Em Johnson condemns the insufficient toilet provisions for women; getting pissed off about pissing whilst getting pissed in a brewery.
Guest article written by Em Johnson, who promotes shows in Manchester under the name Bomb Ibiza.
“Because I was an alien, toilets were not prevalent.”
Queuing for bathrooms. We’ve all been there, haven’t we? That rush as the interval nears, as the band finishes, or as the seat belt sign comes off on a plane. That desperate drive to get in the queue. The knowledge that if you don’t get in early you will be trapped for twenty minutes of dead time and awkward chat.
Oh wait. Maybe we haven’t all been there. Women reading this are probably nodding. Many men have probably discarded this as an irrelevance to them, or cracked jokes about women taking longer because of putting on lipstick or gossiping (thanks to those who haven’t). Because guess what? Toilets are a feminist issue. Continue reading “Territorial Pissings: Infuriating Queues To Women’s Loos”
“The biggest and best thing about a DIY zine is having the freedom to do and say exactly what you want. There are no rules and nobody to answer to so the possibilities are endless.”
Rob Stone has been working tirelessly on the brilliant Positive Creed Fanzine since 2001. In that time, he’s experienced the joys and harsh realities of DIY publishing, and he’s kindly shared this guide… for punks who aren’t afraid of a few papercuts.
Before I begin this article I would just like to make it clear that I do not regard the following list as any kind of rule book or structure to writing a zine. It is merely a catalogue of things that I have learnt over the twenty years that I have been involved in DIY publishing. I also do not consider myself as any kind of authority on the subject. I have made a lot of mistakes during that time, discovered some utterly fantastic music and made contact with some extremely talented people. I hope that the following will help people out and perhaps inspire some of you to produce your own fanzine. Good luck.
10: Safety In Numbers
It’s important to carry enthusiasm but don’t allow yourself to get carried away whilst organising your first issue. Start off small and get a good feel for the potential sales that are possible. Perhaps begin with 50 copies and then gradually work your way up with each issue.
When I use the word research, I am coming from the angle of putting together interview questions. I have read more zines than I can remember over the past twenty years and have come across many interviews where a zine editor has managed to arrange an interview with an interesting band/musician, only to ask the most basic and mundane questions.
If your approach to writing questions is lazy and soulless then there’s every chance that the answers will return to you lacking in substance. With the internet and social media now at hand, there is no reason why you can’t delve into the history of a band and construct in-depth questions. This will not only get you a better response, but it will also give your readers a far better insight into your subject. Continue reading “Top 10 Tips For Writing A Fanzine”
…and every woman you perceive to be perfect hates themselves anyway. Millie Manders explores the impossible beauty standards we face, and how that affects her as an artist.
Guest article written by the marvellous Millie Manders, of Millie Manders & The Shut Up Fame. This is part of our #MentallySound series, exploring mental health in music. Trigger warning: eating disorders, body dysmorphia.
Perfect women are imperfect and every woman you perceive to be perfect hates themselves anyway
I hate myself. I’m not perfect. I am very, very imperfect and I hate myself. And seeing as I have been given the honour of this platform to share about mental health, I want to get right to the bones of something people are petrified of truly admitting is a problem.
I believe, as a musician who gets to do some of the coolest things ever, I should be helping people to see through the lies we are sold and to love themselves better. And I really do try to do that.
I teach young impressionable students at a music college, a huge proportion of whom have body image issues and other anxieties that I talk to them about. I share good practise and self-love resources with them and signpost them to other sites/forums/centres wherever I can, to help them be more positive and kind towards themselves.
The problem is that I feel guilty for it. I feel like a fraud. I have bought into those same lies for as long as I can remember and I punish myself every day. Continue reading “Perfect Women Are Imperfect”
Sober punk Jon Turner shares the story of Petrol Bastard, and why you don’t need to be drunk to be punk.
Guest article by Jonathan Turner, chief of the excellent SoberPunks blog. This is part of our #MentallySound series, discussing mental health in music.
Somewhere back in August 2015 there was a standard weekend happening for me. Standard in that it had become the norm ever since the birth of Petrol Bastard in a Huddersfield pub in 2012; a crazy techno-punk band borne of a manifesto drunkenly written up between me and my bandmate Ben:
- Fast music only
- Live recordings only
- Repetitive lyrics so they’re easy to learn
- Tons of swearing
- Never write or record sober
- Never gig sober
- Never do anything sober
We both enjoyed some pretty hardcore drinking already, but this new set of rules made boozing the absolute centre of everything we did as a band. This was gunna be a crazy ride; a band BY the drinkers, FOR the drinkers. Songs about being drunk, written whilst drunk, and performed whilst drunk. WE ARE PROFESSIONAL ARTISTS AND WE REQUIRE BOOZE TO OPERATE. Continue reading “Booze, Music & Saving Your Sanity”
Simon Widdop explains why punk poetry is worth your attention.
Guest article by Simon Widdop, a punk poet from Wakefield. Simon’s debut poetry collecton is Sending A Drunk Text Whilst Sober is available from simonwiddop.com.
The old adage of, “Here’s three chords, now go start a band,” can be translated into, “Here’s a pen and paper, now go start a poem.”
Poetry ain’t dead, far from it. It’s alive and beating hard in books, at lit fests, on TV adverts and at gigs. Yeah, that’s right. But not to be cliche, the poetry you’ll find at shows isn’t the same as the stuff we were forced to recite in grey tones in GCSE English lessons.
But where does all this tie into the punk scene?
Let’s rewind to the initial explosion of punk. You’ve just entered the Mayflower Club in Manchester, waiting for The Buzzcocks when suddenly a matchstick legged, drain pipe jeans clad, backcomb rocking John Cooper Clarke takes to the stage. 20 minutes later (or shorter, depending how ‘Ramones’ he was feeling that night) you’ve just experienced the godfather of punk poetry. Fast delivery, sharpshooter word play and a right hook to the senses. At the same time, across the pond and in the belly of CBGB, Patti Smith was reciting her kitchen sink realism and strong feminist works to an audience of fellow New Yorkers at the height of the New York Scene. Continue reading “We Are Just Like You, We Just Don’t Have Instruments”