“Double Negative is a short, sharp blast of ultra-melodic, ultra-catchy, ultra-economical jangly punk rock.” FFO: Leatherface, The Clash, Stiff Little Fingers.
Review by Ollie Stygall.
I thought I’d prepare for this review by Googling Liverpool, home of Down And Outs, to see how much of the city’s cultural heritage is dominated by The Beatles. It turns out it’s quite a lot! Tough luck if you’re a band from Liverpool, you have some very big shoes to fill! This is a bloody shame, as the three guys that make up Down And Outs are kicking up some top quality, melodic punk rock.
It turns out these guys are time served, having been around since 2004, and have an impressive and extensive catalogue of releases under their belts. It comes as no surprise to see they’ve had releases on a number of labels, including the fantastic Boss Tuneage Records.
Double Negative is a short, sharp blast of ultra-melodic, ultra-catchy, ultra-economical jangly punk rock. Of the 13 tracks here none exceed the two and a half minute mark. This is a band who say what they have to say, then they get the fuck out of Dodge. They get their point across quickly, eloquently and effectively, which makes for an impressive listening experience. Each song is a little blast of gold dust that does its job perfectly.
The band claims influence from acts such as The Clash and Leatherface, which kind of makes sense. They have assumed The Clash’s knack for penning catchy pop music within a punk framework and Leatherface’s rough-hewn charm, albeit with some of the spiky edges smoothed off. One comparison might be to a more stripped down Hot Water Music crossed with the heavier elements of someone like Soul Asylum (does anyone remember them? No? Just me then), and maybe a touch of classic old-school punk like Stiff Little Fingers, whose lyrical tales of hometown life seem to match Down & Outs’ own world view. Continue reading “Album Review: Down And Outs – Double Negative”
90’s skate-punk heroes Consumed ignite Liverpool’s coolest pizza bar, with help from Down & Outs and The Hunx.
Review by Sarah Williams. Photos by Richie Yates.
Before this show had even begun, I was brimming with excitement. It’s my first gig of 2018, my first time in Liverpool and (this is a totally irrelevant personal achievement) the first time I’d ever driven to a gig. On top of all that, I got to start my year off right with a trip to see Consumed.
For years I’ve heard my Northern punk pals raving about Maguires and it’s easy to see why. At the front it’s a tiny, colourful bar that boasts an impressive menu of vegan and vegetarian pizza options. Knowing that I can’t miss this opportunity to sample some proper cruelty-free fast food, we plump for a vegan garlic mushroom/pesto combination that turns out to be a masterpiece in greasy joy. I savour it while enjoying the crude animation in Jason & The Argonauts that is being projected onto the bar wall.
Once we are well and truly stuffed we venture past a bookshelf-doorway into the venue itself. Before the entertainment’s kicked off, it is easy to see this is the ideal punk venue. It’s a small black box with a bouncy wooden floor and an array of gig posters plastered to the roof. It looks like the sort of gaff where sweat would drip from the rafters if you got the right act in here.
Opening the show are local Liverpool punks, ironically named The Hunx. They play straight up fast-punk with clear 90’s skate-punk influences, best illustrated in their extremely popular cover of Bad Religion’s American Jesus. It’s a very well-chosen tune that gets the crowd’s fists in the air as they sing along. Their edge is in their frequent self-deprecating jibes, slagging themselves off to a Johnny Vegas standard, which gets a great reaction from the local crowd who are clearly in on the joke. Although I enjoy a bit of droll humility at the best of times, it feels like the band are doing themselves a disservice; they might have more success if they injected some enthusiasm into their act.
Admirably, they announce at the beginning of their set that they are donating their merch sales for the evening directly to homeless people on the nearby streets. They deliver an enjoyable show, although the vocal sound quality leaves a lot to be desired – the combination of gruff and fuzz made the words a hard to decipher. Overall they’re a solid opener who kick off the evening well. Continue reading “Gig Review: Consumed @ Maguires [13/01/2018]”