Shout Louder Fest in Manchester Announced!

We are proud to announce the first ever Shout Louder Fest!

We are seriously excited to announce the first ever Shout Louder Fest, created in association with Lockjaw Records.

Shout Louder Fest will take place at Gullivers in Manchester on February 2nd, promising a mix of melodic punk, ska, skate-punk and hardcore. Grab your ticket now!

We’re calling it a ‘fest’ but, if we’re honest, Shout Louder’s head honcho Sarah W is turning 30 and wants you all to come and party with her. To celebrate, she’s hand-picked a line up of all her favourite bands for this massive all-dayer in Manchester, including Faintest Idea, Fair Do’s, The Human Project, PMX, Aerial Salad, The Burnt Tapes, Goodbye Blue Monday, Nosebleed and Follow Your Dreams.

Let us know if you can join us on our Facebook Event.

Here’s a taste of all the awesome bands you can enjoy:

Faintest Idea

Long-term TNS favourites Faintest Idea bring the rudeboy street/ska-punk party all the way from the East of Anglia. Shouty smash-the-state vocals, irresistible brass, Alan Partridge accents. What more do you want?

FFO: Random Hand, Rancid, The Specials, dancing till you drop

Fair Do’s

Masters of shred, breakdowns and political ‘choruses’, locals underdogs Fair Do’s bring seriously uptempo, technical skate-punk with a metal edge. Now that they’ve finally released their album ‘Leopards’ you can learn all the lyrics and sing along too.

FFO: Death By Stereo, Propagandhi, Protest The Hero, telling Tree to fuck off Continue reading “Shout Louder Fest in Manchester Announced!”

A ‘Brief’ History of Lockjaw Records : Interview with Rob Piper

Head honcho Rob Piper gives an in-depth insight into the background of independent punk and hardcore label, Lockjaw Records.

Interview by Sarah Williams.

Lockjaw Records is an independent punk and hardcore label, known for being at the forefront of UK skate-punk and melodic hardcore. Whether it’s releasing records from bands like Belvedere, Drones and Fair Do’s, providing distribution for myriad other underground bands, or booking shows  that introduce UK audiences to some incredible international acts, Lockjaw Records is one of the most hard-working labels the UK punk scene has to offer.

Lockjaw Records Logo

Lockjaw Records have recently announced some major changes to their team: moving from a two-person operation to a more community-based approach, now involving Sarah and Joëlle from the Shout Louder Team alongside Cedric Degruyter of The Affect Heuristic. This international expansion is accompanied by a new logo, a fresh website and renewed hunger for sharing the music we love with the world.

To understand more about how the label reached this milestone on it’s 20+ year journey, we spoke to Rob Piper, who’s run the label since 2011. Also known for playing guitar in Darko, he’s a linchpin in the UK punk scene, who kindly took the time to share the label’s backstory with us.

N.B. This isn’t an exhaustive list of Lockjaw releases and there are plenty of other amazing bands that have been part of the label’s history.

Lockjaw’s been established as a label for a long time, although it’s undergone a lot of changes. It started in 1997, right?

It was Jim, Ben and Sam Turner, three brothers who all played in the band Tribute to Nothing from Worcester. I assume it was an outlet to release their records, as most small labels are – somebody who’s been in a band and wants to do it themselves. Tribute to Nothing were well known early 2000s as a hardworking, touring post-hardcore band.

Do you know what sort of bands they had at the time?

Lockjaw had the first ever Muse track Balloonatic included on a compilation they released right at the beginning of the label. At the time, Muse hadn’t really gotten stated yet. They asked Lockjaw if they would like to put out their first record, but the label turned it down. And, as you know, Muse got a lot bigger!

Where did you first hear about Lockjaw Records, then?

In around 2009/2010 I started Darko in Guildford with a Dan and Chris and we’d started getting shows out of town and gigging around. John from Disconnect Disconnect put us on in Croydon with Company L and Laughing In The Face Of. We got on really well with with LITFO and they later took us on a UK tour, introducing us to bands like Fair Do’s and Almeida.

LITFO were just signing with Lockjaw Records at the time, to release Lubrication of Social Anxiety. That was probably my first introduction to Lockjaw – I think I’d looked at Lockjaw Records for Darko’s first EP but I wasn’t really following that scene at the time. That was the starting point. Continue reading “A ‘Brief’ History of Lockjaw Records : Interview with Rob Piper”

Podcast #10: Fair Do’s Talk Leopards, Foxes and Sasquatches

Manchester’s masters of metal / punk crossover join us for a tongue-in-cheek chat about woodland animals, touring and technical excellence.

On today’s thoroughly entertaining episode, Sarah is joined by Danny Cummings and John Holt from Fair Do’s. These tongue-in-cheek Northerners have been an important part of both the UK DIY punk scene and the wider European skate-punk scene since 2009 so we were delighted to speak to them, especially as they get set to unleash their stunning new album Leopards.

We learn why their bassist is a weasel, why a stage catching fire doesn’t mean the end of a show, and they share the story of their foxy new video for their single, Closing In. We also discuss KNRD Fest, touring with After The Fall and Death By Stereo and, erm, morris dancing.

Finally, they also completely throw their bandmate Dave Speechley under the bus on the personal worst section of the podcast, telling two fabulously embarassing tour stories. Probably serves him right for being such an disgustingly good guitarist.

We also discuss their album Leopards, which is due out on Lockjaw Records on July 27th. We’re a tad biased, but we think it’s one of the best melodic hardcore albums that 2018 will have to offer, and you’re a fool if you don’t pre-order it from Lockjaw Records right this second. Continue reading “Podcast #10: Fair Do’s Talk Leopards, Foxes and Sasquatches”

Four Days Following A Wilhelm Scream On Tour [Column]

Sarah spent a long weekend following melodic hardcore legends, A Wilhelm Scream, on their UK tour with Darko. This is her personal account of the sweatiest weekend of the year.

Article by Sarah Williams. Images from Cold Front Photography, taken at The Star & Garter, Manchester.

It’s sweltering. I’m screaming. There’s a crush of bodies all around me, elbows and fists and softer parts, heaving and desperately scrabbling for space. Every surface is slick with sweat. I turn around just in time to catch a boot to the face, as singer Nuno Pereira is hoisted above the pit, trailing the mic cable, still belting the lyrics out.

He circles above the crowd before being gently propped back onto the the stage, where he immediately bounces back to scream out the chorus. I’m crushed against the edge of the stage and, when I look up, he’s literally dripping a waterfall of sweat straight on to all of us in the front row.

A Wilhelm Scream Live Manchester cred Josh Sumner 3.jpg

It’s the longest, hottest day of the year, and the air feels ripe with anticipation for the chaos that A Wilhelm Scream bring on tour with them, unleashing raw, unbridled energy on stage every single night. This 5-piece melodic hardcore whirlwind have journeyed from their hometown in New Bedford, Massachusetts for a month-long tour, beginning with 7 dates in the UK with Shout Louder faves Darko.

I’ve been known to go to absurd lengths for the love of punk rock and this weekend will be no exception. Taking every chance to see one of the world’s most incendiary live bands, I decided to catch them in Manchester, Norwich, London and Stafford. Fortunately, I managed to convince Tree (of MPF/Anarchistic Undertones fame) to join me, so I wasn’t alone for the ride.

A Wilhelm Scream Live Manchester cred Josh Sumner 7.jpg

Friday: Manchester

Manchester’s show at the Star & Garter is unquestionably the best gig I’ve been to this year (and I’ve seen Propagandhi twice). Perhaps it’s the intense heat. Perhaps it’s the crush of friends at the front. Perhaps it’s the insanely good performance from one of my all time favourite bands…  or perhaps it was the excitement of knowing I get to do it all again for the next three days. Continue reading “Four Days Following A Wilhelm Scream On Tour [Column]”

Shout Louder’s August 2018 Playlist

Listen to our Spotify playlist for all of August’s hottest tunes!

This August Shout Louder’s keeping quiet whilst we all go rock out at Brakrock Ecofest and Punk Rock Holiday! We’ve still got time to share all of our favourite tunes with you, though. These are our hot tips for August 2018, enjoy!

P..S. Clowns, Astpai and The Penske File are all touring the UK in the next few weeks – go catch them live!

Fair Do’s: No One’s Going To Set Standards For You [Interview]

Manchester’s finest talk working-class roots, quality-control and how hard it is to learn your own songs sometimes!

Interview by Sarah Williams. Live photos by Alia Thomas.

Manchester’s melodic hardcore shredders, Fair Do’s, have just announced that they’ll be releasing their first full album Leopards on July 27th, through Lockjaw Records. I have been begging for this album since 2014 and I can’t believe it’s finally happening.

There are few bands that combine hardcore punk with metal in the way Fair Do’s manage to, and they back it up with a hard-earned technical prowess that makes them stand out from the crowd. They formed in 2009 and released an impressive EP Trying Times in 2014, going on to kill it on stage all over Europe, playing with the likes of A Wilhelm Scream, After The Fall, The Decline and H20, including major festivals like Punk Rock Holiday.

I caught up with vocalist/guitarist Danny Cummings and drummer John Holt over a pint, to learn about the hard work they’ve put into Leopards, their working-class sensibilities and why you might hear hints of Beyonce in Danny’s choruses.

You’re releasing a new album: Leopards! That’s exciting. What took you so long?

  • John Holt: Oh, Jesus.
  • Danny Cummings: It took a while recording it, because we did it over weekends.
  • John: I tracked the drums in September 2016.
  • Danny: It was a different beast to the EP. The EP was thrown together: recording guitar at one studio, drums at another. We made a vocal booth in the corner of Josh’s flat for that. Whereas this we’ve done it properly, tracked everything.

Fair Do's Live cred Alia Thomas.jpg

Quality is clearly a major focus for Fair Do’s – it has to be to produce something so wonderfully technical. How do you keep the bar set so high?

  • John: There’s no one there to set standards for you; you can’t expect anyone to go, “You should be better than that.” It’s your job to do that for yourself. No one’s going to care that you had a bad show apart from you.
  • Danny: And the three people stood next to you.
  • John: When people see Fair Do’s as a band stood next to each other, they think we’re going to kill each other. You have to be able to say things and just move onto the next business. Harsh things need to be said occasionally, so sometimes you have to have a shouty, sweary match.

Do you argue with each other a lot, then?

  • John: One of the pitfalls of Fair Do’s is that we produce tunes before we can play them. The songs are written and composed but we can’t actually play them.
  • Danny: We can play them at that we demo them, or try some midi drums. We make sure we’re writing stuff that we can play.
  • John: Yeah, we’re not faking playing stuff, but we’ll come up with ideas that are not obtainable until after many moons of practice.
  • Danny: Dave’s alright, but for the rest of us it’s the sort of stuff we have to sit down and spend an hour a night working on it for six weeks to be able to nail it.

Continue reading “Fair Do’s: No One’s Going To Set Standards For You [Interview]”

Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]

Umlaut Recond second annual showcase weekedender was a blast, with bands like Counterpunch, The Murderburgers and Crazy Arm.

Review by Sarah Williams.

What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.

I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.

Shout Louder Crew At Dugstock 2 Cocktails
Some braincells were damaged in the making of this review.

Friday

Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.

There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.

Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”