Top 5 Album Releases of 2017

Shout Louder’s favourite picks from a year of brilliant new albums.

Article by Sarah Williams.

By sticking to the classic Top 5 format for our end-of-year round-up, I’ve really made a rod for my own back. It would be easier to write a Top 10 or a Top 40 with all the amazing releases this year.

As a result, there are some surprising absences from my Top 5. Propagandhi’s Victory Lap has received a lot of repeat play at Shout Louder HQ, but I’d still take any of these smaller bands over it. Bear Trade, Matilda’s Scoundrels and 88 Fingers Louie have all put out brilliant full-lengths. I’m a huge fan of The Smith Street Band, but for me More Scared of You Than You Are of Me just doesn’t have the sheer gut-wrenching emotive force of their earlier releases. I feel similarly about The MenzingersAfter The Party.

Shamefully, I’ve not given enough time to Iron Chic’s You Can’t Stay Here or Hard GirlsFloating Now to include them, although I know I’m going to become obsessed with both. I only recently heard Hateful Monday’s Unfrightened but that would definitely be on the Top 5 if I had got to it sooner! There are also plenty of less punk releases that I have enjoyed. If you’re into Canadian hardcore then You’re Not You Anymore by Counterparts will be a highlight. One of my other favourites has been Thundercat’s Drunk – it’s fabulously eclectic stoner/soul/nu-jazz stuff.

I have one final thing to mention before I get on with it: the new Only Strangers album. The release has been pushed back to 2018, but had it been released in December as planned there is no doubt that it would be in my Top 5. I’ve been rinsing a pre-release copy on repeat for weeks. If you like gruff melodic punk like The Burnt Tapes, Hot Water Music or Iron Chic, keep an eye out for the release in the next few weeks.

Finally, here are my Top 5 Albums of 2017:

#5: Aerial Salad – Roach

Aerial Salad Roach Cover

Aerial Salad are a refreshing suprise. There is something exciting about their debut album that I can’t explain; it has a modern-classic air to it. Songs like Habits and Problems are instantly memorable and relatable. The bassline on Check My Mind is as comforting as your pulse. The opening line to 97, ‘I just told my Mum I’m gonna kill myself, it’s so easy now,’ is so raw it burns. Roach is an album with guts.

It’s even more suprising that the album sounds refreshing, because in many way it’s copy-cat familiar: Aerial Salad’s sound is reminiscent of bands like Greenday, PUP, Gnarwolves, Jawbreaker and Nirvana. The is a raw quality to the production and rough delivery that makes the album sound fresh, unique and special. Discovering Roach is like finding £50 discarded and trampled in the street. Give it a listen and get ready to become obsessed.

Check out our 2-part interview with Jamie Munro here and here, plus our review of Roach here.

 

#4: Gnarwolves – Outsiders

Gnarwolves Outsiders.jpg

Gnarwolves are a somewhat marmite band within the scene, but for me Outsiders is merely further proof that they can do no wrong musically. From the warm, plaintive opening of Straightjacket I am completely and utterly hooked. ‘I found love at the bottoms of bottles, the edges of twilight where my Sunday slips into my Monday,’ is a fitting introduction to Thom Weeks’ evocative and memorable songwriting. The album then cascades through equally dark and uplifting tracks like Wires and Paint Me A Martyr, full of appealing melodies, hooks and infectious refrains. Continue reading “Top 5 Album Releases of 2017”

Top 5 EP Releases of 2017

Shout Louder’s picks of the best short releases of the year.

Article by Sarah Williams.

It’s been an extremely strong year for releases in the world of punk. For the Shout Louder end of year round-up, I’ve decided to embrace the classic Top 5 format. Over the next few days you can enjoy all of the following:

First up are my Top 5 EPs of the year. This was a real struggle. As a cheaper and easier alternative to a full-length album, it seems to be the format of choice for many of the bands I favour at the moment. There were more EPs vying for the top spot this year than there were albums.

Just short of making the cut was Alaska Alaska’s Another Planet’s Hell. I have also listened to No Trigger’s Adult Braces a hell of a lot, however it’s mostly on the strength of one song – Dogs On Acid. I ought also mention On A Hiding To Nothing. They are one of my favourite live discoveries this year, and their EP Formaldehyde is stupidly fast, complex and awesome.

Without further ado, here are my Top 5 EPs of 2017.

#5: Incisions – Quit Now

EP Incisions Quit now.jpg

Incisions are a gutsy foursome from Manchester who create proper, noisy fast-punk full of swagger. It feels like they’ve taken a rowdy punk band and added a hard rock guitarist, driving the songs with irresistible riffs and grooves. Jordan Lloyd’s coarse vocal and snappy fuck-off lyrics tie it all together, dripping with attitude and agression.

Absolutely zero fucks were given in the making of this record. Or, at least, that’s what the attitude in the lyrics convey. In reality it clearly takes a lot of talent to make an EP this good while making it seem effortless. I loved this the first second I heard it, and my only regret is not seeing it played live until November. Live or recorded, Quit Now has an undeniable power to make you to rock the fuck out.

 

#4: Toodles & The Hectic Pity – Call In Sick

EP Toodles & The Hectic Pity.jpg

I have to thank Colin Clark’s impeccable music taste for this one. He recommended this band to me earlier in the year, shocked that they only had ~100 Facebook followers despite producing an incredible record. It’s five tracks of bouncy, fast acoustic folk-punk that’s pleasantly uplifting, in a similar vein to bands like Jake & The Jellyfish. Call In Sick has shed a bright beam of positivity on 2017 for me, and I want to share it with everyone.

Coming from Bristol, Toodles & The Hectic Pity produce quick, snappy and percussive punk ditties, overlaid with witty lyrics, delivered in a vocal style that cracks and strains and makes you want to sing along. My favourite song is by far the title track, hitting a real nerve with me with the words, “You shouldn’t have to work so hard to barely get you by.” The theme of the song in part gave me the confidence I needed to leave my job and change my life this year. Well done, Toodles, it’s an incredible record. Continue reading “Top 5 EP Releases of 2017”

EP Review: Sombulance – Lifer

The new release from South Coast skate-punks Sombulance is a lesson in creativity and precision. FFO: A Wilhelm Scream, Darko and Propagandhi.

Sombulance have that exciting new-favourite-band quality that traps your heart in your throat when you first stumble across it. Based in Southsea, this quintet are yet more proof that the finest melodic hardcore in the UK originates from the South Coast. They’ve been together since 2005 and released a full album back in 2010, so they’re hardly a ‘new’ band, but they’ve recently reassembled and refreshed their line-up so it feels like a new start. Since catching their explosive set at Manchester Punk Festival in 2016, I’ve been eager to hear more from them, and I was lucky enough to catch them slaying the Beach Stage at Punk Rock Holiday – one of my highlights of the week.

Lifer was released at the beginning of August, just in time for PRH and live shows with Pears and Darko. Sombulance play especially melodic skate-punk, underpinned by themes of regret and redemption. Expect 18 minutes of intricate, thoughtful composition, technical guitar and memorable song-writing. Sharing their new drummer, Marc Morey, with progressive thrash virtuosos, Almeida, the EP is also blessed with fast-paced, creative percussion. Lifer is an big advancement on their 2010 album A Cynic’s Response, particularly in terms of production quality.

The EP opens with The Articulation of Afterthoughts, a bittersweet and reflective love song with some of the most heart-wrenching lyrics on the record, “When she comes around the world seems a little brighter, and when she takes control my shoulders become lighter… When explanations fail to make you see what’s true, I am alone, I’m here with you.” In terms of composition, this is one of the most accomplished tracks on the album, coaxing the listener through a dynamic story that adeptly blends lyrics and melody. The elaborate layers of guitar sound like a waterfall rushing by, blending in delicate, brighter tones in the middle. Ant Harrison and Will Pearce’s dual guitars flow with force and beauty through all 6 tracks, giving Sombulance their unique edge.

The coda slides nicely into Lessons Lost, which is a heavier but punctuated by livelier, brighter drum lines. Throughout the all 6 songs, there’s not a single bar without layers of imaginative nuances that really hold your attention. The attention to detail in their composition is impressive, each listen piquing a new interest. Continue reading “EP Review: Sombulance – Lifer”