Tree’s laugh-out-loud funny account of Fair Do’s’ Japanese tour will make you feel like you were there.
In January 2019, Manchester tech-punks Fair Do’s toured Japan with good friend (and Manchester Punk Festival organiser) Ian ‘Tree’ Robinson. Tree agreed to write this tour diary exclusively for Shout Louder.
Tree’s Disclaimer: Fair Do’s have asked me to say that these are all my views and not from the mouth of anyone else!
Day 1: “My bass is more important than your merch”
Taxi picked us up at 04:45 to go to the airport. Leaving Bernie [my gorgeous girl] when she’s recovering from surgery is pretty heartbreaking. I kinda wish the tour was happening in a few more weeks. I’ve been so excited for the trip that I’ve just had to put everything to one side; before I know it I’ll be chilling with her at home.
I decided to starve myself of sleep as I’m not a big fan of flying. I prefer just to sleep through it. I find the whole process pretty suffocating and claustrophobic, I’m the kinda person that could’ve got through their entire life without flying and I wouldn’t have felt like I was missing out. English as fuck that, isn’t it?
Danny was getting panicked phone calls from Josh in the taxi about how his case is overweight by 0.5kg. Josh made it clear how important his bass was, I think he thought we’d just suggest leaving it so we could take merch instead (?). Sounds like a spliff would help the situation but we all know that’s out for a couple of weeks.
Now that we’ve completed our round-up of 2018 (check out our top albums, EPs, festivals and live bands) it’s time to look ahead of the future.
The DIY punk scene is thriving in Europe currently; it’s feels like we’re on riding the crest of a wave that’s growing into a tsunami. Online connections are enabling us to share recommendations and enthusiasm across continents, so word is spread quickly about exciting new acts.
It’s easy to find new music nowadays, however I’ve believe there are two methods that stand out above the others: watching support acts at gigs and listening to recommendations from your friends. In 2019, I implore you to get out and see as many new bands as possible. To get you started, here are Shout Louder’s top recommendations:
Canadian thrashers Wolfrik are unlike any other band I’ve heard… although it’s safe to say they’re fans of Alexisonfire, A Wilhelm Scream, Protest The Hero and Belvedere. I’ve been keen to get their EP SkeletonCity into the ears of anyone I can find and, so far, everyone’s been bowled over by their awesome sound.
Fortunately Skeleton City also found its way to the ears of the Manchester Punk Festival promoters, who pretty much instantly added them to the bill. If Wolfrik are as good live as they are on record then they’re going to tear the faces off the whole UK punk scene when they arrive in England in April. Erring on the metal / rock end of the punk scale, they combine a variety of genres, but it’s all fast, raucous fun with a healthy dose of experimentation. Continue reading “7 Punk Rock Bands To Stalk In 2019”
There have been an overwhelming number of excellent releases this year, and there’s no chance at Top 10 list will ever do justice to the talent out there. I have based this list on the punk rock records that have had the most repeat spins on my stereo this year, as I think it’s that long-term connection that gives an album real weight.
As Burnt Tapes once said, “This year’s been a weird one.” That lyric rung true enough for me in 2018 that I got it inked on my arm, and it’s really only gotten weirder since then.
One of the strangest things to happen to me in 2018 was being invited to join the crew at Lockjaw Records. As a result I’ve been able to work with some of my favourite bands. Clearly I’m incredibly biased towards bands I’ve worked with however I felt like I’d be lying if I didn’t include them here – I wouldn’t have volunteered my time and effort into the releases if I wasn’t completely in love with them.
Note: I’ve restricted this list to punk-related records, however my ‘true’ top 10 includes other genres as well. I’ve written a Top 10 Releases for the Lockjaw Records site that gives an even more accurate picture of my top picks. Notable mentions go to Kali Uchis, Jorja Smith, Tim Loud, Incisions, The Human Project, Nosebleed, Call Me Malcolm, Eat Defeat, Not Scientists and Spanish Love Songs.
#10: Tim Loud – Salvation
Since his days in Bootscraper, Tim Loud’s been a consistently entertaining songwriter and performer, however 2018’s Salvation is his darkest release to date. The record becomes a window into his soul at times, especially as it skips from genre to genre. The first and second halves of the album are distinctly different releases. Continue reading “Top 10 Punk Rock Albums Of 2018”
Portsmouth’s Misgivings are one of the best gruff, melodic punk bands the UK currently has to offer. Think Iron Chic, Leatherface, Samiam, Osker and you’re on the right track.
We love Misgivings’ intricately melodic, emotive songs and their coarse vocals. Following a string of EPs, they’re due to release their debut album Hermitage via Lockjaw Records and Charlie’s Big Raygun Records in December.
We spoke to vocalist/guitarist Will Pearce to learn more.
Hi Will! I’m madly in love with your new single Call It Off. Do you think this marks a big milestone for the band?
Hi! Thank you and yes it surely does, it’s our first ever video and our first single for Lockjaw which is very special. We made the video in one day and wanted to capture what a typical Misgivings rehearsal looks like.
I’ve had a bit of a sneak preview your new album Hermitage and I’ve fallen in love with it. How long has the album been in the works? You must be excited to share it with the world?
Not heard of Wolfrik yet? You will soon. This band have the power to tear through your city like a whirlwind of fun, leaving a trail of riffs, screamed choruses and raised fists.
The second I heard Skeleton City I fell in love. Wolfrik have taken elements of thrash, metal and melodic punk and created a unique blend that’s fiery, dark and infectiously entertaining.
All the way from Edmonton (in Alberta, Canada), Wolfrik have kicked up quite a storm across the pond. They’ve been announced for 2019’s Manchester Punk Festival, with rumours of a full European tour in the works. They’ve also recently joined the crew at independent UK label, Lockjaw Records.
We were keen to speak to guitarist Mark Seifeddine to get a proper introduction to this brilliant new band.
Wolfrik! You’ve been kicking up a storm here in the UK and you’ve recently joined the crew at Lockjaw Records. Has it been odd getting a big reaction from so far away?
Not going to lie it’s been pretty strange! Until recently we had no following in the UK or Europe but things changed pretty quick. Without saying too much, we met the right people and things seemed to catch traction. It’s awesome having the team at Lockjaw backing us and it’s a cool feeling knowing there are people who are excited to see us.
I was completely blown away the first time I heard Skeleton City. Is that the reaction you’re aiming for, or just a happy coincidence?
Thank you! I mean, when the record was all said and done, we knew we had something that could open some eyes. We didn’t think it would necessarily blow people away; the humble approach is always a good way to go about things, but we were positive people would be excited about it. Continue reading “Wolfrik: Lost In Riffs [Interview]”
Wild Tales are an exciting new indie-punk four-piece from the lush green hills of Surrey. They are the latest addition to the Lockjaw Records roster, fusing math-rock and indie influences with pop sensibilities and big choruses. They released their first single Hourglass on September 14th – it’s refreshingly accessible pop with a healthy dose of twiddly guitar work.
To find out more, we spoke to vocalist/guitarist Adam Rains about their future plans.
Hey! We’ve been enjoying your new single Hourglass, but it only scratches the surface of what you guys have to offer. How would you sum up Wild Tales for someone who’s just discovering you?
Why thank you. For those that haven’t heard us, Wild Tales are a mashup of technical tappy tip toeing with a solid foundation of pop sensibilities and catchy hooks that will make your grandmother simultaneously weep and hoot in joyous fashion.
You guys are brand new as a band, but you’re not brand new to the scene. Can you tell us a little bit about your previous musical projects?
All four of us have played in various bands over the past two decades but most recently, and most notably, in a couple of bands called Trails and Atiptoe. The common denominator, bassist James, joined Trails in 2010 whilst playing bass for Atiptoe and our friendship grew from there, with guitarist Iain eventually making a guest appearance on guitar for Trails at their final show back in 2015. It’s all a bit incestual and dutty if you ask me.
How do Wild Tales differ from Trails musically?
Similarities can definitely be drawn between the two but, generally speaking, Trails wrote heavier more punky tracks, whilst Wild Tales are more pop based in both melody and song structure. The ethos of being open to writing whatever feels right and having no limits on the direction or sound of a track is something that I feel both bands have embraced and is something that helped and helps both bands avoid becoming too generic or boring. Continue reading “Band Spotlight: Wild Tales [Interview]”