Manchester’s masters of metal / punk crossover join us for a tongue-in-cheek chat about woodland animals, touring and technical excellence.
On today’s thoroughly entertaining episode, Sarah is joined by Danny Cummings and John Holt from Fair Do’s. These tongue-in-cheek Northerners have been an important part of both the UK DIY punk scene and the wider European skate-punk scene since 2009 so we were delighted to speak to them, especially as they get set to unleash their stunning new album Leopards.
We learn why their bassist is a weasel, why a stage catching fire doesn’t mean the end of a show, and they share the story of their foxy new video for their single, Closing In. We also discuss KNRD Fest, touring with After The Fall and Death By Stereo and, erm, morris dancing.
Finally, they also completely throw their bandmate Dave Speechley under the bus on the personal worst section of the podcast, telling two fabulously embarassing tour stories. Probably serves him right for being such an disgustingly good guitarist.
It’s sweltering. I’m screaming. There’s a crush of bodies all around me, elbows and fists and softer parts, heaving and desperately scrabbling for space. Every surface is slick with sweat. I turn around just in time to catch a boot to the face, as singer Nuno Pereira is hoisted above the pit, trailing the mic cable, still belting the lyrics out.
He circles above the crowd before being gently propped back onto the the stage, where he immediately bounces back to scream out the chorus. I’m crushed against the edge of the stage and, when I look up, he’s literally dripping a waterfall of sweat straight on to all of us in the front row.
It’s the longest, hottest day of the year, and the air feels ripe with anticipation for the chaos that A Wilhelm Scream bring on tour with them, unleashing raw, unbridled energy on stage every single night. This 5-piece melodic hardcore whirlwind have journeyed from their hometown in New Bedford, Massachusetts for a month-long tour, beginning with 7 dates in the UK with Shout Louder faves Darko.
I’ve been known to go to absurd lengths for the love of punk rock and this weekend will be no exception. Taking every chance to see one of the world’s most incendiary live bands, I decided to catch them in Manchester, Norwich, London and Stafford. Fortunately, I managed to convince Tree (of MPF/Anarchistic Undertones fame) to join me, so I wasn’t alone for the ride.
Manchester’s show at the Star & Garter is unquestionably the best gig I’ve been to this year (and I’ve seen Propagandhi twice). Perhaps it’s the intense heat. Perhaps it’s the crush of friends at the front. Perhaps it’s the insanely good performance from one of my all time favourite bands… or perhaps it was the excitement of knowing I get to do it all again for the next three days. Continue reading “Four Days Following A Wilhelm Scream On Tour [Column]”
Listen to our Spotify playlist for all of August’s hottest tunes!
This August Shout Louder’s keeping quiet whilst we all go rock out at Brakrock Ecofest and Punk Rock Holiday! We’ve still got time to share all of our favourite tunes with you, though. These are our hot tips for August 2018, enjoy!
P..S. Clowns, Astpai and The Penske File are all touring the UK in the next few weeks – go catch them live!
Manchester’s melodic hardcore shredders, Fair Do’s, have just announced that they’ll be releasing their first full album Leopards on July 27th, through Lockjaw Records. I have been begging for this album since 2014 and I can’t believe it’s finally happening.
There are few bands that combine hardcore punk with metal in the way Fair Do’s manage to, and they back it up with a hard-earned technical prowess that makes them stand out from the crowd. They formed in 2009 and released an impressive EP Trying Times in 2014, going on to kill it on stage all over Europe, playing with the likes of A Wilhelm Scream, After The Fall, The Decline and H20, including major festivals like Punk Rock Holiday.
I caught up with vocalist/guitarist Danny Cummings and drummer John Holt over a pint, to learn about the hard work they’ve put into Leopards, their working-class sensibilities and why you might hear hints of Beyonce in Danny’s choruses.
You’re releasing a new album: Leopards! That’s exciting. What took you so long?
John Holt: Oh, Jesus.
Danny Cummings: It took a while recording it, because we did it over weekends.
John: I tracked the drums in September 2016.
Danny: It was a different beast to the EP. The EP was thrown together: recording guitar at one studio, drums at another. We made a vocal booth in the corner of Josh’s flat for that. Whereas this we’ve done it properly, tracked everything.
Quality is clearly a major focus for Fair Do’s – it has to be to produce something so wonderfully technical. How do you keep the bar set so high?
John: There’s no one there to set standards for you; you can’t expect anyone to go, “You should be better than that.” It’s your job to do that for yourself. No one’s going to care that you had a bad show apart from you.
Danny: And the three people stood next to you.
John: When people see Fair Do’s as a band stood next to each other, they think we’re going to kill each other. You have to be able to say things and just move onto the next business. Harsh things need to be said occasionally, so sometimes you have to have a shouty, sweary match.
Do you argue with each other a lot, then?
John: One of the pitfalls of Fair Do’s is that we produce tunes before we can play them. The songs are written and composed but we can’t actually play them.
Danny: We can play them at that we demo them, or try some midi drums. We make sure we’re writing stuff that we can play.
John: Yeah, we’re not faking playing stuff, but we’ll come up with ideas that are not obtainable until after many moons of practice.
Danny: Dave’s alright, but for the rest of us it’s the sort of stuff we have to sit down and spend an hour a night working on it for six weeks to be able to nail it.
What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.
I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.
Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.
There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.
Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”
Now widely known as Manchester Pals Fest, MPF 2018 has been even more of a blinder than previous years. I guess we knew that it would be from the moment the line-up was first announced, with Propagandhi topping it. In a landslide of Facebook posts, messages and hugs once the weekend was over, the word out there is that it’s the best festival in the UK. The three-day weekender in the Rainy City is drawing like-minded punk rock fans from all around the world.
The festival is special both as a personal and a collective experience. If you attended, you would have been amazed by the number of familiar faces in crowd. I barely had time to chat to someone properly before running into the next person. With that many dedicated, creative and intelligent people surrounding you, it’s easy to see that the UK scene is thriving at the moment. Although it felt like we were all sharing this one great, special experience, as the weekend is split between five venues around town, it’s possible that you could have had a completely different experience to a friend who also attended.
With that in mind, these are my personal Top 10 experiences of the weekend. What were yours?
Ducking Punches closing Thursday’s show with Smoking Spot
“This is about how punk has taught us all our ethics; this is for all of you,” Dan Allen says between songs, instantly capturing the spirit of the festival. While most of my friends were queueing to get into Random Hand and getting turned away, I opted to catch Ducking Punches at Rebellion on Thursday night and I really don’t regret it.
Earlier in the day, Danny from Fair Do’s had said, “Look around you. This is what a beautiful, intelligent and ethical punk community looks like.” Both are examples of how appreciative the bands are of the event they’re attending. Far from being a big fest where you turn up, play and fuck off, Ducking Punches were around for the whole weekend, partying and enjoying the music like the rest of us. I had a transcendent moment during somewhere between Sobriety and Big Brown Pills from Lynn where I remembered that all my friends in the world are in this city with me, enjoying an incredible time. There is an overwhelming sense of community that I’ve not felt elsewhere – partly from the punk scene and partly from Manchester, a city with a strong sense of identity.
Closing on Smoking Spot was the perfect move from Ducking Punches, who’ve really grown with their new album Alamort. “This is a song about having the best time with your best friends,” Dan says. Perfect.
Watching my friends’ bands playing to sold out rooms
For many bands it’s their first time at the festival (and their first time in Manchester), but every act played to a huge crowd. Through general gigging and through this website I’ve become friends with some of my favourite bands, so I’m absolutely bubbling with pride when I see them getting an enthusiastic reaction from a big audience.
On Thursday, No Matter opened the festival to an almost full room at Rebellion. Following them were Captain Trips, a skate-punk group from the South Coast that I have a massive soft-spot for. I’ve been trying to get as many people to hear about them as possible, so to see Rebellion full for their set was incredible. Not only was the venue rammed – the crowd were dancing, moshing and generally enthusiastic about seeing them. It made my heart melt a little bit. Continue reading “Top 10 Moments of Manchester Punk Festival 2018”
Featuring: Actionmen, PMX, Drones, Fair Do’s, The Affect Heuristic and many more!
Review by Joëlle Laes. Photos/videos by Mirjam van Reijen, plus some snaps from Joëlle.
After so much anticipation created by the advent calendar announcements via social media, I couldn’t wait for the Bonsai Mammoth anniversary all-dayer, hosted by Darko, an event celebrating a year since the release of their epic debut album. Every announcement seemed like a gift that was personally selected for me. “You like this band? OK cool, we’ll book them.” Thanks guys. Perfect lineup.
Some of my friends decided to get the ferry over the UK from Belgium, and I was lucky enough to snatch a seat in the car. Getting up at 5am the day before to make the trip over and paying a fortune for a hotel was a bit of a faff, but hanging out with friends and seeing fantastic bands makes up for the lack of sleep and the hole in my wallet. After a good night’s sleep, it was time.
It couldn’t have started better than with a Punk Rock Yoga Session by Jo from Bad Juju Yoga! I, however, got my myself in gear too late and missed it.
Though 2pm seemed like an early start for most attendees, the room filled up nicely for the first set of the day. Darko kicked off their anniversary all-dayer by playing Bonsai Mammoth in its entirety (Sarah recently talked to the band about it – check out the interview here). Watching them, for once completely sober and still half asleep, was an experience to remember. With nothing clouding your judgement, you begin to realise how darn good they actually are. Mesmerised by their guitarwork and vocal harmonies, head bopping commenced amongst the crowd. It definitely set me up for a good mood the rest of the day.
Totally new to me, Wild Tales follow them in getting people hooked by some more indie-ish, danceable tunes and good vibes. This new project from members of Trails and Atiptoe are rather different from the rest of the lineup, in a good way. I was sad to see that they don’t have any music online yet, however I’ve been told this bunch from Guildford will have an EP out soon.
The moment I had personally been waiting for finally arrived. The Affect Heuristic, a band consisting of both Belgian and Scottish members, started setting up for their first gig ever. It’s a strange feeling seeing them live for the first time after witnessing the whole writing process happen in my house. It’s safe to say the crowd was blown away by this shredfest, intertwined with Scottish banter and deep lyrics. The tracks Against The Grain, which addresses toxic masculinity, and Tightrope hit especially hard. For those eager to listen, you can check out two demo tracks here. Continue reading “Gig Review: Darko’s Bonsai Mammoth Anniversary Bonanza @ The Boileroom”