Canadian melodic punks Pkewx3 give us a unique track-by-track breakdown of their new album… by picking which beer pairs best with each song.
Canadian melodic punks Pkew Pkew Pkew have created one of the most fun records of the year with Optimal Lifestyles. Rather than the traditional track-by-track breakdown of the album, but asked them to give us a unique insight into the record: by telling us which beer they’d pair each track with.
Want to drink along? Load up the album on Spotify – it’s was released on March 1st via Big Scary Monsters an Dine Alone Records. Enjoy this choice shopping list of Canadian ales to pair with the record!
1. Still Hangin’ Out After All These Years
This best pairs with any of the ones listed at the end of the track—take your pick!
2. I Don’t Matter At All
This is a pretty tasty track if you ask us. It’s kind of reminiscent of The Strokes so we’ll go with Brooklyn Lager for this one. Brooklyn Brewery is one of the only NYC breweries that we get up in Canada.
Continue reading “Tasting Notes: Pkew Pkew Pkew Drink Their Way Through ‘Optimal Lifestyles’”
This split from Pizzatramp, Grand Collapse, The Domestics, Guilt Police, Wolfbeast Destroyer and Rash Decisions proves that the UK hardcore scene is still very much alive, well and kicking the shit out of music with its size 12 boots.
Review by Ollie Stygall.
Growing up as a kid in the ’80s was a great thing. It was very much the golden era of hardcore and saw the D.I.Y. ethic, that had grown up around punk in the late ’70s, expand into interesting areas, particularly the rise of the split release.
Split releases allowed bands and labels to co-operate on co-releases that spread costs while also introducing bands to each other’s fan bases. Some of these split releases have become legendary artefacts of the scene at the time: the Chaos UK/Extreme Noise Terror Earslaughter release still remains, for many, the best document for each band. Split releases, such as the Heresy/Concrete Sox release, paved the way for Earache Records and, perhaps a harder to find and more esoteric release was the 4-way Japanese hardcore beast that combined Outo, Gauze, Lipcream and Systematic Death.
Continue reading “Album Review: Hardkore Dokument UK #1 7””
“Haest sound like they’ll drink all your cider and shit in your bathtub.” FFO: Amebix, Axegrinder, Discharge
Review by Ollie Stygall.
Let me ask you a question. What is punk rock?
Is it the aggressive take on hard rock first put forward by bands such as The Sex Pistols and The Damned? Is it the metallic rush of bands such as Discharge and The Exploited? Is it the hyperspeed grind of hardcore bands such as Ripcord or Heresy? Is it the melodic, pop-tinged sounds of The Offspring? Is it the off-kilter, angular, dub-infused sounds of Fugazi? The answer is, it’s all of this… and more.
Haest from Hastings (see what they did there?) is punk but don’t easily fit into a convenient punk-rock pigeon hole. To my grizzled, ancient ears they sound like the modern day bedfellows of 80’s crust bands such as Amebix and Axegrinder as they throw a touch of sludge into their grimy grind. Continue reading “Review: Haest – EP #2”
Greek power-punks The Overjoyed have made a thrilling start to 2019. FFO: Rocket From The Crypt, Direct Hit!, The Lillingtons
Review by Mark Bartlett.
It’s early January and, with all the fantastic music of 2018 still fresh in our hearts and ears, The Overjoyed have fired a spectacularly catchy and fun starting pistol for what will no doubt be an even better 2019.
For those of you who enjoy making lists (much like myself) you’d do well to check out this fantastic slice of pop-punk n’roll immediately; as well as pop a note in your diary to remember it for your end of year considerations, as I don’t foresee more than a handful of albums being able to match both the catchiness and consistency of this record.
The Overjoyed are a four-piece hailing from Athens, Greece, and I feel they’re somewhat underrated in the UK. Given the strength of the material on offer here, I can’t imagine them being much of a secret for long, though (London’s finest The Burnt Tapes recently concluded an eventful tour of Greece with them that you can read about here). Continue reading “Album Review: The Overjoyed – Aced Out”
“Digital Garbage throws the Mudhoney right back to the raw days of Superfuzz Bigmuff with a sense of vitriol and big, fuzzy guitars.” FFO: FUCKING MUDHONEY!!!!
Review by Ollie Stygall.
What’s this? Mudhoney on a punk website? Fuck yeah it is!!!! Mudhoney were certainly seen as one of the pioneers of the grunge movement but at their heart they are a punk rock band. They always eschewed the more metallic leanings of bands such as Alice In Chains and Soundgarden and the stadium rock of Pearl Jam and ploughed a furrow that was as informed by old school punk rock as it was psychedelic garage rock. A quick look at some of the bands they’ve covered in their career gives a real clue as to there the band is truly coming from, The Dicks, Angry Samoans, The Damned, The Adolescents, Fang, Black Flag, Void and The Crucifucks to name but a few. Make no mistake my friends, Mudhoney are a punk rock band.
The band’s punk credentials are fully apparent on this new album, their 10th studio offering in 30 years. Recent albums have seen some of the rougher edges shaved off of the band’s sound but Digital Garbage throws the band right back to the raw days of Superfuzz Bigmuff with a sense of vitriol and big, fuzzy guitars that made the band’s name in the first place.
Continue reading “Album Review: Mudhoney – Digital Garbage”
Mean Caesar’s 6 track, self-titled EP is a sharp collection of brash yet melodic punk rock, FFO: Hot Water Music, Leatherface and Samiam.
Review by Ollie Stygall.
The Caesars, the emperors of Rome, were by and large a pretty horrible lot. Venerated as gods they frequently abused their power to indulge their sexual and sadistic whims. So it begs a question, if a Caesar is mean, how much of an utter bastard must he really be?
Fortunately South London’s Mean Caesar are not a scary proposition. Fearsome, yes, but certainly something to be embraced in the punk scene. Mean Caesar have been an active gigging band since early 2018 but prior to that they spent two years holed up in the rehearsal space, honing their song writing and sound before hitting the ground running as a fully formed and functional outfit. This time spent and attention to their craft and presentation has clearly paid off in the first recorded fruits of their labours.
This 6 track, self-titled EP is a sharp collection of brash yet melodic punk rock that draws influence from Hot Water Music and the much beloved Leatherface. Each track is packed with more hooks than a fisherman’s tackle box and more drive than an episode of Top Gear, all capped off by vocalist Danny Lester’s impassioned, gruff bark. Vocally Lester will definitely draw comparisons to Chuck Ragan and Frankie Stubbs as he combines a rough gargle with a keen sense of melody. Continue reading “Album Review: Mean Caesar – Self Titled”
Australian melodic skatepunkers Nerdlinger has delivered a smasher. FFO Lagwagon, Frenzal Rhomb and Teenage Bottlerocket.
Article by Alan Corcoran.
It’s summer and most of the world has been burning to a crisp in the past few weeks, so what better time to dust off your skateboard, cruise over to your friend’s BBQ and listen to some punk rock, delivered courtesy of Nerdlinger and their new album Happy Place.
The Australian melodic skate punkers have covered a lot of ground both literally and figuratively since 2013 and it’s therefore no surprise that this album has both an energy and diversity to it that is damn refreshing in a genre that’s been going since the 90s.
A fairly standard 30 second intro song starts things off, followed by guitar playing and melodies in both Contagious and Can Yu Forgive Me? that will have fans of Blink-182 reminiscing on a time when Tom Delonge wasn’t off somewhere chasing space men.
The first four songs barrel past in under ten minutes and while there are the spicy riffs and drum fills associated with skate punk, there are also plenty of satisfying melodies that lean towards pop punk. The aforementioned Contagious is a prime example of an intro and verse that sizzle with intensity, before serving up a tasty chorus. Continue reading “Album Review: Nerdlinger – Happy Place”