Album Review: Nosebleed – Scratching Circles On The Dancefloor

Leed’s sharpest dressed garage punks, Nosebleed, are making a rock ‘n’ roll racket and they’re dragging you along for the ride.

Review by Sarah Williams.

If I had to criticise the previous two Nosebleed releases, their Something In My Head and It’s Alright EPs, I’d have to say that there’s simply not enough of them. This trio from Leeds have a talent for writing short, energetic punk ‘n’ roll ditties, enough to get the soberest of crowds cavorting madly around a dancefloor. If you do not want 22 minutes of solid gold hits then Nosebleed are not the band for you.

The problem with having a reputation for electrifying live performances, as Nosebleed have been building for themselves since 2014, is that the recorded equivalent is often a bit of a damp squib. That’s far from the case with their debut album Scratching Circles On The Dancefloor (up for preorder from TNS now). This record will have you jiving in your bedroom, in your kitchen, in your car, at the bus stop and spinning round on your office chair until your boss yells at you. Scratching Circles transports Nosebleed straight into your home, like Dickie’s set up his drum kit on your sofa, Ben’s stomping on your coffee table and Eliott’s spitting lyrics at your face while you try to calmly sip your morning brew.

There is a lot of new material on the album, plus some recycled hits from the previous releases. Reworking a handful of songs works in this context; Nosebleed are the kind of band who become even more appealing when you are familiar with the words, so opening the album with I’m Okay is the perfect way to draw the audience in. If you’ve seen Nosebleed live then you will already be a fan of Time And Time Again, Psycho and I Can’t Tell You Anything. Good news: the re-recorded/re-mastered versions are even more killer. The production’s got a lot more depth, richness and clarity that makes a world of difference.

 

Nosebleed Scratching Circles On The Dancefloor TNS Records 1.jpg

The first new track is I’m Shaking which sets the scene for the lo-fi garage punk party we’ve dived into. There’s a lot of twangy rock ‘n’ roll riffs followed by grittier palm muted sections. Through the whole album, every single guitar solo makes you bust into a silly grin: this is proper, dirty punk ‘n’ roll just the way you like it. Continue reading “Album Review: Nosebleed – Scratching Circles On The Dancefloor”

Gig Review: Ray Rocket & Sam Russo @ The Peer Hat [14/02/2018]

Teenage Bottlerocket’s Ray Carlisle and acoustic genius Sam Russo treat us to an intimate evening with help from Arms & Hearts and Fraser Murderburger.

Review by Sarah Williams. Shoddy phone-photos also clearly my fault.

Tonight isn’t merely a quiet, cold Wednesday night in Manchester. It’s also Valentine’s Day. As a result, tonight’s acoustic gig feels warmly romantic; I feel lucky to spend my evening in the company of Teenage Bottlerocket’s Ray Carlisle, soulful charmers Sam Russo and Arms & Hearts, and everyone’s favourite feisty Scot Fraser from The Murderburgers. The small room hosts a handful of couples and singletons, all excited for Moving North’s exceptional selection of acoustic acts.

Manchester Moving North Poster Sam Russo Ray Rocket Gig

Fraser kicks things off, commenting that he’s pleased to be correclty referred to on the poster as MacDaddy Mudderbang. This sets the tone for an evening of in-jokes, as all the acts really engage with the intimate audience. He opens with Born For This which, like many of his songs, is catchy, energetic and self-deprecating. His vocal has a gritty, edgy tone which works well as part of an acoustic show, although we’re more familiar with him belting it out live with The Murderburgers. It also sounds great on his poppy cover of Descendents’ Hope.

Halfway through the set he seems to shed some nerves. He actually declares that he ‘thinks he’s enjoying himself,’ before going on to play Another Way Out Of Here – a tune about ‘trying to find a way out without tying a noose and kicking a chair’. He also plays Wank, Florida, Wank, the gloriously named new single from his other band Fuck (It’s Pronounced Shit). He shouts out audience members (well, mainly just Mikey Wong) and chats to Ray, who’s sitting at the back of the room. It makes for a very intimate and friendly show. Everything about his set makes me happy and I’m grinning with laughter by the end of it.

Fraser Murderburger Live.jpg

Up next is Arms & Hearts, which is the moniker of solo singer-songwriter Steve Millar. He opens with a tune called Sore Sight For Sorry Eyes, a good example of the clever, emotive turns of phrase that he often uses in his lyrics. He seems to write with traditional tattoos in mind; if Arms & Hearts gains more popularity, soon everyone will be walking around with his words inked in banners around roses and skulls. Every word comes across crystal clear because Steve has a good, practised microphone technique, allowing you to fully appreciate the rich range in his voice. Continue reading “Gig Review: Ray Rocket & Sam Russo @ The Peer Hat [14/02/2018]”

Gig Review: F.O.D. and For I Am @ The Eagle Inn [16/02/2018]

F.O.D. and For I Am provide surprising evening of skate/pop-punk shenanigans in Manchester with help from Upstream Colour, Aerial Salad and a bear.

Review by Sarah Williams. Photos by Dean Unsworth.

This was a gig full of surprises. I was surprised to find a tiny venue in the back of The Eagle Inn in Salford, a building that has more in common with a mythical labyrinth than a pub. The venue has more height than floor-space, a minuscule stage and a lot of exposed brickwork, all found via a maze of corridors. A floor has been removed to make way for a stage, so I suppose I shouldn’t be surprised to see an open fireplace 8 feet up the wall, just above the guitarists’ head.

When I arrive the crowd is a little sparse, so by the end of the night I’m pleased to see the room full of people dancing and cavorting, with plenty of further surprises along the way. The evening serves as proof that you can find a room full of drunk Belgians having a great time just about anywhere, even in Salford. So much great punk rock seems to be coming out of their country at the moment that it’s almost unfair on the rest of us – F.O.D. and For I Am are just some of the highlights and I’m chuffed they have decided to tour this far.

Also, I was surprisingly late. I’m still getting the hang of the Manchester bus system (by which I mean I still expect them to move quickly, rather than oozing their way round town like treacle) and, as a result, I unfortunately missed Clayface. I was gutted, as they were great when I saw them at Pie Race last year.

Aerial Salad Jamie Munro cred Dean Unsworth

I do make it in time for Aerial Salad. I am always excited to see this fresh power-punk trio, although I think it’s the first time I’ve seen them in their hometown. [Irrelevant side note: I did have the chance to see them at the Manchfester all-dayer 2 years ago, but I skipped their set because I was hungry and I thought their name was shit. I’ve learned my lesson.]

Aerial Salad are the tightest I have seen them by a distance; their recent extended tour with Wonk Unit has clearly given them the practice they needed. That said, they’ve still not quite got the hang of talking to the audience rather than to each other between songs, although Jamie’s awkward anecdotes about leaving his corporate sell-out job are endearing. Continue reading “Gig Review: F.O.D. and For I Am @ The Eagle Inn [16/02/2018]”

Shout Louder Podcast #1: There’s a Bear in the Circle Pit!

Welcome to our brand new Shout Louder podcast, bringing new music and gig gossip direct to your ears.

We are extremely excited to announce a our brand new podcast!

This new branch of Shout Louder is designed to bring new music, gig gossip and amusing anecdotes direct to you ears.

Your podcast hosts are Sarah Williams and Mark Bell. Sarah’s the puppet master of Shout Louder and a certified gig-addict. Mark’s an illustrator, guitarist and promoter who runs Umlaut Records, along with the other lovely guys from Mug. If you don’t know him personally, you will probably recognise his artwork from a t-shirt you own!

Why is there a bear in the mosh pit? What’s it like to play to a crowd of deaf people? What waxy horrors lurk inside Sarah’s ears? How many tangents can Sarah drift off on? In this episode we talk about some of the bands we’ve seen recently, album’s we’re currently obsessed with and the worst gig Mark’s ever played. You can also hear music from F.O.D., The Shell Corporation, Only Strangers and Arms & Hearts.

Give it a listen, give it a share and give us a shout! Let us know what you think.

The podcast will be available online through iTunes and all your lovely podcatching clients in the near future. Bare with us for now – we’re trialling the first episode through this website online.

In future, we are hoping to get some guests involved, bring you some interesting info and interview, and new loads of new music.

If you like it, please subscribe and give us a share! We would also love to hear your feedback so that we can be even better next time. Give us a shout!

Interview with Pizzatramp: Britain’s Most Raucous Punk Band

Wales’ most hilarious thrash-punk trio talk about their Bangertronic LP, live-show chaos and all the different versions of ‘Hope You Fucking Die’.

Interview by Sarah Williams. Photos by the ever-excellent Hold My Pint.

Pizzatramp have taken the UK punk scene by storm. They keep playing to bigger, wilder crowds and they’re virtually a household name in DIY circles. They hurl 30 second thrash tracks out at breakneck pace, sending audiences across the country into a frenzy. They’re also utterly hilarious, peppering their performances with unpretentious skits, one-liners and in-jokes.

In January they put out a new album on TNS Records: Revenge of the Bangertronic Dan + 13 Songs. As it says on the tin, it’s their Bangertronic EP with a selection of their 13 most popular tracks throw in, now available in shiny 12’’ format. You can get it direct from TNS on random coloured vinyl, or you can pick up a fetching grey copy from the band.

We spoke to vocalist/guitarist Jimmy The Macho Man Savage (he insisted I call him that) about the new record, the insanity of their live shows and all the hilarious variants of their song Hope You Fucking Die.

Pizzatramp cred Hold My Pint 2

You’ve just released Revenge of the Bangertronic Dan + 13 Songs on vinyl via TNS Records.

Yep, our cynical cash grab one, that’s right.

Tell me how that first came about.

We recorded the EP last year. We were going to record another album but all our cars were broken and our old van was broken. We needed to get some money from somewhere and get a van really quick, so we had 8 songs and we risked it. We released it on these little thin cardboard wallets that are really cheap to produce, but then Bev and Andy [from TNS Records] said hang on a minute, are TNS releasing this or are you releasing it?

We said, “We’re not being rude or anything, but we need £2,000 immediately. If we sit and make it for ourselves and sell it for a fiver then we’ll hopefully get the money we need.” So, we did that and we promised TNS they could do the vinyl.

We released the CD independently, earned the money for the van and then we went to press it on vinyl. The problem is that our albums are so short… on Blowing Chunks people kept complaining that there was nothing on the B-side, and when people tried to put it on it was knackering their vinyl players. We had to put something on the other side. Everyone’s asked us for the old songs on vinyl so we re-mastered them, to make it sound like we put some effort into it.

Continue reading “Interview with Pizzatramp: Britain’s Most Raucous Punk Band”

Gig Guide: Bands You Need To See In March

We’ve done all the hard work for you and found the best punk gigs across the country in March.

Article by Sarah Williams.

There is a huge amount going on in March! The biggest treats are over the Easter weekend right at the end of the month, but there is plenty to keep you warm until then.

Without further ado, these are our top picks for the month:

Gig of The Month: Dugstock 2

  • When: March 30th – April 1st
  • Where: The New Cross Inn, London
  • Who: Headliners include Counterpunch, Crazy Arm and The Murderburdgers
  • Check out the Facebook event

This stacked line-up in London has a bit of something for everyone. This is Umlaut Records now-annual celebration of all things fast and fun so , as you would expect, there’s a focus on melodic, upbeat skate-punk in keeping with their label sound.

There are plenty of Umlaut acts showcased on the bill, including Captain Trips, Coral Springs, Burnt Tapes, On A Hiding To Nothing and Strange Planes. I’m particularly excited for Coral Springs, as they’re bringing their anxious, poppy joy all the way from the Netherlands. There’s also plenty of technical melodic hardcore in the form of Fair Do’s, Almeida, Counterpunch and PMX. If you prefer things a bit more ‘punk’ there’s also riot grrls Kiss Me Killer, soon-to-be-gone noise merchants Revenge of The Psychotronic Man, Bogans, Billy Liar and Spoilers. You can even catch our favourites Nosebleed, who’ll be kicking the party into full swing on Saturday.

It is a really diverse line-up with plenty of fun for any punk rock fan. The variation in the bill means you can use this as a great opportunity to catch some new bands, or you can take a breather and grab some food if you need to.  Pop in for a day or for the weekend – tickets available from Umlaut Records.

Old Town House Eastervaganza!

  • When: March 30th – April 1st
  • Where: The Old Town House, Warrington
  • Who: Headliners include Popes of Chillitown, Pizzatramp and In Evil Hour
  • Check out the Facebook event

The Facebook event promises that this gig will leave you, “mystified, mesmerized, terrified, exhilarated, enraptured, captivated and captured as we host a manifold carnival of some of the finest in high-octane punk rock, ska, hardcore, prog, funk and many more personalities to keep you moving, grooving, laughing, crying and lashing your heads backwards and forwards.” What more can you ask for?
Continue reading “Gig Guide: Bands You Need To See In March”

Consumed: Hindsight, Hopes & Tony Hawks [Interview]

Skate-punk legends Consumed discuss regrets, releases, the modern music scene and how their families are part of it.

Article by Sarah Williams. Photos by JJ Photography UK.

Consumed have been a huge influence for nearly two decades, having originated the classic UK skate-punk sound back in the late 90s. They’re known for their the two records they released on Fat Wreck Chords (Breakfast At Pappas in 1998 and Hit For Six in 1999), both of which showcase their solid, fast, hook-laden punk rock style, which has often been described as quintessentially British.

They went on hiatus in 2003 and reformed in 2015, after much cajoling from Vanilla Pod’s Steve Ford. Since then they’ve been popping up across the country and there’s exciting news of a new EP in the works. As I said when I saw them recently, old-school Consumed fans are in for at treat – then new material sounds like classic Consumed, but it’s even fresher and more exciting.

I met up with guitarist Will Burchell and drummer Chris Billam in the backroom at London’s New Cross Inn, just before Christmas. I quizzed them about their past regrets and future releases, how they’re briging their families into music, and how they feel the punk scene has changed in 20 years.

You reformed for Podstock in 2015 and you’ve done a few shows since. What’s kept you going?

  • Chris Billam (drums): We just enjoyed playing Podstock. Also, when we played Podstock we were shit, so a lot of it was wanting to exorcise that demon! It was awful. Awful. I know the two of us were really nervous and I think it showed. We were out of our comfort zone. I was using the house kit, which was pretty shit, we were rushed for time, we had issues with the sound… we’d built it up to be this huge thing: The Return Of Consumed.

You’ve done a few shows since. I saw you at The Black Heart – that was great.

  • Will Burchell (guitar): That was when it started to feel like a proper gig. After Podstock we were like, “Thank Christ that’s over.”
  • Chris: We even started in the wrong key.
  • Will: Yeah. We started with a song off a compilation that was never properly released. I don’t know why – there were loads of these really weird decisions. We started playing that song in the wrong key and it was just sloppy.
  • Chris: It went downhill from there.
  • Will: We’ve probably done 30 shows since then? 25?
  • Chris: No… more like 20.

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You’ve got a couple of shows lined up, particularly the skate-punk all-dayer in Ipswich in February.

  • Will: It’s murder getting anything booked in. It’s a miracle we do anything because of the laborious internal dialogue we have just to get anything agreed.
  • Chris: Yeah. It’s hard enough trying to get four of us in the same room. It’s not because we hate each other. It’s just life.
  • Will: That’s the reason we’ve only got Liverpool and Ipswich and murmurings of this Japanese jaunt, although I’m not convinced that will happen. I feel like I’m tempting fate by saying it out loud.
  • Chris: Also, we’re a bit jaded with it all. If we did play too much we’d lose interest in it all, and we don’t want to lose interest. As soon as we’re back to the dark side of playing we’ll probably say, “Nah, let’s not do this anymore.” Because why would you? We’re all established in our own lives and weekends are precious. At a weekend you have time to be with your partners and kids, or you can go play in a shitty venue somewhere to five people. You’ve got to get it right.
  • Will: We’ve also taken gigs when it’s been a bit of an adventure. We’ve had a couple of jaunts over to Austria and Germany and those are fun travelling with friends.

You said three of you have kids. What about your taste outside of these gigs? Do you still listen to punk or have you matured into slower, more age-appropriate fare?

  • Will: How dare you!
  • Chris: I’m not going to lie. I put Kenny G on the other day. But then, by the same token, I took it off after about 30 seconds. I do still listen to punk but I’m very selective – I don’t mean that in an elitist way, it’s just that over the years you hear so much that you pare it down into what you’re really into.
  • Will: I think you do reach an age where your music taste calcifies.  When you’re a teenager you just consume music. We always talk about a record shop in Nottingham called Selectadisc. When punk was sort of breaking, you’d literally just devour new music. You’d learn about things from ‘thanks’ lists on record and you’d go in and say, “Right, I want all of the new whatever.” And then it would take three weeks to arrive.
  • Chris: Now with the fact that you can download and stream things, it’s so disposable. Whereas if you’re doing it the way Will’s just described you’d think, “I’m going to like this record, so I’m going to give it as much time as I possibly can.” Whereas now you can just go, “Ah well, it sounds alright,” and move on to the next thing. Propagandhi are still doing it, they’re great. There are always going to be some great bands doing it.
  • Will: There’s a handful. Clowns was the one I was thinking of – Bad Blood was the last album that really made me go ‘fucking hell’.
  • Chris: That album just took my face off. It’s fucking amazing.

Continue reading “Consumed: Hindsight, Hopes & Tony Hawks [Interview]”