Four Days Following A Wilhelm Scream On Tour [Column]

Sarah spent a long weekend following melodic hardcore legends, A Wilhelm Scream, on their UK tour with Darko. This is her personal account of the sweatiest weekend of the year.

Article by Sarah Williams. Images from Cold Front Photography, taken at The Star & Garter, Manchester.

It’s sweltering. I’m screaming. There’s a crush of bodies all around me, elbows and fists and softer parts, heaving and desperately scrabbling for space. Every surface is slick with sweat. I turn around just in time to catch a boot to the face, as singer Nuno Pereira is hoisted above the pit, trailing the mic cable, still belting the lyrics out.

He circles above the crowd before being gently propped back onto the the stage, where he immediately bounces back to scream out the chorus. I’m crushed against the edge of the stage and, when I look up, he’s literally dripping a waterfall of sweat straight on to all of us in the front row.

A Wilhelm Scream Live Manchester cred Josh Sumner 3.jpg

It’s the longest, hottest day of the year, and the air feels ripe with anticipation for the chaos that A Wilhelm Scream bring on tour with them, unleashing raw, unbridled energy on stage every single night. This 5-piece melodic hardcore whirlwind have journeyed from their hometown in New Bedford, Massachusetts for a month-long tour, beginning with 7 dates in the UK with Shout Louder faves Darko.

I’ve been known to go to absurd lengths for the love of punk rock and this weekend will be no exception. Taking every chance to see one of the world’s most incendiary live bands, I decided to catch them in Manchester, Norwich, London and Stafford. Fortunately, I managed to convince Tree (of MPF/Anarchistic Undertones fame) to join me, so I wasn’t alone for the ride.

A Wilhelm Scream Live Manchester cred Josh Sumner 7.jpg

Friday: Manchester

Manchester’s show at the Star & Garter is unquestionably the best gig I’ve been to this year (and I’ve seen Propagandhi twice). Perhaps it’s the intense heat. Perhaps it’s the crush of friends at the front. Perhaps it’s the insanely good performance from one of my all time favourite bands…  or perhaps it was the excitement of knowing I get to do it all again for the next three days. Continue reading “Four Days Following A Wilhelm Scream On Tour [Column]”

Shout Louder’s June 2018 Playlist

Listen to our Spotify playlist for all of June’s hottest tunes!

The whole team at Shout Louder is addicted to music, whether that’s live, on record or just sung badly in the shower. There’s not enough time in the world to review every record we love, so we’re going to share a monthly Spotify playlist with you.

Enjoy this month’s selection of tunes – featuring many of the bands we’ll be catching live this month. Here’s what we’re listening to:

 

Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]

Umlaut Recond second annual showcase weekedender was a blast, with bands like Counterpunch, The Murderburgers and Crazy Arm.

Review by Sarah Williams.

What better way to while away a long Easter weekend than an indoor music festival with all your mates? The second iteration of Umlaut Records’ Dugstock festival is a diverse three-day line-up hosted at London’s New Cross Inn. Umlaut Records is a rapidly growing independent label that are integral to the London punk scene. They’re only in their second year so, if this is the sort of line-up they can pull off now, I can’t wait to see what they have in store for us in future.

I’ve been to plenty of gigs at New Cross, but this is the first time I’ve committed to three whole days, staying in the hostel above the venue. As I’m likely to be doing the same for Level Up and Polite Riot festivals later this year, I’m almost as keen to test out this festival-formula as I am to see the bands.

Shout Louder Crew At Dugstock 2 Cocktails
Some braincells were damaged in the making of this review.

Friday

Opening the weekend are Dirty White, a 3-piece that take influence from 90’s stoner grunge bands, although they bring the songs into a cleaner, more modern relief. The singer pulls off a Chris Cornell style that you don’t often hear. They go on to mix in some faster melodic punk songs – a gentle introduction to the weekend’s festivities.

There is already a reasonably good turnout for the Friday night, with a lot of hugs and catch-up chats exchanged. Things properly kick off with Dark Days, who provide vigorous, fun, melodic poppy punk. Guitarist, John Huffman, gets told off by the sound engineer for standing on the drum kit, so he capitulates and pulls out a high stool from the bar to stand on, before flaunting rock-star poses and writhing on the floor. Their sound contains a melee of references to current North American melodic punk bands, with an added dose of Kathleen Hanna inspired harmonies and a fuzzy, experimental guitar mess. They play a full-throttle cover of Nirvana’s Breed – the first of two Breed covers we’ll hear this weekend.

Kiss Me, Killer swagger on stage with a sexy, balls-to-the-wall riot grrl energy. Singer, Holly, steals the show somewhat as she cavorts wildly around the stage, as the band rages. She’s an excellent rock vocalist, which suits the hard-rock element in their sound It’s ferocious noise peppered with short bursts of rock ‘n’ roll guitar solos and enticingly sleazy bass lines. It’s infinitely dance-able from Rat Race to It’s Going Down (which actually sets off an alarm somewhere in the venue). As my friend eloquently shouts at me during the set, it’s also a pleasure to see, “Plentiful vaginas on stage.” Continue reading “Festival Review: Dugstock 2 @ New Cross Inn, London [30/03 – 01/04/2018]”

EAT DIRT: Shaking Up The Scene [Interview]

EAT DIRT are the latest London riot, taking no prisoners as they sweep through the city. Sarah spoke to vocalist Ben Mills to their future and their unique style.

Interview by Sarah Williams.

Meet EAT DIRT. As their all-caps moniker suggests, they’re going to shout until you take notice, so jump on this bandwagon as early as you can. This unusual quintet are the latest storm to shake the music venues of London.

In the flesh they’re a raucous bunch, unable to stay on stage and choosing instead to get up close and personal with their audiences. They’ve taken a dose of their riotous live performance and injected it into their new EP Welcome to Shithouse-On-Sea, which was released on Umlaut Records on April 27th. It’s four punk rock tracks that are short but nonetheless memorable, like getting punched in the face by a beautiful woman in a dream. Musically, I hear it as sleazy rock ‘n’ roll with a hint of 80’s metal, but their ballsy attitude is 100% punk.

There is a lot more to these guys than just the music. They have their own scrappy, hilarious podcast and their own YouTube channel. We’ve been watching them tear the scene to pieces for months, so we took the chance to speak to vocalist Ben Mills to learn more.

How did Eat Dirt come about? You’ve all been in multiple bands previously – tell us a bit about your earlier musical endeavours as well.

Myself and Richie have known each other since Hevy Fest 2012, we met before I went on stage with my then band The Smoking Hearts. Also Dai our guitarist played the day before in his band at the time Adelaide, I’d met Dai in Luton in like 2010 when we played with each other. Richie and myself started a side project called Dead Beat, with a few friends, one of which is our new bass player Joey Black (Shortcuts, Angst, BodyHeat). Any way I was taking a break from music from 2014 – 2017 after touring relentlessly across the world from 2010 – 2014. One day I heard the PearsGreen Star album, and I asked Richie if we wanted to start a band in that vein. Then we wrote EP 1 over email, drafted in some old friends from bands and started playing shows.

Ballad has the most perfect 7 seconds of any song ever in the chorus. Have you considered a second careers as 80 power-ballad masters?

What bit do you mean? The bit where me and Richie harmonise beautifully without any help from computer programming? Yeah, that was the second chorus for Ballad and it’s my favourite chorus I’ve ever written ever. Would love to incorporate those pop punky sing along bits in the next record.

You guys take a much more confident approach to a lot of the bands in the current DIY scene. Who do you take the most influence from?

I’ve learnt from years touring the toilet venues around the country and the world that you have to make an impression. It’s important to be remembered and to leave your mark. But I take a lot of influence from the likes of Davey Havoc, Fat Mike, Greg Puciato, and I spent a lot of time as a teenager in the UKHC scene so that up-close-and-personal, high energy performance attitude. I like to leave it all out there, if I don’t finish the set covered in sweat and gasping for breath I haven’t given it my all. Continue reading “EAT DIRT: Shaking Up The Scene [Interview]”

Podcast #5: Jamie from Aerial Salad Chatting Utter Shite

Jamie Munro joins us a guest for this no-holds-barred episode, bonding over a love of drinking, punk rock and conversational tangents.

On Episode #5 Mark and Sarah are joined by the Aerial Salad’s loquacious frontman Jamie Munro. If you’re not already familiar with Manchester’s freshest pop-punks then this is a great chance to get to know them better.

Join us in Sarah’s living room as we bond over a love of conversational tangents and talk utter shite about the UK punk rock world. Share in the laughter as Mark ‘Hunkasaurus’ Bell makes a failed attempt to rein Jamie and Sarah in!

We cover myriad topics, including Jamie’s wholesome adventures in Disneyland, alt-girl-specific paedophilia, drug-induced escapades, an ex-girlfriend crying during Jamie’s set and a prediction for Jamie’s miserable future. We also share our love for Triple Sundae, Fastfade, Burnt Tapes, Incisions, Clayface, Pizzzatramp, Astpai, Sham City Roasters and many more.

We’ve even got an exclusive unreleased Aerial Salad track and an announcement for their upcoming European tour with The Raging Nathans. We also celebrate the line-up announcement for Polite Riot festival, including the addition of Apologies, I Have None to an incredible line-up that already features Teenage Bottlerocket and A Wilhelm Scream.

If that’s not enough for you, we’ve even got music from EAT DIRT, Two Houses and The Affect Heuristic.

Continue reading “Podcast #5: Jamie from Aerial Salad Chatting Utter Shite”

Shout Louder Podcast #3: Deep Inside I’m A Cynical Fuck

Episode 3 is here! Featuring brand new music from Call Me Malcolm, Nosebleed and Triple Sundae, plus tunes from March and On A Hiding To Nothing.

We’re back! In Episode 3 we are excited to share three fresh tracks with you ahead of their release – you can look forward to new songs from Nosebleed, Triple Sundae and Call Me Malcolm. We also have some fast noisy stuff from March and On A Hiding To Nothing.

Sarah get annoyed and goes off on tangents, while Mark is there to rein her back in as usual. Mark shares his love of All Saints and displays an incredibly poor knowledge of hip hop, Sarah shares a love of The Strokes and a hatred of Good Charlotte as we discuss some of our musical origins. We also share a mutual story about getting rained on Punk Rock Holiday.

After having a good whinge, we discuss some of the most exciting releases of the moment, including Our Lives In Cinema, Eat Dirt, Money Left To Burn and The Affect Heuristic. We take plenty of time to discuss the shows we’ve been to lately including Shredfest (with No Contest, Laughing In The Face Of, Almeida, Sombulance, LineOut and Dead Neck), Pat Butcher‘s carrot in a minute gag, Only Strangers, Kiss Me Killer, Honey, The Domestics and The Kirkz.

The podcast is available on Itunes and all other good podcatchers, or you can listen to it right now:

These are the songs we played:

You can subscribe to the podcast on Itunes or whichever podcatcher you use. You can also find all of our previous episodes on Soundcloud. Please give us your feedback. Is there anything we should be doing differently? Let us know.

If anyone wants to read my predictions for 2018 which Mark mentions in the podcast, you can find it here. Why not also have a gander at our reviews of Only Strangers/Rising Strike/The Kirkz? If you enjoyed our chats about Mark Bartlett in Our Lives In Cinema, check out the piece he wrote for Shout Louder about creating the album and the challenges of DIY punk.