Reven by Sarah Williams.
When The JB Conspiracy announced that would be touring to celebrate the 10 year anniversary of This Machine I nearly fell off my chair.
Have I seriously been listening to This Machine for 10 whole years? God knows how many times I’ve played it. It was on constant repeat through most of 2008-10 for me and I regularly revisit it. I can honestly say that it is one of my favourite albums of all time, and certainly one of the only releases from 10 years ago that I still feel is every bit as relevant now as it was then.
The record has a timeless quality that has enabled it to surpass many of the other albums of it’s time. Although they’re a ska punk band, it’s an awful lot more than that. The instrumentation is second to none; there’s a huge amount of intelligence and love that’s gone into all of the parts, especially the sterling horn section. They keep a dancing pace throughout the record that’s impossible to resist. This eight-piece from London have been going for an awfully long time and they’re still just as lively as ever.
Before the show I run into Bobble (of Faintest Idea fame) and ask him how the tour is going so far, as he’s playing trombone with The JB. “I get to play This Machine every single night!” he says, “Every night! This is the best thing ever!”
I amble into The Waterfront in Norwich just as Jim Higgs is starting his set. He’s got a roster of heartfelt pop songs, which he accompanies with some springy acoustic guitar. He’s got a delightfully smooth voice to go with it, and throws a Dido cover into a set filled with appealing original tunes.
Local three-piece Other Half are up next. When I picked up their album earlier this year it quickly jumped up the list of my favourite recent releases, so I’ve been quite excited to see them live again. It’s angsty, atmospheric indie-punk with a brilliant blend of male and female vocals, very much on par with bands like Hard Girls.
Disaster strikes at the end of the first song when Cal’s guitar string breaks, starting off a quite hilarious series of quips and tales of awkwardness. “Mr Soundman,” Cal asks, “Can I turn up the distortion on my guitar to hide all the mistakes?” He asks bassist, Sophie, to fill in on the talking while he tunes up. She he looks discomforted by this prospect, but she goes on to tell us a story of how bad her day has gone, which has the entire audience in stitches. Their stage presence is delightfully awkward and works perfectly with their moody, introspective sound. The highlight of their set is Misery Movement, the title track from their album, which I recommend you all check out. Continue reading “Gig Review: The JB Conspiracy @ The Waterfront [09/11/2017]”