Leo Wallin, drummer of Forever Unclean, tell us about his best, worst and weirdest tour stories.
Punk Rock Tour Tales is a new Shout Louder feature, where we interview bands about their tour stories. Read them all here.
Leo Wallin is a well-known part of the Copenhagen punk rock crew: he’s drummed in Forever Unclean, Fabled Mind, Rebuke, Megafonzie, Kill The Rooster, Stars Burn Stripes… and probably a whole bunch of other bands we don’t know about!
Sarah asked him about his best, worst and weirdest tour experiences.
Of the touring you’ve done, what’s been your favourite so far?
That is a tough one, and we have discussed it within the band so many times. But I’d probably say overall it was touring Australia for three weeks in 2018. Some of my dearest friends live there, and the Australian people in general are fucking awesome. The scene is also pretty rad and the standards of the Oz bands are stellar… And then there is the climate, the sights, the beaches, the fauna. Whether you are playing shows or not, it’s really just a big old holiday paradise. Continue reading “Punk Rock Tour Tales #1: Leo from Forever Unclean”
The Shout Louder Punk Podcast returns with an interview with Scottish misery-punks Goodbye Blue Monday!
The Shout Louder podcast makes a triumphant return, with Scottish misery-punks Goodbye Blue Monday!
Sarah caught up with Graham Lough on tour, to talk about the band’s musical origins, the minefield of mental health and The Power of Ska.
The whole interview with Goodbye Blue Monday was a right giggle, and will appeal to old fans and new. Give it a listen and get excited for the new season of the podcast!
The podcast features some special musical treats from Goodbye Blue Monday, the Garry Biscuits cover band and Terrafraid‘s ‘Control’. Misery-punk may have ruined their lives, but it makes for a hilarious listen.
Continue reading “Shout Louder Podcast: Goodbye Blue Monday [S3 E1]”
After over 20 years together, Kings Lynn’s favourite punks Vanilla Pod called it a day in 2018. We’ve chronicled the history of this classic band with the help of guitarist Steve Pod.
Interview by Sarah Williams.
After twenty three (twenty three!) years as a band, notorious Kings Lynn punks Vanilla Pod decided to call it a day in late 2018. They chose to go out with a bang, completing a long run of live dates around the UK, releasing a final farewell EP Goodbye My Love and hosting one final Podstock event as a hometown send off.
It was quite the fanfare for a band who, while remaining relatively humble, have had a major influence on many people within the UK punk scene (and further afield). One of my earliest punk rock memories was catching Vanilla Pod playing a glorious grotty venue in my seaside hometown at approximately the age of 14, by which time they’d already been going for nearly a decade. I remember finding them on a Rock Sound compilation and being impressed that they were playing down the road for only £3 on-the-door.
Since then there have been many memorable (and some perhaps less memorable!) experiences with Vanilla Pod involved – chaotic club nights, quieter acoustic sets, celebratory, nostalgic weekends at Podstock and that-one-time-at-WonkFest that no one forgets.
Before the split, I spoke to guitarist Steve Pitcher (who, as far as I’m concerned, shall always be known as Steve Pod) to document some of the bands’ history. Continue reading “Vanilla Pod: Gone But Not Forgotten [Interview]”
We talk to Italian favourites Edward In Venice about their screaming fast mix of pop-punk, emo, and melodic hardcore.
Interview by Sarah Williams.
Edward In Venice are a screaming melodic hardcore band from Pesaro, Italy, with a strong penchant for pop-punk melodies and technical guitar work. In April 2019 they released a new EP Empathy on Lockjaw Records. Empathy is an intricate record, recorded with no deadline to allow full creative freedom.
I first caught Edward In Venice playing Manchester Punk Festival 2015, where I fell in love with their speed, their skill and their energy. Their Howler EP was one of my favourite punk rock releases that year, and I’ve been waiting for a follow up album since.
We spoke to Filippo Greganti about the new records, their inspiration and their future plans.
You’ve recently released a new 6-track EP Empathy. How does it feel to have it out in the world?
It’s out in the world? Really? Hah! It’s so motivating. A lot of our friends and fans were waiting for this EP and now finally they’re happy… Hopefully! Continue reading “Edward In Venice: Aggressive, Dynamic and Full of Empathy [Interview]”
Australian party machines The Bennies discuss philosophy, cannibalism, dangers… and they invent their very own party robot.
Interview by Sarah Williams. Cover photo by Nick Manuel.
At El Topo Goes Loco in Belgium last year, I had the opportunity to chat with Anty Horgan and Nick Williams of Australian party-wizards The Bennies. They’re one of the most fun and uplifting bands you’ll have the joy of seeing, churning up punk, rock, reggae, dub and dance music in a cocktail of danceable anthems.
As the party was already in full-swing, and we were all a few beverages in, we took up position on the quiet grass patch outside the festival site. As the mosquitoes descended on us, we shared a couple of Jupilers and a joint, and Anty stretched out on the grass to do some pre-show yoga stretches.
You guys are current rounding off a long European tour. How’s it feeling?
- Nick: This our longest tour. It’s been about 30 dates.
- Anty: It’s the most we’ve ever done. Easily the most in a row. It’s been good! We’re sort of on the knife’s edge at the moment… where everyone’s good, but pretty fragile? It doesn’t take too much to rock the boat, if you know what I mean.
What are you doing to try and stay sane and survive?
- Nick: I bought a skateboard and I am very stoked about that. That was a total game-changer for me. I got it in Germany. We were playing at the Sonic Ballroom in Cologne.
Do you skate much back home?
- Nick: Not really. I used to a lot. The danger element in our band increased ten-fold in one day. I bought a skateboard in the morning and that was awesome. Then we arrived at Steinhagen and there was a tightrope there that we all suddenly decided we wanted to start mastering.
Continue reading “The Bennies: Bringing Happiness To The Party [Interview]”
Leeds’ unique hardcore act Daves are a diamond in the punk rock rough. There’s a Dave in all of us, apparently.
Interview by Sarah Williams.
Leeds louts Daves knocked our socks off at Strummercamp earlier this year, so we had to get to know them better. There’s been a rumble in the underground about them recently, and it’s well-deserved. If you’re not a fan of Daves yet, I suggest you get them in your ears immediately.
Mixing up interesting hardcore grooves, stripped-back acoustic segments and classically punk rock vocals, Daves have fostered a unique sound that’s at once lo-fi, lamenting and loud. They’re one of Shout Louder’s top discoveries of 2019, read on to learn more.
Let’s start with the obvious: why are you called Daves? As I understand it, none of you are actually named Dave. Have you ever been accused of false advertising?
- Drinky: Yeah, it seems to anger people… but mainly by people who aren’t called Dave. We haven’t been taken to court yet, but I’m sure the bastards will come for us one day!
After watching you live recently, I was very impressed. You’ve got a great mix of hardcore and more more melodic, grungy post-hardcore elements. Which bands do you feel have inspired your sound?
- Drinky: I was raised listening to a lot of protest music really, my dad being quite political, so it came from Billy Bragg to Rage Against The Machine. But now it’s mainly Taylor Swift.
- Zach: Cliffy Byro, PUP, Green Day, Gallows, Manchester Orchestra, Spice Girls.
- Jaz: Face To Face, Rancid and Refused.
Continue reading “DAVES: Spicing Things Up In The Musical Bedroom [Interview]”
We spoke to acoustic melody-master Brightr about his new album, the emotional songwriting process and the supportive punk rock scene that’s helped him along.
Interview by Sarah Williams.
Earlier this year, solo artist Brightr (otherwise known as Laurie Cottingham) released his second album Two Sides. It’s an intricate, moving acoustic record, which launched with a little help from Lockjaw Records, No Reason Records and Penultimate Records.
Although he describes himself as gloomy emo-pop, I consider Laurie to be an expert in weaving bright, hopeful acoustic tunes, in the same family as City & Colour or Newton Faulkner before Radio 2 picked him up. Two Sides is a welcome follow-up to Year One; it’s a beautiful, soulful and positive record.
We had a chat with Laurie to celebrate the release.
You’ve recently released a brand new album Two Sides. How does it feel to finally share it with the world?
It feels great to finally be able to get the record out in to the world. These are songs I’ve been working on and obsessing over for far too long (tweaking and changing… and overthinking) so to finish recording them was a huge emotional purge for me. To release them is an entirely different, more exciting time. Continue reading “Brightr: Ebbs and Flows of Emotion [Interview]”