A few weeks ago, TNS Records posted a teaser for the debut Matilda’s Scoundrels album. I squealed, spilled coffee on my keyboard and got laughed at by my colleagues, before immediately hitting BUY on their pre-order.
Matilda’s Scoundrels formed in 2014 and have since honed their act through hard-graft, rum and good-natured dispositions, touring restlessly around the UK and Europe. They have earned a reputation as a can’t-miss band on the UK DIY circuit for their rambunctious performances. It’s hard to compete with songs like Pisshead’s Anthem, from their EP Crowley’s Curse, for a better boozy crowd-pleaser. One of my favourite memories is their opening set at 2016’s Manchester Punk Festival: despite the early hour, they instantly transformed Sound Control into a boozy brawl, complete with crowd-surfing in an inflatable dinghy.
With raucous drinking bands like Matilda’s there’s always a risk that their recorded material will not stand up to their live show, and I’d argue that their previous release Crowley’s Curse and their split with The Barracks didn’t do justice to their outstanding performances. Fortunately, they’ve exceeded themselves with As The Tide Turns: every songs sounds as good recorded as it does live, if not better.
The 10-track album uses a familiar formula: protest songs played fast on traditional instruments, accompanied by angry vocals, overdriven guitars and a tendency towards inebriation. It’s designed for drinking, dancing and disorder.
However, As The Tide Turns is much more than a rowdy folk album. The top recording quality allows the variety of layered instrumentation to shine in a way that you cannot appreciate in a live setting, adding a real depth and authenticity to their sound. Listen to the album through a decent stereo, and marvel at the amount of thought and skill that’s gone into these compositions. Continue reading “Album Review: Matilda’s Scoundrels – As The Tide Turns”