Old-school hardcore punk from an unlikely Devon village. FFO: Fugazi and Dag Nasty.
Review by Ollie Stygall.
I live in a small, unremarkable Devon town called Chudleigh. It’s relatively quaint, relatively quiet and relatively pleasant.
The most remarkable moment in Chudleigh’s very long history was in 1807 when two thirds of the town burned down in a fire. The only casualty was a pig. Nowadays the residents take to Facebook in righteous indignation over bad parking, minor vandalism and sometimes, on a lighter note, to find a decent plumber!
Chudeligh is not, however, a punk rock haven. I have long suspected that I am the only lover of our beloved form of musical anarchy in our sleepy town. That is until a couple of weeks ago when I got a message from the husband of a friend of my wife to tell me about his band. I was intrigued but, I have to admit, not entirely hopeful. This is Chudleigh after all. I did not expect much. I certainly didn’t expect to be blown away. Continue reading “Album Review: Gunka – Nothing Left To Say”
Casual Nausea show that punk is far from dead on their album ‘Demons’, out now TNSrecords. FFO: Crass, Subhumans, The Casualties, The Distillers.
Written by Ollie Stygall.
When I was at university many years ago, at the end of each academic year we had a Summer Ball. This involved us all dressing up smart and having a massive party. Beforehand we would pretend to be civilised and all go for a nice meal together… the calm before the storm, as it were.
One time, whilst walking back to college from the meal, my mate strolled away from the group towards the edge of the pavement. He then proceeded, without missing a step, to vomit into the gutter. He then, still without missing a step, and without getting any on himself, pulled a hanky from his pocket, dabbed his mouth and re-joined the group to continue the conversation where he had left off moments before. This is, and will always remain, the finest example of casual nausea I have ever witnessed.
Ipswich’s Casual Nausea, allegedly named after co-vocalist Zoe Barrow’s pre-gig nerves, are certainly now up there with the above story in my top 10 list of casual nauseae… and I never realised I had such a top 10 list!
This Casual Nausea play punk rock and keep it old school, which is exactly how I like it.
Apart from the updated production values, Casual Nausea wouldn’t have been entirely out of place on the Crass Records roster 35 years ago, as they blast out fast, edgy, politicised punk rock complete with male and female lead vocals and a shit ton of snotty melody. It brings to mind Crass, The Subhumans, The Casualties, Minor Threat, The Distillers, etc. Pop punk this ain’t! Continue reading “Album Review: Casual Nausea – Demons”
Finally, there is something exiting to come out of Wales, other than the M4. Pizzatramp’s 12” picture disc on TNSrecords is a win. FFO: 80’s hardcore thrash crossover and swearing.
Review by Ollie Stygall.
Pizzatramp are from Wales so let’s start with some facts about Wales.
Wales is the largest county in England. It is only accessible by a bridge and they make you pay to enter Wales, presumably to discourage you from bothering. Wales is owned by Prince Charles, but he doesn’t live there. The Welsh have their own language but you need an overactive saliva gland to speak it, but that’s OK because 99% of Welsh people don’t understand it.
Wales is full of castles because they’re extremely unpopular and got attacked a lot… they even attacked themselves, because they don’t like each other either! Wales is full of mountains, because even the landscape dislikes the Welsh and has tried to make itself as uninhabitable as possible. Wales has a seaside resort called Barry, like the boring Brummie character from Auf Wiedersehen Pet. Wales has nothing at all to do with the mighty and majestic sea creatures that its name sounds like. Catherine Zeta Jones is Welsh – and hot – but she’d rather shag an American pensioner than Welsh blokes.
However, there is now something exiting to come out of Wales, other than the M4. A musical behemoth that does go some way towards righting the wrongs done by The Manic Street Preachers: and that is Pizzatramp.
Pizzatramp make out that they’re a shambolic, pissed up mess. They’re not. Well, they may well be to be honest, but that doesn’t stop them being a fucking incredible band. Continue reading “Album Review: Pizzatramp – Grand Relapse”
Canadian melodic punks Pkewx3 give us a unique track-by-track breakdown of their new album… by picking which beer pairs best with each song.
Canadian melodic punks Pkew Pkew Pkew have created one of the most fun records of the year with Optimal Lifestyles. Rather than the traditional track-by-track breakdown of the album, but asked them to give us a unique insight into the record: by telling us which beer they’d pair each track with.
Want to drink along? Load up the album on Spotify – it’s was released on March 1st via Big Scary Monsters an Dine Alone Records. Enjoy this choice shopping list of Canadian ales to pair with the record!
1. Still Hangin’ Out After All These Years
This best pairs with any of the ones listed at the end of the track—take your pick!
2. I Don’t Matter At All
This is a pretty tasty track if you ask us. It’s kind of reminiscent of The Strokes so we’ll go with Brooklyn Lager for this one. Brooklyn Brewery is one of the only NYC breweries that we get up in Canada.
Continue reading “Tasting Notes: Pkew Pkew Pkew Drink Their Way Through ‘Optimal Lifestyles’”
This split from Pizzatramp, Grand Collapse, The Domestics, Guilt Police, Wolfbeast Destroyer and Rash Decisions proves that the UK hardcore scene is still very much alive, well and kicking the shit out of music with its size 12 boots.
Review by Ollie Stygall.
Growing up as a kid in the ’80s was a great thing. It was very much the golden era of hardcore and saw the D.I.Y. ethic, that had grown up around punk in the late ’70s, expand into interesting areas, particularly the rise of the split release.
Split releases allowed bands and labels to co-operate on co-releases that spread costs while also introducing bands to each other’s fan bases. Some of these split releases have become legendary artefacts of the scene at the time: the Chaos UK/Extreme Noise Terror Earslaughter release still remains, for many, the best document for each band. Split releases, such as the Heresy/Concrete Sox release, paved the way for Earache Records and, perhaps a harder to find and more esoteric release was the 4-way Japanese hardcore beast that combined Outo, Gauze, Lipcream and Systematic Death.
Continue reading “Album Review: Hardkore Dokument UK #1 7””
“Haest sound like they’ll drink all your cider and shit in your bathtub.” FFO: Amebix, Axegrinder, Discharge
Review by Ollie Stygall.
Let me ask you a question. What is punk rock?
Is it the aggressive take on hard rock first put forward by bands such as The Sex Pistols and The Damned? Is it the metallic rush of bands such as Discharge and The Exploited? Is it the hyperspeed grind of hardcore bands such as Ripcord or Heresy? Is it the melodic, pop-tinged sounds of The Offspring? Is it the off-kilter, angular, dub-infused sounds of Fugazi? The answer is, it’s all of this… and more.
Haest from Hastings (see what they did there?) is punk but don’t easily fit into a convenient punk-rock pigeon hole. To my grizzled, ancient ears they sound like the modern day bedfellows of 80’s crust bands such as Amebix and Axegrinder as they throw a touch of sludge into their grimy grind. Continue reading “Review: Haest – EP #2”
Greek power-punks The Overjoyed have made a thrilling start to 2019. FFO: Rocket From The Crypt, Direct Hit!, The Lillingtons
Review by Mark Bartlett.
It’s early January and, with all the fantastic music of 2018 still fresh in our hearts and ears, The Overjoyed have fired a spectacularly catchy and fun starting pistol for what will no doubt be an even better 2019.
For those of you who enjoy making lists (much like myself) you’d do well to check out this fantastic slice of pop-punk n’roll immediately; as well as pop a note in your diary to remember it for your end of year considerations, as I don’t foresee more than a handful of albums being able to match both the catchiness and consistency of this record.
The Overjoyed are a four-piece hailing from Athens, Greece, and I feel they’re somewhat underrated in the UK. Given the strength of the material on offer here, I can’t imagine them being much of a secret for long, though (London’s finest The Burnt Tapes recently concluded an eventful tour of Greece with them that you can read about here). Continue reading “Album Review: The Overjoyed – Aced Out”