Sarah speaks to the owners of small, independent record labels, to understand the best way people can support them and to demystify some preconceptions about small music businesses.
Written by Sarah Williams.
We’re currently running a competition to support small record labels, where you can win a massive bundle of vinyl, CDs and other goodies. Head to our Instagram to enter.
The role of the record label has changed in recent years. Small, independent DIY labels are popping up all the time, but they don’t have the capital to fund recordings or the clout to market bands to a mainstream audience, as a label would have done traditionally.
Instead, many of the record labels we love are started at kitchen tables by keen music lovers,often to help their friends or to release their own band’s music. Nowadays, record labels are a helping hand, a word of advice, financial support and a labour of love.
Outside of Shout Louder, I’m part of a team that keep the cogs turning at Lockjaw Records. Although we’re relatively well established, we’re not doing anything for profit. The reward for our hard work is seeing our bands reach new listeners and play bigger stages. Many label proprietors are passionate punk rockers, who simply want to keep the scene alive.
I spoke to some of the small labels I respect the most, to understand how best to support them. Continue reading “The Best Ways To Support Independent Records Labels (From The Labels Themselves)”
We’ve teamed up with TNS Records, Lockjaw Records, Charlie’s Big Raygun Records and Less Talk, More Records to give away this huge bundle of vinyl, CDs and other goodies!
Here at Shout Louder, we try our hardest to champion independent record labels. They work hard to support small bands, with no expectation of financial return. Although we’re all for doing-it-yourself, small record labels are an essential cog in our musical machine.
To celebrate some of our favourite labels, we’ve teamed up with TNSRecords, Lockjaw Records, Charlie’s Big Raygun Records and Less Talk, More Records.
We’re offering you a one-off chance to win this huge bundle of vinyl, CDs and other assorted goodies.
To enter head over to our Instagram page. Find the competition post, follow the record label accounts and tag a friend. You have until midnight Saturday 6th October to enter, and we’ll choose a winner on Sunday 7th. Continue reading “Win A DIY Punk Rock Mega-Bundle!”
Rick Delaney taste tests Lockjaw Records’ Coffee midway through Manchester Punk Festival. The result is this hilarious, hungover story, that’ll resonate even if you don’t have the slightest interest in coffee.
Lockjaw Records (Sarah Shout Louder’s other love) recently teamed up with Sham City Roasters to create their own bespoke Lockjaw Coffee. They challenged Rick Delaney, who usually writes serious stuff for Dying Scene, to take it for a serious taste-test.
Bravely, Delaney chose to do this early in the morning, halfway through the liver-crippling marathon of Manchester Punk Festival. He’s a true hero; here’s his (inebriated, tangential, absolutely hilarious) story.
In screaming sunshine, I hotfoot across Manchester with a photographer on the verge of alcohol-induced paralysis and a shopping list of accoutrements and crucial equipment for a coffee morning. The goal is a double review – the latest compilation and a custom coffee blend from the hardworking and frankly spectacular bunch at Lockjaw Records.
Surprisingly minimal fucking around in shops later – camera operator Josh Sumner [Shout Louder’s resident photographer] sweats outside – we get the gear and head for an apartment on the North side of town. We call Carly Ashburner – one of many truly magical humans attending Manchester Punk Festival 2019 and literal bench-presser of band members. She meets us on the street in typical high spirits. We head upstairs.
In the swankiest of weekend rentals, overlooking a spectacular Manchester cityscape and the Peak District National Park, I find a scene of absolute mayhem. Continue reading “Punk Rock Coffee: A Hungover Tale of Lockjaw Records’ Latest Creation”
We talk to Italian favourites Edward In Venice about their screaming fast mix of pop-punk, emo, and melodic hardcore.
Interview by Sarah Williams.
Edward In Venice are a screaming melodic hardcore band from Pesaro, Italy, with a strong penchant for pop-punk melodies and technical guitar work. In April 2019 they released a new EP Empathy on Lockjaw Records. Empathy is an intricate record, recorded with no deadline to allow full creative freedom.
I first caught Edward In Venice playing Manchester Punk Festival 2015, where I fell in love with their speed, their skill and their energy. Their Howler EP was one of my favourite punk rock releases that year, and I’ve been waiting for a follow up album since.
We spoke to Filippo Greganti about the new records, their inspiration and their future plans.
You’ve recently released a new 6-track EP Empathy. How does it feel to have it out in the world?
It’s out in the world? Really? Hah! It’s so motivating. A lot of our friends and fans were waiting for this EP and now finally they’re happy… Hopefully! Continue reading “Edward In Venice: Aggressive, Dynamic and Full of Empathy [Interview]”
We spoke to acoustic melody-master Brightr about his new album, the emotional songwriting process and the supportive punk rock scene that’s helped him along.
Interview by Sarah Williams.
Earlier this year, solo artist Brightr (otherwise known as Laurie Cottingham) released his second album Two Sides. It’s an intricate, moving acoustic record, which launched with a little help from Lockjaw Records, No Reason Records and Penultimate Records.
Although he describes himself as gloomy emo-pop, I consider Laurie to be an expert in weaving bright, hopeful acoustic tunes, in the same family as City & Colour or Newton Faulkner before Radio 2 picked him up. Two Sides is a welcome follow-up to Year One; it’s a beautiful, soulful and positive record.
We had a chat with Laurie to celebrate the release.
You’ve recently released a brand new album Two Sides. How does it feel to finally share it with the world?
It feels great to finally be able to get the record out in to the world. These are songs I’ve been working on and obsessing over for far too long (tweaking and changing… and overthinking) so to finish recording them was a huge emotional purge for me. To release them is an entirely different, more exciting time. Continue reading “Brightr: Ebbs and Flows of Emotion [Interview]”
Relive PRH 2018 with our honest, personal account of last year’s shenanigans. Featuring Bad Religion, Adrenalized, Almeida, Mad Caddies, Authority Zero and many more…
Last year I (Sarah) had a fantastic trip to Punk Rock Holiday in Slovenia with the Lockjaw Records crew. I wrote a review while I was there… but I was too catastrophically overwhelmed with real life to finish it off and get it online.
Rather than waste it, have a giggle about last year’s shenanigans while you gear up for Punk Rock Holiday 2019… with some fantastic photos from Silvy Maatman and Dave Sloan.
“This is the best festival ever!” says everyone, about every festival, ever. The difference is that Punk Rock Holiday genuinely is The Best Festival Ever.
Talking to people over the weekend, interestingly the consensus is that people attend PRH year after year for reasons other than the bands playing. They come for the stunning Alpine scenery, the crystal clear, glacial rivers, and the opportunity to relax on two wonderful river beaches. The main stage is nestled in a clearing in the forest, so the evening bands play surrounded by tall, verdant trees as the sunset glistens through the canopy.
This is a festival where you are guaranteed to be partying with punk rockers from every corner of the world: I mainly spent the week with friends from Brighton, Sweden, Germany, Finland and Belgium who I’d hardly have the opportunity to see if events like this didn’t draw us together. Continue reading “Review: Punk Rock Holiday 1.8 Throwback”
A review of MPF from Sarah, who volunteers at the event. Friends, frantic dashes between venues and some top-class hardcore, including Not On Tour, Adrenalized, Svalbard, Consumed, Fair Do’s and Snuff.
Although there will be reviews aplenty, at Shout Louder we want to offer two unique perspectives on the fifth year of Manchester Punk Festival. Mark Bartlett’s given us is highlights as an MPF virgin, where as Sarah Williams is an MPF veteran who volunteers at the festival. In this edition, Sarah gives us a unique perspective from behind the scenes.
Excitement for Manchester Punk Festival begins long before the doors open to the public. Unfortunately, excitement can easily be mistaken for stress.
Weeks before the main event, I’m inundated with messages asking about guest list, accommodation, press accreditation and band recommendations. I’m only a volunteer, I’m not even one of the organisers – I can’t begin to imagine the sheer insanity of their inboxes. How they manage to keep it together in the days leading up to the festival, I will never know.
The hard graft starts in earnest on Thursday – the eve of the festival. I drive to Moston to join a five car convoy; our best method of transporting all the festival merchandise in the absence of ROPTM’s van. I’m blasting out Ocean Wisdom round the M60 like some boy racer on the way, which is harshly interrupted by a phonecall about a bounced band payment and a confusing artist hotel booking. We get it sorted in seconds, like pros.
Delivering the merchandise is the first time I’ve seen MPF’s brand new venue: The Union. It’s a huge, modern student building fittingly decorated in Manchester’s signature yellow-and-black. I’m shocked to see the size of the main hall. As we climb ladders to hang banners, it starts to look like a ‘real’ festival venue. It’s fucking huge. Continue reading “Gig Review: Behind-The-Scenes at Manchester Punk Festival 2019”