Lightyear Interview: “You’re Either There Or You’re Not”

An in-depth interview with Chas Palmer-Williams of 90’s ska-punk heroes, Lightyear.

Article by Sarah Williams. Photos by Piano Slug.

Lightyear are a band who need no introduction. They are infamous on the UK ska punk scene, known for their live antics (see: pantomime horses, morris dancing, gratuitous nudity), off-beat referential lyrics and multiple ‘last ever shows’. 2018 marks a huge milestone year in their career. Now permanently reformed, Lightyear are headlining Manchester Punk Festival plus Level Up festival and fitting in a handful of club shows, however their big news is that they’re crowdfunding to create a documentary telling the story of the UK 90’s punk scene.

This Music Doesn’t Belong To You aims to document the un-documented years when UK’s 2nd wave of punk exploded in the late 90s. As Lightyear put it, “It was a golden era of innocence, passion and debauchery,” which has so far gone unrecorded. At the time of writing, This Music Doesn’t Belong To You has just reached 100% funding, after a long pledge campaign. You can still visit Pledge Music to buy the film and assist with funding.

We had an in-depth conversation with singer Chas Palmer-Williams about the documentary, the development of the underground music scene and what we can expect in the future of Lightyear.


Welcome back! What took you so long?

Life got in the way. We’ve all become (believe it or not) adult, with kids and stuff. We decided we really wanted to hang out again and make new music. We always felt like we had a third album in us; the second album wasn’t quite the end. We’re writing again and seeing how it comes out, and hopefully we’ll do another album. We’re back on it!

It’s great to hear you’re writing new music! Was it tempting just to turn up and play the hits?

For me personally there’s nothing worse than an old band who are just playing the old hits and not writing new music. If you play a song that you wrote when you were 18 about breaking up with someone and then you keep on playing it without writing anything new to put it into context, then it feels really weird. It’s almost like writing a book but you keep reading the first chapter and there’s no end chapter.

You’ve permanently reformed! ‘Permanent’ is a big word. Do you think you’ll still be playing together when you’re in a nursing home?

I don’t know if I want to be in a nursing home with Neil because he’s a weirdo.

I don’t want to be that band that just stands there blurting out the hits for the sake of doing it. I want to be able to jump around and mean what I say, express it and let loose. We’re pretty shit anyway, but when we get shitter we’d just knock it on the head, but we won’t make a big announcement.

Of course, you did make a big announcement back in the day.

When we were younger we were married to the band, it was everything. We were rehearsing 2-3 times a week, doing nearly 300 shows a year. It took priority over weddings and funerals – someone would die and we’d keep on touring. It was unquestionable dedication and then when that stopped it was this huge vacuum in my life. All of a sudden there was nothing. That totally span me out and I ended up living in a squat in Amsterdam; it went all mad for a while. The big statements and ultimatums all seem a bit dramatic now that we’re older.

Continue reading “Lightyear Interview: “You’re Either There Or You’re Not””