Shout Louder are teaming up with Be Sharp and Colin’s Punk Rock World to put on a weekend celebrating DIY punk rock in London.
Shout Louder are teaming up with our punk rock pals Be Sharp Promotions and Colin’s Punk Rock World to host Do It Together Fest 2020.
This new weekend event will celebrate the unique DIY music community that’s brought us all together, with live music, a record fair and a print zine especially for the event. We’ll be bringing our favourite artists from the UK and further afield for a friendly, welcoming party, while also fundraising for Mind.
Hosted at New Cross Inn, South East London’s premiere punk venue, we hope that Do It Together Fest will build on the success of 2019’s Shout Louder Fest. It’s a birthday party for all three Aquarian hosts, and it’s an opportunity to get friends from all walks of life in the same place.
Limited £10 Early Bird Weekend Tickets are available from the New Cross Inn website. Continue reading “News: Do It Together Fest Announced”
A sold-out Manchester show with Pkew Pkew Pkew and Goodbye Blue Monday showcased the future of melodic punk rock.
Review by Sarah Williams. Photos by Cold Front Photography.
Moving North have sourced an exceptional punk rock line-up for a cold Wednesday in the Rainy City. Tonight’s bill of Spanish Love Songs, Pkew Pkew Pkew and Goodbye Blue Monday showcases the future of melodic punk rock: each of these bands is set to explode in the near future. This is a tour that will go down in the history books.
Selling out weeks in advance, tonight’s also due to be a shoulder-to-shoulder riot in Manchester’s tasteful Soup Kitchen basement. Exposed brick, classy beers and healthy grub here make it one of the best venues the city has to offer. It’s gigs like this that put Manchester at the forefront of the UK’s live music scene.
Scottish misery-punks Goodbye Blue Monday open the show early to a sparse but friendly crowd. They open with newer tune Red Skies that eases people in gently with a slow crescendo intro, before they plaster grins on our faces for one of their biggest old tunes: The Sickness, The Shame. Continue reading “Gig Review: Spanish Love Songs @ Soup Kitchen, Manchester”
We spoke to Dan and Jens about writing their new album, organising Wotsit Called Fest and getting thrown off a pier.
Interview by Sarah Williams. Photos and video by Mark Richards.
Matilda’s Scoundrels must be one of the hardest-working bands in the UK DIY scene.
They’ve been touring up and down the country, popping up on all-dayers, in pubs and at a whole range of festivals this summer, building up a reputation as a cannot-miss live act. Although they’ve been together for three and a half years, it wasn’t until September 2017 that they released their first full-length album As The Tide Turns (review here). It’s 42 minutes of rollicking, overdriven aggro-folk, with all the calms and crests of a rough sea and plenty of rousing shout-alongs.
I sat with down guitarist Dan Flanagan and accordionist Jens-Peter Jensen at The Palace in Hastings, just before doors open for the main day of Wotsit Called Fest. The festival is a two-day blend of different genres, with DIY at its heart. It’s organised by Dan and Jens, plus Kathy Butler and The Barracks’ Mark Tanner. Matilda’s Scoundrels also treated the Friday night as their album release party, playing a storming set to a room full of enthralled fans.
Given that we were all still up celebrating at 4am, we had a surprisingly sprightly chat, however when I asked them about As The Tide Turns Dan and Jens both paused to give consideration to each answer, rather than diving straight in with a response. I started to get an insight into the care and consideration that’s gone into writing and producing this brilliant new record…
How did Matilda’s Scoundrels first get started?
- Jens: We all did exactly the same thing that most people did; we met up at gigs, we drank and had fun together. One day we decided it would be a great idea to start a band. It tumbled from there.
You’ve been together a long time, so it feels like there’s been a lot leading up to the first album. How long have you been working on it?
- Dan: It’s taken us forever!
- Jens: We’d released a couple of EPs and some singles. We’ve released music every year.
- Dan: Getting on for 2 years ago, we wrote the first songs.
- Jens: It didn’t take long to record…
- Dan: It did take long to record.
- Jens: Okay, yeah, that’s a lie.
- Dan: About 8 months. We wanted to take our time with it; an album is quite a big thing so we wanted to make sure we did it right. There’s a lot of us, that’s the thing.
- Jens: There are six of us. It’s going to be a lot easier to do it if you’re a two piece punk band, because you have three major instruments and that’s it. To be honest, it wasn’t that hard to write, because we are a very writing-focussed band. There are always songs that we’re playing, trying to push up and trying to write.
- Dan: We’ve already a got a couple towards the next album.
- Jens: There are several tracks towards the next album! Whether they make it or not is another story!
Continue reading “Interview with Matilda’s Scoundrels: “A shit Mumford and Sons, but a good Gogol Bordello.””
The Sinking Teeth bring raw post-punk straight from Melbourne, with support from Darko, The Burnt Tapes and Miami Nice.
Review by Sarah. Photos… also by Sarah. Prepare yourself for some truly terrible photos.
After a long week, sometimes small rooms full of big noises are exactly what you need. I’m just about coming to terms with the dark October nights and I’ve said a fond farewell to beer garden season. Shoreditch still looks colourful on a Thursday night, and the glowing lights of The Old Blue Last are like beacon of hope on this chilly evening.
I hadn’t heard of Miami Nice before this show, and I’m thoroughly impressed the second they hit stage. It’s certainly far better than I had expected from a band opening a free show organised at short notice; they’re fantastic. Once I discover that these locals have previously been in bands like Young Conservatives and Grand Central it’s less of a surprise, and everyone I speak to sounds equally impressed. The singer has a raw, stony quality and he belts out words with a huge weight of force and emotion behind them, sounding like his voice could crack at any moment. The band has some fantastic bluesier melodies in the backing, particularly on some of their later songs.
I’m not going to lie: I’m a tad obsessed with The Burnt Tapes at the moment. Alterations has had so much play on my iPod recently that I think it’s permanently etched on my eardrums. Their signature gritty lead-vocal swaps between Pan and Phil give them a unique edge, showcased early in the set on Ghosts. It might be one of the weaker moments on their EP, but has some strong shout-along potential live. Similarly, Oh Marie has an enormous regret-fuelled chorus that grabs your heart and squeezes hard.
Throughout the night, all the bands are drowned in the classic blue lights of The Old Blue last, and at no point is it more fitting than for The Burnt Tapes. They’re the masters of sad punk, transforming some deeply depressing themes into songs you want to dance to. Phil introduces a song by saying, “This is a sad one…” Normally that might be a bad thing, but I’m immediately filled with excitement knowing they’re about to play Things Get Weird. The chorus is so visceral that you can nearly feel the broken teeth in your mouth as you sing along. Continue reading “Gig Review: The Sinking Teeth @ The Old Blue Last [26/10/2017]”
Ska-punk legends Lightyear make their triumphant return to London stages in a whirlwind of friends, fun and nostalgia.
Review by Sarah. Photos by Piano Slug/Luke.
Tonight is an incredibly special night for many ska-punk fans across the South East. We’ve been talking about this gig for months. Ever since “mildly successful 90’s ska-punk band” Lightyear announced that they would be returning for good, the anticipation has been building for London’s 20 year anniversary reunion show.
As tradition dictates, I begin the evening in the Wetherspoons round the corner from The Garage. Within a minute I start bumping into far-flung mates who’ve all united for the excitement of a Lightyear revival. Everyone’s discussing which ‘last ever Lightyear gig’ they attended; most of us having seen two or three ‘final’ tours from the band. Some of us made it to 2015’s Slam Dunk sets, but almost all of us were at the 2012 gig at Islington Academy. Having formed in 1997, Lightyear released two albums before breaking up, playing their first ‘last ever show’ on 26th September 2003. Since then they’ve done at least four ‘last ever’ gigs/tours in 2006, 2007, 2009, 2012 and 2015. It’s my firm belief that Lightyear will never really get sick of giving all of us a good time, and it’s heartening to see that they’re reforming ‘permanently’. My only concern is whether the gig will live up to our lofty expectations.
Local boys, Eat The Evidence are a good wake-up band for the early doors crowd. They take all the worst elements of ska-punk and and somehow make them fun. In my mate’s words, just as they’re setting up on stage, “He’s about to rap, isn’t he? Oh god.” The sighting of an accordion in a ska band is also an immediate red flag, but it turns out to be jumpy, bouncy fun, with things looking up later in the set when the accordion gets switched out for a guitar and a ukelele.
Eat The Evidence apparently approached Lightyear after one of their ‘last ever gigs’ and made them promise to book them as support if they ever reformed. When the new tour was announced they made sure to call that favour in. Never before have I seen a band so excited to be playing a show – their singer is literally buzzing, decked out in an old Call of the Weasel Clan-era t-shirt and blabbering about how they’d even all bought tickets for the gig before they were booked. It’s endearing. Continue reading “Gig Review: Lightyear’s 20 Year Anniversary Tour [21/10/2017]”
The masters of UK thrashcore keep a midweek crowd on their toes at The Smokehouse in Ipswich.
Review by Sarah Williams. Photos by Richard Talbot.
It’s a grey, overcast Thursday in October. You’ve been chained to desk for eight hours, battered with spreadsheets, deadlines and inane office chatter. Your eyes sting from the air conditioning, strip lighting and screen glare. The phone rings incessantly and you’re hoping your boss hasn’t noticed you muttering ‘wanker’ every time you hang up on someone.
At the end of days like these, The Smokehouse in Ipswich is the light at the end of the tunnel. The endorphin rush you achieve at these shows is worth every second of your mid-week wage-slave drudgery. Tonight is especially exciting: Grand Collapse have travelled all the way from South Wales to jolt us back into reality with an insanely fast barrage of thrash mastery. Joining them are Spoilers, undoubtedly one of the most consistently great punk bands in the UK, plus local shouty legends Casual Nausea. Uncomfortable Beach Party Promotions have pulled another banger out of the bag.
This is Casual Nausea’s first Ipswich show this year, plus their first local jaunt with new bass player Matt Kemp. As Spoilers put it later on, Casual Nausea are both, “The hardest sounding band and the loveliest bunch of people.” There is a palpable warmth and love in the room, with many of the local punks getting down early to catch the whole set. I have to fight my way to the front and through to the bar, it’s packed already.
The Smokehouse hasn’t got a stage to speak of, just an area behind the PA where the drumkit and the musicians typically reside. Throughout the evening the acts disregard the little barricade of monitors, with singer/shouter Simon being the first to get out into the crowd, trailing a long mic-lead. His antics get the rowdy dancing started down the front, setting the scene for a chaotic evening of elbows and shout-alongs. Continue reading “Gig Review: Grand Collapse, Spoilers and Casual Nausea [19/10/2017]”
Part Two: The main day at Hastings’ premier DIY punk fest, featuring performances from The Restarts, Riggots, Pizzatramp, Millie Manders, The Fuckin’ Glorious, The Barracks, Natterers, The Crash Mats, The Dead Anyways and Cheap Dates.
Photo credit: Massive thanks to Sara-Louise Bowrey from Festival Flyer (Cheap Dates – Barracks) and Mark Richards (The Fuckin’ Glorious – The Restarts) for bringing this to life with their tremendous images.
Check out my review of Part One: Wotsit Called Fest – Friday for the full story!
After scoffing lunch on the beach I’m back at The Palace and ready to start another rollicking day of DIY fun.
Although Saturday’s gig doesn’t start until the respectable time of 3.30pm, bedraggled punks gradually stumble into the bar from 2pm onwards. The drink of choice this morning is the espresso martini: both the beginning and the end of the hangover.
It feels like The Palace has been designed specifically for Wotsit Called Fest. Toxic Wotsit’s logo, colour-scheme and matching cocktail (the Toxic Avenger – held responsible for many of Saturday’s haggard faces) are all a fierce nuclear-waste green, coincidentally the colour of The Palace’s tiny back-room. The sound is reasonably good, but otherwise the room is rough, ready and clearly not designed for bands; the walls are adorned with giant mirrors and oil painting of dignitaries riding horses. It all adds to the DIY punk feel.
Local skiffle-punks Cheap Dates are a fitting opening act: coaxing us gently back into the land of the living with some varied covers. They’re a quartet with a mandolin, washboard and an acoustic guitar, plus a bass constructed from a bit of rope tied to a plastic crate. They all sing, and occasional cameos from a kazoo and a melodica add to the fun. By far the highlight of their set is a version of All Saints’ Never Ever – now that’s what I call a cover.
Up next is The Dead Anyways, who provide smiling, self-deprecating punk in a typically British style. They’re one of my favourite bands of the day; they may not be the liveliest or most hardcore act to take the stage, but they have an instant melodic appeal that aligns perfectly with my taste. Combining earnest songwriting, foot-tapping rhythms and a gritty vocal, they’ll appeal to fans of Southport, Spoilers and Bear Trade. They plod between songs with understated humour and an affable stage-presence, aided by the appearance of the guitarist’s two young daughters. The kids give us a giggle and a photo opportunity, both leaning head-in-hands at the side of the stage, evidently dissatisfied by the lack of Peppa Pig covers. They’re the only two disappointed customers in the room.
Following The Dead Anyways is the band most likely to cover the Peppa Pig theme tune: The Crash Mats. They don’t, but instead they throw in a delightful version of the Chucklevision theme that makes me grin like a lunatic. The grizzly three-piece play cracking sausage rock ‘n’ roll straight out of Oldham, with short, snappy ska segments. Their songs cover a variety of profound topics, including wrestling, meat pies and Neighbours, mainly taken from their new album 69 Peruvian Panpipe Classics. My favourite tune is Soppy Love Song, which works even better live than on the album: beginning with slow parody ballad before all hell breaks loose at the end. Continue reading “Gig Review: Wotsit Called Fest – Saturday (30/09/2017)”