Interview by Sarah Williams.
What’s your dream project? Each and every one of us has that fantasy in our heads: a vocation, a band or a goal that we hope we’ll one day be able to make real.
Well, Ed Hall’s dream is All Silk Mastering House and, through hard graft and dedication, he’s made it a reality. You may know Ed from Egos At The Door, but nowadays he’s probably better known for his talented ear and knack for exceptional audio production.
This year he’s finally been able to realise his dreams, by building a bespoke space for mixing and mastering, now offering quality and attention to detail at competitive rates. We spoke to Ed about his love for all things audio and all the hard work and emotional investment that’s gone into to this.
Firstly, give us a little overview of what you do at All Silk Mastering House – explain to us laymen what do you get up to?
For sure! A mastering house is an audio suite (which is more or less a control room, minus being attached to a live room) geared towards mastering as opposed to, say, mixing or recording. An engineer who specialises in mastering takes the final mixes which are often years in the making and analyses their objective traits. Every final mix will have strengths and weaknesses so the processes play to and accentuate or diminish these traits with the end goal of making a competitively loud and tonally pleasing track.
There is more or less a standard intrinsic loudness to most music, especially now, so that it can play amongst thousands of other tracks on Spotify, YouTube, Apple Music, CD players, iPods and not sound out of place, quieter, uncomfortably distorted/louder or at all noticeably off in comparison to the average.
It’s a mastering engineer’s job to deliver the best version they can of the audio they are provided while ticking these boxes. Of course in the real world it is much more subjective and subtle than this with sympathy to the art/the vision/taste…
What was your vision for All Silk when you first started out?
I think I had made a decision to push toward mastering maybe 4-5 years ago. I was much more of an all round audio guy at the time, which meant every couple of months a DIY band would need mastering done and I’d just do it! Continue reading “Ed Hall: Grafting To Make Your Dreams A Reality [Interview]”