Meet the soundtrack to your summer. FFO: Less Than Jake, The JB Conspiracy, Lightyear, Random Hand.
I Was Broken When You Got Here is destined to be the soundtrack to your summer. London’s Call Me Malcolm have taken all the best elements of late-90s ska punk and rolled it into one irresistable package, modernising it by opening up about depression and anxiety.
It has been a long time since I’ve encountered an album that I couldn’t take off repeat, but I’ve listened to very little else for the last three weeks. It is due for release on Be Sharp Promotions and Bad Granola Records on Friday April 6th and take my word for it: you need this album in your life.
It is not often nowadays that a ska-punk album comes along and completely stops you in your tracks. It’s not 2003. Ska-punk is no longer in vogue, if it ever was, however for those of us who do like our punk brassy, sunny and loaded with upstrokes, it is a very special thing. Arguably there has been a resurgence this year, but it’s been spearheaded by the return of some legendary live bands, not by new album releases.
Then Call Me Malcolm blast in out of left-field and drop this catchy, infectious masterpiece that grows more ingrained into your skull with every listen. Call Me Malcolm have been on the scene for quite a number of years and, although I’ve always liked them, I would never have expected them to come out with an album that, with the right marketing, could honestly rival Less Than Jake. Perhaps it’s my lack of presumption and expectation that allowed me to be wowed by this record, however it’s stood up to hundreds of repeat plays without becoming a ounce less enticing. Continue reading “Album Review: Call Me Malcolm – I Was Broken When You Got Here”
Episode 3 is here! Featuring brand new music from Call Me Malcolm, Nosebleed and Triple Sundae, plus tunes from March and On A Hiding To Nothing.
We’re back! In Episode 3 we are excited to share three fresh tracks with you ahead of their release – you can look forward to new songs from Nosebleed, Triple Sundae and Call Me Malcolm. We also have some fast noisy stuff from March and On A Hiding To Nothing.
Sarah get annoyed and goes off on tangents, while Mark is there to rein her back in as usual. Mark shares his love of All Saints and displays an incredibly poor knowledge of hip hop, Sarah shares a love of The Strokes and a hatred of Good Charlotte as we discuss some of our musical origins. We also share a mutual story about getting rained on Punk Rock Holiday.
After having a good whinge, we discuss some of the most exciting releases of the moment, including Our Lives In Cinema, Eat Dirt, Money Left To Burn and The Affect Heuristic. We take plenty of time to discuss the shows we’ve been to lately including Shredfest (with No Contest, Laughing In The Face Of, Almeida, Sombulance, LineOut and Dead Neck), Pat Butcher‘s carrot in a minute gag, Only Strangers, Kiss Me Killer, Honey, The Domestics and The Kirkz.
The podcast is available on Itunes and all other good podcatchers, or you can listen to it right now:
These are the songs we played:
You can subscribe to the podcast on Itunes or whichever podcatcher you use. You can also find all of our previous episodes on Soundcloud. Please give us your feedback. Is there anything we should be doing differently? Let us know.
If anyone wants to read my predictions for 2018 which Mark mentions in the podcast, you can find it here. Why not also have a gander at our reviews of Only Strangers/Rising Strike/The Kirkz? If you enjoyed our chats about Mark Bartlett in Our Lives In Cinema, check out the piece he wrote for Shout Louder about creating the album and the challenges of DIY punk.