Disclaimer: Brace yourselves, these may be the worst gig photos ever taken! I decided they were slightly better than none at all.
On the punk circuit there is a risk of seeing the same 10 touring bands again and again, so it’s always appealing to discover new acts. It takes cheap all-day gigs like the Kick The Crutches all-dayer to enable us to do that: when it’s only £5 to see 12 bands you know it’s going to be worth it.
Although there are bands I already love on the line-up today (I’m most excited for The Kimberly Steaks, Pizzatramp and Werecats) the real draw for me is the bands I’ve not seen before. On A Hiding To Nothing, Nietzsche Trigger Finger, Fastfade and Strange Planes are all bands I’ve listened to and heard a lot about lately, but who I’ve not had the opportunity to see live. There is also plenty of genre diversity in the line-up to keep people on their toes for the whole day. I can’t wait.
Fastfade open the show, amusingly already running five minutes behind schedule. They’re a young three-piece from Enfield, playing strong back-to-basics fast punk, like NOFX but smarter. It’s really enjoyable. Three songs in, there’s a drunk heckler shouting ‘one more song’, apparently missing the fact that they’ve got quite a few left. It’s proves for an amusing between-song piece, before they crack into a song appropriately named Idiot. Playing at 2.45pm they grumble about it being too early to start boozing, but late enough for the coffee to have worn off, but they still provide a lively, energetic show. On the last song they toss a drumstick out into the crowd, only to ask us to throw it back because the drummer actually needs it: one of those lovely small-gig moments.
It’s not often that a band blow you out of the water like Nietzsche Trigger Finger. I’ve heard of the duo from Bristol, but this is the first opportunity I’ve had to see them. They’re a complete revelation; I pity the poor punters who haven’t made it to the venue in time for their early set. They play stripped-back thrash with off-the-wall lyrics and funny referential song titles like ‘Gone Girl’ Cat vs. Twitter Eggs, 9/11 Two and Reinventing Kanye West. They drift beautifully from diabolically heavy, to fast hardcore, to clever, percussive acapella sections. I can’t wait to catch them again, and I strongly recommend that you go listen to everything they’ve ever recorded. It’s intricate, interesting and totally unique.
Next up is Strange Planes, who play bass-driven melodic rock with hints of punk. At this point, I’m drinking a coffee from a shop round the corner that tastes like diesel and pure hatred combined, which is mildly distracting. Conversely, the musical change of pace is accessible and instantly enjoyable. They achieve a great mix of different tones in their vocal harmonies, and the excellent, complex bass really stands out. I love every slow, moody second of their set. The coffee tastes better once it’s stripped away my tastebuds.
It’s time for super-fun upbeat punk from Werecats. Their poppy melodic tunes never fail to get the crowd moving and singing along, and this is no exception. The title track of their latest EP My Boyfriend’s a Werewolf sounds great, with Pip and Cici switching lead vocals between songs and nailing the harmonies. They’ve got an energetic Fat Wreck feel, in the camp of Teenage Bottlerocket or Bad Cop/Bad Cop, while toeing the classic Ramones line. Werecats are more fun than a ball pool full of puppies wearing party hats, and tight to boot. It’s lovely to see them again, and I can’t resist having a dance-about. Continue reading “Gig Review: Kick The Crutches All Dayer @ The New Cross Inn (23/09/2017)”