Not heard of Wolfrik yet? You will soon. This band have the power to tear through your city like a whirlwind of fun, leaving a trail of riffs, screamed choruses and raised fists.
The second I heard Skeleton City I fell in love. Wolfrik have taken elements of thrash, metal and melodic punk and created a unique blend that’s fiery, dark and infectiously entertaining.
All the way from Edmonton (in Alberta, Canada), Wolfrik have kicked up quite a storm across the pond. They’ve been announced for 2019’s Manchester Punk Festival, with rumours of a full European tour in the works. They’ve also recently joined the crew at independent UK label, Lockjaw Records.
We were keen to speak to guitarist Mark Seifeddine to get a proper introduction to this brilliant new band.
Wolfrik! You’ve been kicking up a storm here in the UK and you’ve recently joined the crew at Lockjaw Records. Has it been odd getting a big reaction from so far away?
Not going to lie it’s been pretty strange! Until recently we had no following in the UK or Europe but things changed pretty quick. Without saying too much, we met the right people and things seemed to catch traction. It’s awesome having the team at Lockjaw backing us and it’s a cool feeling knowing there are people who are excited to see us.
I was completely blown away the first time I heard Skeleton City. Is that the reaction you’re aiming for, or just a happy coincidence?
Thank you! I mean, when the record was all said and done, we knew we had something that could open some eyes. We didn’t think it would necessarily blow people away; the humble approach is always a good way to go about things, but we were positive people would be excited about it. Continue reading “Wolfrik: Lost In Riffs [Interview]”
Hailing from Calgary, Alberta, Bring On The Storm are yet more fuel on the fire of Canada’s jealousy-inducing skatepunk/melodic hardcore scene. They’re planning to self-release their debut album Altruism later this year; it’s eight tracks of upbeat melodies and intricate guitars, taking cues from bands like Belvedere, Propagandhi and A Wilhelm Scream. Although there’s a clear mix of influences, Bring On The Storm put their own twist on the classic skate-punk sound: one with poppier melodies and a touch of classic rock.
We fell in love with Altruism, so we spoke to bassist Josh Wallace to learn more about the band.
Heya! How would you sum up Bring On The Storm for someone who’s just discovering you?
Hey Sarah, thanks for taking the time to chat with me! We play fast melodic skate punk with bleak song titles and uplifting messages.
You’re releasing your debut album Altruism on November 4th. Can you tell us a bit about the journey that has led you up to this release?
We’re currently an independent band so everything we do is very DIY. That makes self releasing an album a massive undertaking and we have been working day and night to try and make this release something special.
The album was recorded from March to April of this year and the last five months have been a whirlwind of planning. From getting the artwork and album layout finished, to putting together a pre-order package that we think people will be excited about, there is a huge amount of work that goes into it. But at the end of the day it’s super rewarding and we can’t wait to start showing off the new songs! Continue reading “Band Spotlight: Bring On The Storm [Interview]”
The Penske File are a melodic punk band from Burlington, Ontario, who recently visted the UK for a short run of gigs. We’re been enjoying their latest album Salvation since its release in April, however we were completely blown away by their live show in Manchester this week. They’re full of energy, enthusiasm, catchy melodies and memorable choruses.
We spoke to guitarist Travis Miles ahead of the tour about their new album, their motivations and their growth as a band.
Salvation is a very emotive album title. What are you seeking salvation from? Do you think you found it?
That’s a good question that I’m not sure I fully know the answer to and am doubtful I, or many of us, ever really will. I think in a sense that I am seeking salvation from the confining realities of my selfhood and how that is inevitably framed by the society in which we all live. Music is just a very freeing art form that has an ability to wash away the very real problems in our own lives and in our own communities, if only for a moment.
To me the closest I’ve ever been to a true feeling of salvation has come in those moments when music washes away my sense of the internal and external world and leaves me existing solely within a moment or a lyric or a melody.