manchester [13/07/2018]”

Four Days Following A Wilhelm Scream On Tour [Column]

Sarah spent a long weekend following melodic hardcore legends, A Wilhelm Scream, on their UK tour with Darko. This is her personal account of the sweatiest weekend of the year.

Article by Sarah Williams. Images from Cold Front Photography, taken at The Star & Garter, Manchester.

It’s sweltering. I’m screaming. There’s a crush of bodies all around me, elbows and fists and softer parts, heaving and desperately scrabbling for space. Every surface is slick with sweat. I turn around just in time to catch a boot to the face, as singer Nuno Pereira is hoisted above the pit, trailing the mic cable, still belting the lyrics out.

He circles above the crowd before being gently propped back onto the the stage, where he immediately bounces back to scream out the chorus. I’m crushed against the edge of the stage and, when I look up, he’s literally dripping a waterfall of sweat straight on to all of us in the front row.

A Wilhelm Scream Live Manchester cred Josh Sumner 3.jpg

It’s the longest, hottest day of the year, and the air feels ripe with anticipation for the chaos that A Wilhelm Scream bring on tour with them, unleashing raw, unbridled energy on stage every single night. This 5-piece melodic hardcore whirlwind have journeyed from their hometown in New Bedford, Massachusetts for a month-long tour, beginning with 7 dates in the UK with Shout Louder faves Darko.

I’ve been known to go to absurd lengths for the love of punk rock and this weekend will be no exception. Taking every chance to see one of the world’s most incendiary live bands, I decided to catch them in Manchester, Norwich, London and Stafford. Fortunately, I managed to convince Tree (of MPF/Anarchistic Undertones fame) to join me, so I wasn’t alone for the ride.

A Wilhelm Scream Live Manchester cred Josh Sumner 7.jpg

Friday: Manchester

Manchester’s show at the Star & Garter is unquestionably the best gig I’ve been to this year (and I’ve seen Propagandhi twice). Perhaps it’s the intense heat. Perhaps it’s the crush of friends at the front. Perhaps it’s the insanely good performance from one of my all time favourite bands…  or perhaps it was the excitement of knowing I get to do it all again for the next three days. Continue reading “Four Days Following A Wilhelm Scream On Tour [Column]”

Fair Do’s: No One’s Going To Set Standards For You [Interview]

Manchester’s finest talk working-class roots, quality-control and how hard it is to learn your own songs sometimes!

Interview by Sarah Williams. Live photos by Alia Thomas.

Manchester’s melodic hardcore shredders, Fair Do’s, have just announced that they’ll be releasing their first full album Leopards on July 27th, through Lockjaw Records. I have been begging for this album since 2014 and I can’t believe it’s finally happening.

There are few bands that combine hardcore punk with metal in the way Fair Do’s manage to, and they back it up with a hard-earned technical prowess that makes them stand out from the crowd. They formed in 2009 and released an impressive EP Trying Times in 2014, going on to kill it on stage all over Europe, playing with the likes of A Wilhelm Scream, After The Fall, The Decline and H20, including major festivals like Punk Rock Holiday.

I caught up with vocalist/guitarist Danny Cummings and drummer John Holt over a pint, to learn about the hard work they’ve put into Leopards, their working-class sensibilities and why you might hear hints of Beyonce in Danny’s choruses.

You’re releasing a new album: Leopards! That’s exciting. What took you so long?

  • John Holt: Oh, Jesus.
  • Danny Cummings: It took a while recording it, because we did it over weekends.
  • John: I tracked the drums in September 2016.
  • Danny: It was a different beast to the EP. The EP was thrown together: recording guitar at one studio, drums at another. We made a vocal booth in the corner of Josh’s flat for that. Whereas this we’ve done it properly, tracked everything.

Fair Do's Live cred Alia Thomas.jpg

Quality is clearly a major focus for Fair Do’s – it has to be to produce something so wonderfully technical. How do you keep the bar set so high?

  • John: There’s no one there to set standards for you; you can’t expect anyone to go, “You should be better than that.” It’s your job to do that for yourself. No one’s going to care that you had a bad show apart from you.
  • Danny: And the three people stood next to you.
  • John: When people see Fair Do’s as a band stood next to each other, they think we’re going to kill each other. You have to be able to say things and just move onto the next business. Harsh things need to be said occasionally, so sometimes you have to have a shouty, sweary match.

Do you argue with each other a lot, then?

  • John: One of the pitfalls of Fair Do’s is that we produce tunes before we can play them. The songs are written and composed but we can’t actually play them.
  • Danny: We can play them at that we demo them, or try some midi drums. We make sure we’re writing stuff that we can play.
  • John: Yeah, we’re not faking playing stuff, but we’ll come up with ideas that are not obtainable until after many moons of practice.
  • Danny: Dave’s alright, but for the rest of us it’s the sort of stuff we have to sit down and spend an hour a night working on it for six weeks to be able to nail it.

Continue reading “Fair Do’s: No One’s Going To Set Standards For You [Interview]”

Gig Review: Ill Guerra & The Domestics @ Fuel Cafe [10/03/2018]

A great night of hardcore held in a Twin Peaks-esque sauna in Withington. Support from Habits, Pat Butcher, Satanic Malfunctions and Social Experiment.

Article by Sarah Williams. Atrocious photos taken from my phone.

The main reason I relocated to Manchester was the luxury of having fantastic punk rock shows right on your doorstep, every single weekend. This particular gig, held at Fuel Cafe in Withington is a stone’s throw from my house, and is therefore the shortest distance I’ve had to travel to see bands since I lived on Camden High Street a decade ago. I’m living the dream.

MBBP have a reputation for putting on raucous live shows, always trying to pack six or more acts onto a short bill. It’s incredibly exciting to see a variety of hardcore punk bands from around the country playing tonight, including Welsh acts Habits and Social Experiment plus Yorkshire’s Pat Butcher and Satanic Malfunctions. The highlights of the line-up are reliably ferocious East Anglian act The Domestics and esoteric Spanish foursome Ill Guerra.

The room upstairs at Fuel is an unusual venue space: it’s a small room divided by an archway, with a stage painted with black and white zigzags. The night begins oddly, with Habits closing the windows and drawing the sumptuous red velvet curtains behind them to kick things off, like the band haev suddenly been transplanted onto the red room set of Twin Peaks.

Habits Live Fuel Cafe
Habits

Habits are a band that I would happily watch headline. They play dark, furious post-hardcore, buoyed by a lot of lush guitar tones and stormy chord changes. It’s like More Than Life, Have Heart and Defeater had a Welsh DIY baby. Nosebleed begins with a solid moody section but mutates suddenly into a much harder-rocking tune, before descending into a frantic, drawn out breakdown. Work is an indignant polemic, although the sound is ultimately positive. Other songs drift through themes of jealousy, sex and drinking yourself to death. The singer introduces each song by name and a brief explanation of the subject manner, which is super-handy for note-taking twats like me. Continue reading “Gig Review: Ill Guerra & The Domestics @ Fuel Cafe [10/03/2018]”

Gig Review: Ray Rocket & Sam Russo @ The Peer Hat [14/02/2018]

Teenage Bottlerocket’s Ray Carlisle and acoustic genius Sam Russo treat us to an intimate evening with help from Arms & Hearts and Fraser Murderburger.

Review by Sarah Williams. Shoddy phone-photos also clearly my fault.

Tonight isn’t merely a quiet, cold Wednesday night in Manchester. It’s also Valentine’s Day. As a result, tonight’s acoustic gig feels warmly romantic; I feel lucky to spend my evening in the company of Teenage Bottlerocket’s Ray Carlisle, soulful charmers Sam Russo and Arms & Hearts, and everyone’s favourite feisty Scot Fraser from The Murderburgers. The small room hosts a handful of couples and singletons, all excited for Moving North’s exceptional selection of acoustic acts.

Manchester Moving North Poster Sam Russo Ray Rocket Gig

Fraser kicks things off, commenting that he’s pleased to be correclty referred to on the poster as MacDaddy Mudderbang. This sets the tone for an evening of in-jokes, as all the acts really engage with the intimate audience. He opens with Born For This which, like many of his songs, is catchy, energetic and self-deprecating. His vocal has a gritty, edgy tone which works well as part of an acoustic show, although we’re more familiar with him belting it out live with The Murderburgers. It also sounds great on his poppy cover of Descendents’ Hope.

Halfway through the set he seems to shed some nerves. He actually declares that he ‘thinks he’s enjoying himself,’ before going on to play Another Way Out Of Here – a tune about ‘trying to find a way out without tying a noose and kicking a chair’. He also plays Wank, Florida, Wank, the gloriously named new single from his other band Fuck (It’s Pronounced Shit). He shouts out audience members (well, mainly just Mikey Wong) and chats to Ray, who’s sitting at the back of the room. It makes for a very intimate and friendly show. Everything about his set makes me happy and I’m grinning with laughter by the end of it.

Fraser Murderburger Live.jpg

Up next is Arms & Hearts, which is the moniker of solo singer-songwriter Steve Millar. He opens with a tune called Sore Sight For Sorry Eyes, a good example of the clever, emotive turns of phrase that he often uses in his lyrics. He seems to write with traditional tattoos in mind; if Arms & Hearts gains more popularity, soon everyone will be walking around with his words inked in banners around roses and skulls. Every word comes across crystal clear because Steve has a good, practised microphone technique, allowing you to fully appreciate the rich range in his voice. Continue reading “Gig Review: Ray Rocket & Sam Russo @ The Peer Hat [14/02/2018]”