EAT DIRT are the latest London riot, taking no prisoners as they sweep through the city. Sarah spoke to vocalist Ben Mills to their future and their unique style.
Interview by Sarah Williams.
Meet EAT DIRT. As their all-caps moniker suggests, they’re going to shout until you take notice, so jump on this bandwagon as early as you can. This unusual quintet are the latest storm to shake the music venues of London.
In the flesh they’re a raucous bunch, unable to stay on stage and choosing instead to get up close and personal with their audiences. They’ve taken a dose of their riotous live performance and injected it into their new EP Welcome to Shithouse-On-Sea, which was released on Umlaut Records on April 27th. It’s four punk rock tracks that are short but nonetheless memorable, like getting punched in the face by a beautiful woman in a dream. Musically, I hear it as sleazy rock ‘n’ roll with a hint of 80’s metal, but their ballsy attitude is 100% punk.
There is a lot more to these guys than just the music. They have their own scrappy, hilarious podcast and their own YouTube channel. We’ve been watching them tear the scene to pieces for months, so we took the chance to speak to vocalist Ben Mills to learn more.
How did Eat Dirt come about? You’ve all been in multiple bands previously – tell us a bit about your earlier musical endeavours as well.
Myself and Richie have known each other since Hevy Fest 2012, we met before I went on stage with my then band The Smoking Hearts. Also Dai our guitarist played the day before in his band at the time Adelaide, I’d met Dai in Luton in like 2010 when we played with each other. Richie and myself started a side project called Dead Beat, with a few friends, one of which is our new bass player Joey Black (Shortcuts, Angst, BodyHeat). Any way I was taking a break from music from 2014 – 2017 after touring relentlessly across the world from 2010 – 2014. One day I heard the Pears‘ Green Star album, and I asked Richie if we wanted to start a band in that vein. Then we wrote EP 1 over email, drafted in some old friends from bands and started playing shows.
Ballad has the most perfect 7 seconds of any song ever in the chorus. Have you considered a second careers as 80 power-ballad masters?
What bit do you mean? The bit where me and Richie harmonise beautifully without any help from computer programming? Yeah, that was the second chorus for Ballad and it’s my favourite chorus I’ve ever written ever. Would love to incorporate those pop punky sing along bits in the next record.
You guys take a much more confident approach to a lot of the bands in the current DIY scene. Who do you take the most influence from?
I’ve learnt from years touring the toilet venues around the country and the world that you have to make an impression. It’s important to be remembered and to leave your mark. But I take a lot of influence from the likes of Davey Havoc, Fat Mike, Greg Puciato, and I spent a lot of time as a teenager in the UKHC scene so that up-close-and-personal, high energy performance attitude. I like to leave it all out there, if I don’t finish the set covered in sweat and gasping for breath I haven’t given it my all. Continue reading “EAT DIRT: Shaking Up The Scene [Interview]”