Sober punk Jon Turner shares the story of Petrol Bastard, and why you don’t need to be drunk to be punk.
Guest article by Jonathan Turner, chief of the excellent SoberPunks blog. This is part of our #MentallySound series, discussing mental health in music.
Somewhere back in August 2015 there was a standard weekend happening for me. Standard in that it had become the norm ever since the birth of Petrol Bastard in a Huddersfield pub in 2012; a crazy techno-punk band borne of a manifesto drunkenly written up between me and my bandmate Ben:
- Fast music only
- Live recordings only
- Repetitive lyrics so they’re easy to learn
- Tons of swearing
- Never write or record sober
- Never gig sober
- Never do anything sober
We both enjoyed some pretty hardcore drinking already, but this new set of rules made boozing the absolute centre of everything we did as a band. This was gunna be a crazy ride; a band BY the drinkers, FOR the drinkers. Songs about being drunk, written whilst drunk, and performed whilst drunk. WE ARE PROFESSIONAL ARTISTS AND WE REQUIRE BOOZE TO OPERATE. Continue reading “Booze, Music & Saving Your Sanity”
Simon Widdop explains why punk poetry is worth your attention.
Guest article by Simon Widdop, a punk poet from Wakefield. Simon’s debut poetry collecton is Sending A Drunk Text Whilst Sober is available from simonwiddop.com.
The old adage of, “Here’s three chords, now go start a band,” can be translated into, “Here’s a pen and paper, now go start a poem.”
Poetry ain’t dead, far from it. It’s alive and beating hard in books, at lit fests, on TV adverts and at gigs. Yeah, that’s right. But not to be cliche, the poetry you’ll find at shows isn’t the same as the stuff we were forced to recite in grey tones in GCSE English lessons.
But where does all this tie into the punk scene?
Let’s rewind to the initial explosion of punk. You’ve just entered the Mayflower Club in Manchester, waiting for The Buzzcocks when suddenly a matchstick legged, drain pipe jeans clad, backcomb rocking John Cooper Clarke takes to the stage. 20 minutes later (or shorter, depending how ‘Ramones’ he was feeling that night) you’ve just experienced the godfather of punk poetry. Fast delivery, sharpshooter word play and a right hook to the senses. At the same time, across the pond and in the belly of CBGB, Patti Smith was reciting her kitchen sink realism and strong feminist works to an audience of fellow New Yorkers at the height of the New York Scene. Continue reading “We Are Just Like You, We Just Don’t Have Instruments”