What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Holly Searle joins us to talk Manchester Punk Fest highlights and Hell Hath No Fury Fest.
“Let’s record a podcast,” I said.
“When’s the next time we’ll both be in the same place?” he said.
“How about at Manchester Punk Festival? Sunday morning might work.”
“Sweet. We need to check out of the hotel at 10:30, we’ll be at yours for 11am.”
In hindsight, that is the moment where it all went wrong. Mark Bell, our podcast co-host and general all-round sensible guy, agreed to this idea, no doubt considering the fact that he doesn’t tend to drink too much and that he’s smart enough to go home before the end of the afterparty.
Unfortunately, we didn’t factor in was my tendency to keep partying as early into the morning as possible. I lasted all the way through the afterparty, then ventured to the after-after party, then did some street drinking, then wound up at my friend’s flat partying with the last of MPF’s survivors. This is where Mark found me at 10:45 on Sunday morning, still drinking, swearing profusely and talking over everyone in a drunken fashion like a right twat. [Edit: I thought I’d powered through, but apparently I’d passed out and needed to be woken up 3 times while Mark was calling me.]
Episode 3 is here! Featuring brand new music from Call Me Malcolm, Nosebleed and Triple Sundae, plus tunes from March and On A Hiding To Nothing.
We’re back! In Episode 3 we are excited to share three fresh tracks with you ahead of their release – you can look forward to new songs from Nosebleed, Triple Sundae and Call Me Malcolm. We also have some fast noisy stuff from March and On A Hiding To Nothing.
Sarah get annoyed and goes off on tangents, while Mark is there to rein her back in as usual. Mark shares his love of All Saints and displays an incredibly poor knowledge of hip hop, Sarah shares a love of The Strokes and a hatred of Good Charlotte as we discuss some of our musical origins. We also share a mutual story about getting rained on Punk Rock Holiday.
After having a good whinge, we discuss some of the most exciting releases of the moment, including Our Lives In Cinema,Eat Dirt, Money Left To Burn and The Affect Heuristic. We take plenty of time to discuss the shows we’ve been to lately including Shredfest (with No Contest, Laughing In The Face Of, Almeida, Sombulance, LineOut and Dead Neck), Pat Butcher‘s carrot in a minute gag, Only Strangers, Kiss Me Killer, Honey, The Domestics and The Kirkz.
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Ferocious metal-tinged riot grrl garage-punk from Bristol! Noisy! Angry! Catchy!
Review by Ollie Stygall.
There is so much more to Bristol than funny accents, Massive Attack, Skins, Banksy, Portishead, Tricky, Concord, a dubious history of slave trading and disgraced TV personality Justin Lee Collins. Bristol has a long relationship with punk rock going back nearly 40 years. In the early 80’s the Riot City label launched the careers of local bands Vice Squad and Chaos UK, who are both still going strong alongside other local outcasts Disorder. Later in the 80’s labels such as C.O.R and Manic Ears and fanzines such as Skate Muties From The Fifth Dimension and Bugs And Drugs kept the city at the forefront of the burgeoning hardcore scene. It’s good to see that bands such as Kiss Me, Killer are keeping the flag flying in the city.
Kiss Me, Killer are a five piece self-styled ‘ferocious, hooky, riot grrrl garage punk’ band and, I have to say, their description pretty much makes my review unnecessary as it does sum them up to a tee. Boasting influences from psychedelic originators The 13th Floor Elevators, to garage pioneers MC5 and The Stooges, to punk stalwarts such as The Mob and The Ruts, to old school metal and riot grrrls Bikini Kill, Kiss Me, Killer are very much a product of their diverse influences. On this EP they offer up four tracks of hard hitting, snarling yet melodic punk rock. Continue reading “EP Review: Kiss Me, Killer – Beware!”