Tag: hardcore

DAVES: Spicing Things Up In The Musical Bedroom [Interview]

Leeds’ unique hardcore act Daves are a diamond in the punk rock rough. There’s a Dave in all of us, apparently.

Interview by Sarah Williams.

Leeds louts Daves knocked our socks off at Strummercamp earlier this year, so we had to get to know them better. There’s been a rumble in the underground about them recently, and it’s well-deserved. If you’re not a fan of Daves yet, I suggest you get them in your ears immediately.

Mixing up interesting hardcore grooves, stripped-back acoustic segments and classically punk rock vocals, Daves have fostered a unique sound that’s at once lo-fi, lamenting and loud. They’re one of Shout Louder’s top discoveries of 2019, read on to learn more.

Let’s start with the obvious: why are you called Daves? As I understand it, none of you are actually named Dave. Have you ever been accused of false advertising?

  • Drinky: Yeah, it seems to anger people… but mainly by people who aren’t called Dave. We haven’t been taken to court yet, but I’m sure the bastards will come for us one day!

After watching you live recently, I was very impressed. You’ve got a great mix of hardcore and more more melodic, grungy post-hardcore elements. Which bands do you feel have inspired your sound?

  • Drinky: I was raised listening to a lot of protest music really, my dad being quite political, so it came from Billy Bragg to Rage Against The Machine. But now it’s mainly Taylor Swift.
  • Zach: Cliffy Byro, PUP, Green Day, Gallows, Manchester Orchestra, Spice Girls.
  • Jaz: Face To Face, Rancid and Refused.

Continue reading “DAVES: Spicing Things Up In The Musical Bedroom [Interview]”

Album Review: Pizzatramp – Grand Relapse

Finally, there is something exiting to come out of Wales, other than the M4. Pizzatramp’s 12” picture disc on TNSrecords is a win. FFO: 80’s hardcore thrash crossover and swearing.

Review by Ollie Stygall.

Pizzatramp are from Wales so let’s start with some facts about Wales.

Wales is the largest county in England. It is only accessible by a bridge and they make you pay to enter Wales, presumably to discourage you from bothering. Wales is owned by Prince Charles, but he doesn’t live there. The Welsh have their own language but you need an overactive saliva gland to speak it, but that’s OK because 99% of Welsh people don’t understand it.

Wales is full of castles because they’re extremely unpopular and got attacked a lot… they even attacked themselves, because they don’t like each other either! Wales is full of mountains, because even the landscape dislikes the Welsh and has tried to make itself as uninhabitable as possible. Wales has a seaside resort called Barry, like the boring Brummie character from Auf Wiedersehen Pet. Wales has nothing at all to do with the mighty and majestic sea creatures that its name sounds like. Catherine Zeta Jones is Welsh – and hot – but she’d rather shag an American pensioner than Welsh blokes.

However, there is now something exiting to come out of Wales, other than the M4. A musical behemoth that does go some way towards righting the wrongs done by The Manic Street Preachers: and that is Pizzatramp.

Pizzatramp make out that they’re a shambolic, pissed up mess. They’re not. Well, they may well be to be honest, but that doesn’t stop them being a fucking incredible band. Continue reading “Album Review: Pizzatramp – Grand Relapse”

Album Review: Hardkore Dokument UK #1 7”

This split from Pizzatramp, Grand Collapse, The Domestics, Guilt Police, Wolfbeast Destroyer and Rash Decisions proves that the UK hardcore scene is still very much alive, well and kicking the shit out of music with its size 12 boots.

Review by Ollie Stygall.

Growing up as a kid in the ’80s was a great thing. It was very much the golden era of hardcore and saw the D.I.Y. ethic, that had grown up around punk in the late ’70s, expand into interesting areas, particularly the rise of the split release.

Split releases allowed bands and labels to co-operate on co-releases that spread costs while also introducing bands to each other’s fan bases. Some of these split releases have become legendary artefacts of the scene at the time: the Chaos UK/Extreme Noise Terror Earslaughter release still remains, for many, the best document for each band. Split releases, such as the Heresy/Concrete Sox release, paved the way for Earache Records and, perhaps a harder to find and more esoteric release was the 4-way Japanese hardcore beast that combined Outo, Gauze, Lipcream and Systematic Death.

Continue reading “Album Review: Hardkore Dokument UK #1 7””

Review: Haest – EP #2

“Haest sound like they’ll drink all your cider and shit in your bathtub.” FFO: Amebix, Axegrinder, Discharge

Review by Ollie Stygall.

Let me ask you a question. What is punk rock?

Is it the aggressive take on hard rock first put forward by bands such as The Sex Pistols and The Damned? Is it the metallic rush of bands such as Discharge and The Exploited? Is it the hyperspeed grind of hardcore bands such as Ripcord or Heresy? Is it the melodic, pop-tinged sounds of The Offspring? Is it the off-kilter, angular, dub-infused sounds of Fugazi? The answer is, it’s all of this… and more.

Haest from Hastings (see what they did there?) is punk but don’t easily fit into a convenient punk-rock pigeon hole. To my grizzled, ancient ears they sound like the modern day bedfellows of 80’s crust bands such as Amebix and Axegrinder as they throw a touch of sludge into their grimy grind. Continue reading “Review: Haest – EP #2”

La Armada: “Furious Is Our Nature” [Interview]

Latino/Chicago hardcore act La Armada share the secrets to their uniquely ferocious sound, and their dual passion for music and politics.

Interview by Sarah Williams.

La Armada bring a passion and ferocity to the stage that’s rarely seen, even in the hardcore punk scene. Starting life in the Dominican Republic, they’re heavily influenced by latin and Caribbean rhythms, but they’ve since relocated to Chicago via Florida, where a love for thrash, hardcore and grind has galvanized their fiery sound.

To relocate from Latin America to the USA for a shared musical project shows overwhelming dedication but they’re not stopping there: lyrically they’re aiming to be a voice for those who don’t have one, in Donald Trump’s America. Musically they’re seeking to defy genres and leave their own mark on the world.

We spoke to guitarist Paul and bassist Mani to learn more about this unique band.

I was lucky enough to catch you guys live at Punk Rock Holiday last year – I was floored by your live show. What did you most enjoy about your time in Europe?

Paul: A lot of things! I think the biggest one is the passion people have for music. I remember walking around precisely at Punk Rock Holiday and seeing groups of people marching around between bands and just singing songs from their favorite bands from the weekend out loud, just excited to be there and to see live music. You really don’t see that level of excitement as much on the side of the world we live in. So, definitely the appreciation people have for live music is the top thing we enjoyed seeing.

Aside from that, the experience of traveling country to country and being submerged into different cultures, languages without having to stop at a crosspoint for borders was great. We are planning to be back in Europe in the summer of 2019 with the help of Epidemic Records from Italy, who helped distribute our new record out there.

You released Anti-Colonial Vol. 1 earlier this year – it’s a melting pot of aggressive, latin-influenced hardcore. It’s quite a unique sound. What’s inspired that combination?

Mani: Music is a quintessential part of latin culture and identity. Before we even heard of punk and metal, we where listening to Caribbean merengue, salsa and bachata, and these rhythms had a big impact on our early musical development. By the time we went over every sub-genre of punk and metal (from grind to thrash) it was almost like we where fluent in two languages.

I think our current sound is also a direct result of the process of migrating and relocating to the US, being detached from our friends and families for so long pushed us to find a way to musically reconnect with our culture. Continue reading “La Armada: “Furious Is Our Nature” [Interview]”

Exclusive: Haest Premiere Video For ‘I Didn’t Throw A Single Stone And I Still Got Pissed On’

South Coast hardcore punk act Haest burst onto the scene with their new video!

Shout Louder are proud to bring you the first single from new Hastings’ hardcore act Haest. The band have burst onto the scene with their first release: EP#1, which is available on Bandcamp for pay-what-you-want.

“I Didn’t Throw A Single Stone And I Still Got Pissed On is basically about lying politicians and the media,” explained vocalist, Dave Cullern. “Tricking people into being stupid or making stupid choices, like Brexit, Trump or being racist…. and the damage that does to the world.”

Or, as guitarist, Dan Flanagan, put it: “It’s about a cunt called Amber Rudd.”

Either way, pop this on your stereo, sit back and watch Haest blow up.

Like what you hear? Read our recent interview with the band here. Continue reading “Exclusive: Haest Premiere Video For ‘I Didn’t Throw A Single Stone And I Still Got Pissed On’”

Album Review: Rash Decision – Karoshi

“A pissed off, vicious slab of breakneck hardcore thrash.” FFO: Agnostic Front, Cro Mags, The Crumbsuckers, DRI.

Review by Ollie Stygall.

Have you ever been to Cornwall? I live pretty close to the border between Devon and Cornwall and go there pretty often because… Well… It’s like going to a foreign country without actually having to go to a foreign country! The middle bit of the county has been filled with nothingness with all activity taking place round the spectacular coastline. Maybe it’s the sea air, maybe it’s the surf culture that’s grown up around the county or maybe it’s the Cornish insistence that they are a nation in their own right that’s led them to adopt a different pace of life to the rest of Britain. Cornwall moves slower than anywhere else in the country… more relaxed and laissez faire. Almost like a county of stoners weaned on cider, pasties and putting jam and cream on scones the wrong way round. All this makes this new release from Rash Decision seem all the more incongruous as they deliver a pissed off, vicious slab of breakneck hardcore thrash that sits at odds with their surroundings.

Karoshi amounts to 14 tracks of kinetic, angry metal/punk crossover that, to my jaded ears, harks back to the New York hardcore of 80’s bands such as Agnostic Front, Cro-Mags, Leeway, The Crumbsuckers… etc. The guitars are violent scythes of noisy crunch, drums rattle along with plenty of double kick action and the vocals are throaty, larynx stripping rants. All bar three songs come in under two minutes and say as much as most songs far longer, being rammed to the rafters with riff after riff and breakdowns aplenty.

The angry intensity spills over fully into the lyrics. Lyrically, if these songs were to paint a picture of life in Cornwall then the county’s tourist industry would be fucked in an instant. This is definitely not a child friendly album as the band spit out profanity after profanity and cover pretty much every taboo word going… and I’m the kind of cunt that fucking loves shit like that! In all seriousness though, like many punk bands before them, Rash Decision cover much of the usual punk rock subject matter… Being slaves to the system on Salary Man and just generally getting fucked over by life. The thing is, these subjects never go away and will provide abundant subject matter for punk bands for eternity.

Continue reading “Album Review: Rash Decision – Karoshi”