Sounds of Swami’s second album delivers raw post-hardcore full of live energy. FFO: Fugazi, Fucked Up and At The Drive In.
Review by Jake Jeremy.
When a band says that their latest album is ‘recorded live onto 2″ tape in a converted chapel’ they instantly have my attention. Furniture for Modern Living by Sounds of Swami shows a raw and rough approach to recording that is lacking in today’s Pro Tools marketplace.
Sounds of Swami are a well known post-hardcore act who excel in mixing punk and atmospheric noise in an inventive, prog-influenced style, underpinned by lyrics that promote left-wing politics and DIY sensibilities. They’ve built up a strong reputation for exciting, aggressive live shows and they’ve captured that live intensity on Furniture for Modern Living. This follows their self-titled debut album and two EPs, all of which had had a uniquely raw production style that’s further developed on the new record.
Album opener Lull gives a lush post-rock sheen akin to ISIS and Godspeed. It draws you into a release full of dynamic shifts and a real sense of space. Guillotine takes the not-quite dissonant aspects of Lull but has solid riff work at it’s core. It is a more dynamic track that segues nicely into the next more traditionally hardcore song. Kill Me Already sounds like Fucked Up had a baby with Queens of the Stone Age and it grew up listening to Royal Blood. It is a phenomenal track, and a clear testament to the live ability of a band that have a real chemistry together. Continue reading “Album Review: Sounds of Swami – Furniture for Modern Living”
The intense and heartfelt third album from Italy’s Thanx 4 All The Shoes is a solid skate-punk/thrash offering. FFO: Propagandhi, Strung Out, NOFX.
Review by Jake Jeremy.
Another Ride is the third album from Italian melodic hardcore outfit Thanx 4 All The Shoes, due to be released on November 25th on Disconnect Disconnect Records in the UK.
In their 11 years together, Thanx 4 All The Shoes have toured all over mainland Europe and Japan, building a reputation for their technical skill and thought-provoking lyrical messages. You can expect shades of melodic hardcore and thrash in the style of Propagandhi and Strung Out, however with a name like Thanx 4 All The Shoes I’m slightly gutted I’m not listening to a NOFX tribute band. Either way, I’m jumping in with gleefully expectant ears.
Opening track One Pen One Book instantly draws comparisons to Propagandhi, but I’m actually getting more of an 80’s thrash vibe from the quickly muted guitar attack and vocal approach. Think Anthrax and Megadeth if Chris Hannah wrote their newest tracks. It is a solid opening and a promising precursor to the rest of this album.
Title track Another Ride and it’s much of the same: fast and melodic with a twin guitar attack reminiscent of Propagandhi. What stands out most is the high-flying vocal harmonies and METAL AS HELL midsection where small guitar flourishes embellish another 80’s thrash thrill ride. This is what I want from this band: the sections where they truly let fly and break away from what’s ‘expected’ within standard modern hardcore are what set them apart. Continue reading “Album Review: Thanx 4 All The Shoes – Another Ride”
Jake chats to Dan about the new Spoilers album, new 7 Day Conspiracy material and old days in the Kent punk-scene.
Interview by Jake Jeremy. Photos by Mark Richards.
Dan Goatham is the lead singer and rhythm guitarist of Kent’s finest melodic punk band: Spoilers.
I’ve known Dan ever since my early ska-punk playing days around the dirge of the Medway towns. Back then then he fronted 7 Day Conspiracy, a band who produced politically-charged punk anthems that made them one of the South East’s most sought after acts.
Spoilers are Dan’s latest project of many. They’re a 4-piece melodic punk act with a knack for writing tunes that are catchier than chlamydia and a whole lot less irritating. Back in 2015 they released their first EP Stay Afloat and they’ve since become a regular name on the UK live circuit.
I spoke to Dan just after his set at The Smokehouse in Ipswich, on a bill that also included Causal Nausea and Grand Collapse (check out our review here). Here’s what we got up to…
Shout Louder: I’m joined by Dan Goatham from… Spoilers, Southport, 7 Day Conspiracy, Melchett… Are there any bands I’m missing?
Dan: I played in a band called Morgan’s Puff Adder when I was growing up. They were a ska-punk band in Kent. That was like 15, 16, maybe 17 years ago.
Shout Louder: Wow, that’s a name I haven’t heard in a long time! [Check out their Myspace page here] I was in a ska punk band in Kent so I definitely remember MPA.
Dan: The Throwoffs?
Shout Louder: OK, less about me! [Both laugh awkwardly and knowingly.] Let’s talk Spoilers and specifically your influences. I’ve noticed that your vocal delivery is very Leatherface.
Dan: Yeah, very Leatherface, although some of the early stuff that Frankie [Stubbs] did was quite high, a lot of the stuff he did is quite low and he doesn’t push it too hard. But, yeah, they’re a massive influence throughout Spoilers in general. Everyone is a big fan of Leatherface. Continue reading “Spoilers: Interview with Dan Goatham”
Clayface are back and ready to take punk by storm with this rough ‘n’ ready EP. FFO: Early Blink 182, Leatherface and Gnarwolves.
Review by Jake Jeremy.
First off, any band with ‘face’ in the name will instantly endear themselves to me: here’s looking at you Leatherface and Face to Face, who get double points. Anyway, right now I’m looking at new Clayface EP – Don’t Hold Your Breath, their first on Manchester’s Horn & Hoof Records, due for release on November 10th.
First off, the band lays out a beautifully intricate and delicate intro track rather fittingly called Intro. It has a Cheshire Cat-era Blink vibe that strangely doesn’t have any vocals but does serve as a precursor to just some of what you can expect later on.
The second track Just A Word completely shifts gears into a two minute ska-punk track that has a laid back 3 Doors Down style and impressive bass work over a fairly solid soft-hard-soft dynamic. It doesn’t have a strict structural base, but it flows quite effortlessly until the more reggae infused ‘breakdown’ that gets a bit Sublime, before launching straight back into a full-pelt distorted outro.
Next up is Only Guy In The World, a one minute Lars and The Bastards-style track that does again have a hint of Blink in there. This is more straight ahead than Just a Word but the focus shown here is more akin to what I would want out of future releases from the band. NOPE! Tell a lie… Nothing Left hits me next and is the best track on this EP, a perfect mesh of everything I’ve described previously but with a strong sense of stricture and even more nods to some classic 90’s pop-punk. Recommended listening for sure. Continue reading “EP Review: Clayface – Don’t Hold Your Breath”
This brutal release London’s Cope ups the ante of British hardcore. FFO: Comeback Kid, Madball and H2O.
Review by Jake Jeremy.
The lines between hardcore, punk and metal have never been more blurred than in 2017, and the latest EP from London based 5 piece Cope throws everything into the melting pot to produce nothing short of sheer brutality.
The Tooth & Nail EP is the follow up to their debut release Challenge Oppression // Pursue Equality and the band has upped the ante when it comes to stretching the expectations of British hardcore. The opening salvo Stray Bullets clocks in at just under two minutes and it grabs you by the throat the entire time. It also gives a good overview of the Cope ‘sound,’ giving indications of the band’s melodic undercurrent and straight ahead riff work. Next up is Tooth & Nail, another riff heavy but more groove based track akin to Pantera but with a healthy dose of Britishness infused in the vocal presentation.
My personal favourite ditty sits in the third slot of this release. Neo-Nasty starts with a vicious nasally bass sound (I’m a sucker for a delicious bass tone, sue me) and then goes into Capdown territory… that’s right, this track is what I’d imagine Capdown would sound like if they listened to more Megadeth and less Madness, again utterly brutal and one for the pits. Continue reading “EP Review: Cope – Tooth & Nail”