This brutal release London’s Cope ups the ante of British hardcore. FFO: Comeback Kid, Madball and H2O.
Review by Jake Jeremy.
The lines between hardcore, punk and metal have never been more blurred than in 2017, and the latest EP from London based 5 piece Cope throws everything into the melting pot to produce nothing short of sheer brutality.
The Tooth & Nail EP is the follow up to their debut release Challenge Oppression // Pursue Equality and the band has upped the ante when it comes to stretching the expectations of British hardcore. The opening salvo Stray Bullets clocks in at just under two minutes and it grabs you by the throat the entire time. It also gives a good overview of the Cope ‘sound,’ giving indications of the band’s melodic undercurrent and straight ahead riff work. Next up is Tooth & Nail, another riff heavy but more groove based track akin to Pantera but with a healthy dose of Britishness infused in the vocal presentation.
My personal favourite ditty sits in the third slot of this release. Neo-Nasty starts with a vicious nasally bass sound (I’m a sucker for a delicious bass tone, sue me) and then goes into Capdown territory… that’s right, this track is what I’d imagine Capdown would sound like if they listened to more Megadeth and less Madness, again utterly brutal and one for the pits. Continue reading “EP Review: Cope – Tooth & Nail”
The recent self-titled release from London’s Our Lives In Cinema is a tense blast of angsty pop-punk. FFO: Alkaline Trio, Polar Bear Club, Rival Schools.
South London post-hardcore/pop-punk crew Our Lives in Cinema have recently released a self-titled EP. Taking influence from early noughties emo, there are underlying flavours of Alkaline Trio and My Chemical Romance, infused with a more modern pop-punk twist. The EP is short and sweet with only three songs, but there’s a lot packed into it.
First track Cut and Run* is energetic and tense, with angsty multi-tracked vocal delivery. The tight guitar lines standout in the mix and overall it leaves me thinking of Rival Schools. The song descends into an interesting melodic multi-vocal section that reminds me a bit of Brand New’s execution on Deja Entendu.
You can definitely hear the influence of Jeff Rosenstock in the vocal on second track I’m Drunk! And None of This is Real. The song has the all-too-familiar feel of booze-fuelled memory loss, bad sleep and haunted dreams. Continue reading “EP Review: Our Lives in Cinema – S/T”
Brand new UK skatepunk that’s heavy on nostalgia value. FFO: Vanilla Pod, Goober Patrol and No Use For A Name.
Paper Champ are a 4-piece skate punk band from Ipswich, Suffolk. Following a successful Kickstarter campaign to finish off the recording, they’ll be releasing their first 5-track EP Easily L.E.D. this week.
Formed from the ashes of Ipswich melodic punks The 4130s, they put out their first demo in October 2016, featuring additional vocals from Goober Patrol’s Simon Sandall and Dan Goatham of Spoilers/7 Day Conspiracy. Easily L.E.D. is a mellower follow-up, although it’s still got a fresh, rough-around-the-edges feel.
- Paper Champ live at The Smokehouse in Ipswich (26/07/2017)
The recording is a great reflection of their energetic live shows. Songs like Way Over The Line hit a more pop-punk vibe, not dissimilar to No Use For A Name or even Sum 41 in terms of melody. Stories From Around Campfires has great melodic bass intro, reminiscent of 88 Fingers Louie’s 100 Proof. Continue reading “EP Review: Paper Champ – Easily L.E.D.”