Gig Review: SBÄM Fest, Austria [4-5 May 2018]

Austria’s hottest new punk festival was a blast, with Propagandhi, Iron Chic, No Trigger, Satanic Surfers and lots of gin…

Article by Sarah Williams. Photos by Andreas Wörister / Slihs Photgraphy.

I leapt into SBÄM Fest with a tangible sense of punk adventure. I drove overnight from Manchester to Stansted, got two hours kip in the back of my car, then parked up and met a pal at the airport in time for a 7am flight. One Wetherspoons breakfast and not-enough black coffee later and we’re hopping buses and trains in Austria to get to Wels. SBÄM takes place at Alter Schlachtof, an old slaughterhouse converted into a graffiti-adorned grassroots gig venue, holding 750 keen music fans this weekend. The impressive line-up (featuring Propagandhi, Donots, Satanic Surfers, Iron Chic and No Trigger to name a few) has been enough to draw people in from around the world.

Friday

We get reach the venue just in time to catch the opening act, Missstand. They perform seriously energetic, punchy political songs, just the way punk should be played. They’ve got a lot of Anti Flag-style singalong sections, but they’re loaded with more Rancid-ish grit. I’d been enjoying listening to Hinterland on record and it carries across with a lot more force live. As they’re speaking in German, we’re amused that the only words we can pick up between songs are ‘super-cool’. They’ve nailed it: SBÄM feels super cool!

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The Murderburgers

Following Misstand are two favourite British acts: The Murderburgers and Wonk Unit, who are mid-way through a joint mainland tour. The Murderburgers are fiery, funny and frantic just as you come to expect them. My friend and I giggle along to Fraser’s on-point banter, although we’re not sure how well his Scottish drawl translates to the international audience. Wonk Unit proceed to play one of the best sets I’ve ever seen them perform – they seem comfortable, played-in and every element of the show feels like the top of their game. It’s good to see some of the Wonk Fam rocking out down the front, and it’s a treat to see new tunes like Christmas In A Crackhouse and Day Job Wanker on stage. They still pull out old favourites Guts and Horses, which give us an excuse for a proper dance.

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Wonk Unit

It turns out that two beers on top of two hours sleep in two days is enough to make your head swim, so I decide to have a tactical sit down while I wait for the sky to stop spiralling, before adopting the tried-and-tested sunglasses-indoors coping mechanism. We also have to take a quick jaunt to check in to a hotel. Unfortunately, this means we miss Joe McMahon, however we’re back and raring to go around in time for Astpai. Continue reading “Gig Review: SBÄM Fest, Austria [4-5 May 2018]”

Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo

Episode 4 is packed full of punk rock treats for you! We have an interview with Australian party machines The Bennies, a massive Umlaut Records giveaway to celebrate the new Consumed release and tales of SBÄM Fest and El Topo Goes Loco. We also play new tunes from The Human Project, Youth Avoiders, Tragical History Tour and Consumed!

Our highlight was catching up with Anty and Nick from The Bennies in Beligum, and asking them about their worst experience ever! Hold on till the end of the episode for that.

First up, Mark and Sarah discuss their recent gigs, including an account Austrian punk festival SBÄM Fest, including talk of Propagandhi, Satanic Surfers, No Trigger, Astpai, Wonk Unit, Donots and The Murderburgers. Sarah gets emotional, has Iron Chic mansplained to her, gains a boob bruise and discovers the perils of getting drunk with Darko two weeks in a row.

We also cover Belgian sunny ska/skate romp El Topo Goes Loco, including The Bennies, Beat The Red Light, The Affect Heuristic, Thanx 4 All The Shoes, The Burnt Tapes, Slack Birds, Imperial Leisure and Not Available. Mark also chats about TIE Fighter Pilot, Project Revise and Butt Plug Babies, plus we share a love of a Bangers.

Come join us in Sarah’s living room, talking faster than light to get through all this awesome content.

Continue reading “Podcast #6: The Bennies, Consumed, SBÄM Fest & El Topo”

Iron Chic and Bear Trade @ The Montague Arms – 11/06/2017 [Gig Review]

Two of melodic gruff punk’s finest acts deliver ‘sad punk for happy drunks’ at a matinee show in South London.

On a beautifully sunny day in June, I once again find myself piling into a black box filled with the great unwashed. I’ve arrived in South London early for the first of two Iron Chic shows at The Montague Arms in Peckham. To begin with, they booked a normal 7pm-doors gig with The Exhausts and Molar supporting but, when it sold out so quickly, they added a 4pm matinee gig aimed at out-of-towner’s like myself. When they announced the early show, I was immediately spurred into buying tickets by the addition of Bear Trade to the bill.

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If you were to ask me what my biggest musical discovery of 2015 was, it would undoubtedly be Bear Trade. I first saw them supporting Red City Radio at the Brixton Windmill, where I fell head-over-heels in love with them approximately 3 bars in. Overlooking the fact that I find their beardy Northern gruffness overwhelmingly sexy*, I honestly believe Bear Trade are the best melodic punk band in the UK right now, and yet I still often come across people who haven’t heard of them.

Iron Chic fans who’ve not discovered Bear Trade yet are in for a real treat: they sound extremely similar live, in the best way. Bear Trade open with Sea Legs, the first track on their new album Silent Unspeakable (released on Everything Sucks in April). The new album continues in the style of their earlier release Blood & Sand with some poppier overtones, however live you wouldn’t know the difference between the old and new material; the crowd reacts well to both.

Greg Robson’s growly vocal is the musical equivalent of supping single-malt by a roaring fire in a log cabin: it’s warm and comforting, with the occasional group, “Oof!” thrown in. The songs are interspersed with, bassist, Lloyd’s charmingly nonchalant banter. He towers over us at the centre of the unusually high stage, making a dry jokes and pulling a couple of faces that are all Sid Haig in House of a 1,000 Corpses (that’s a compliment, by the way).

Old favourites Bleedin’ Heart Trouble and Anathema get the best reaction from the crowd, but newer tracks Sexy Beast, Inglorious and As Long As We Have Tea are probably my favourites of the set. The new songs are as passionate and emotive as ever; every song is satisfyingly gruff with intricately melodic guitar harmonies, underpinned by outstanding drumming. Continue reading “Iron Chic and Bear Trade @ The Montague Arms – 11/06/2017 [Gig Review]”