We speak to Rob Piper of Darko / Lockjaw Records about their intentions for 2018 and their sterling album Bonsai Mammoth, ahead of its first anniversary.
Interview by Sarah Williams.
If you have haplessly stumbled across Shout Louder in the past, you may have heard us mention Darko once or twice. They were our Album of The Year 2017, one of the top acts at Punk Rock Holiday and a lot of other shows. Okay, so maybe we’re a little obsessed with them. Shuttup.
We love them enough that we have convinced them to play our birthday party (Feb 2nd at The Smokehouse in Ipswich) as a warm up for their album anniversary party on February 3rd. They are throwing a big shindig at The Boileroom in Guildford to celebrate a year since the release of their incredible melodic hardcore opus Bonsai Mammoth.
Darko have been around for quite a few years and have always struck me as one of the most talented, hardworking and savvy bands in the scene. Their recordings and their live shows are delivered with stark in-the-moment passion, but there’s an intellectual undercurrent that shines in many of their lyrics and their complex compositions.
To get to know them a bit better, I spoke to guitarist Rob Piper, who also looks after the infamous Lockjaw Records, home to some impressive punk and hardcore acts.
It’s nearly a year since you released Bonsai Mammoth. I’m sure I’m not the only one to put it in my top picks of 2017. How have you found the reaction to it?
Well firstly, thanks loads for your support and kind words about the record; it means alot to know people are enjoying the album. This year has flown past. We’ve had a lot of fun touring the new tracks, hearing people’s reactions and seeing people sing or scream along with us.
Darko had been together for a long time before Bonsai Mammoth, so it feels like success has been a slow burn for you. Do you think there was a particular turning point for the band?
For me I think the biggest success with Darko was finding four other members that can put up with each others shit and share the same ‘can do’ attitude to just go for it, unphased by how popular the genre is, just doing it because we love playing our music live. When we first started the band I had no idea we would be touring Japan and touring to Greece and back. Since releasing our very first EP in 2010, we have hit lots of milestones which I would class as successes. I think myself fortunate for the experiences we have shared and hopefully will share in the future.
Where did the title Bonsai Mammoth come from?
From what I remember, the original phrase was coined on one of the many long van journeys across mainland europe, most probably scooting the autobahn. A plethora of seemingly random phrases and noises are produced from the cabin on these journeys. A lot of it is bollocks but some is thought provoking and meaningful… In some opinions.
With Sea of Trees, Bonsai Mammoth and a lot of the lyrical content in a lot of your songs, there seems to be an underlying nature theme. Is that a deliberate choice? If not, why do you think that theme comes across?
From Trust to Conformity and the Sea of Trees EP both follow a concept which involves nature versus machine, so I’d say it was more intentional in those two records than the full length. Nature is a such an epic spectrum; it encompasses the reasons why we are alive and how we interact with the earth. I think it’s important for all of us in the band to recognise this and, when writing, it makes sense to use nature to help describe scenes and relay emotions with metaphors. I think each of our personal ecosystems can be compared to the planet and being aware to treat ourselves with respect, as we need to do to the world, to try and avoid the heavy pressures causing poor health. Continue reading “Darko: One Year on from Bonsai Mammoth [Interview]”