It’s a small miracle that I make it to Star & Garter at all. I’ve been plenty of times before but I’m walking from a different part of Manchester, so I consult Google Maps to see if there’s a quicker route. There is! Or, well, it looks like there is, until Google leads me down an alley that has more in common with a motorway siding than a footpath, all mud, brambles and metal railings, to somewhere that is definitely not the Star & Garter.
Fortunately, I do know where the venue is, so I navigate blind through Mancunian highways and make it to the pub just in time to hear the soundcheck. Doomy bass rumblings tumble down the staircase under a howled, guttural mic-check. It’s already sounding beautifully bleak.
Local three-piece Leeched open with a surreal salvo of window-rattling noise and the guitars proceed to squeal with distortion between every song. They drop into an onslaught of progressive, hardcore darkness that the fairly sizeable crowd is already enjoying. I don’t understand a word the singer growls, which is typically a good sign. The drummer is delightfully terrifying, corpse-pale apart from his facial tattoos, playing cloaked in a black hoodie, slowly shouldering his way through a feral onslaught of blast beats. There is an angry cry of, “Why are you not moshing, people? Please mosh for the next one,” which turns out to be a surprisingly polite request from a punter spitting into the stolen mic. Leeched continue to trudge through a catalogue of crusty dark metal that’s low and heavy, ending on a drawn-out decrescendo of six-string distortion.
Gets Worse are up next, offering an assault of songs that are short, heavy and fist-in-the-gut ferocious. This heavy 4-piece from Leeds shake the room with supremely fast powerviolence sections, punctuated with low slow-motion mosh breaks that expertly build anticipation for the next attack. Above the patchwork of heavy metal shredding are caustically spat vocals. All members of the band contribute to this, but it’s the drummer somehow making time to tear words from his throat that offers the fiercest noise. They slide catastrophically into harder, heavier songs with a handful of quieter, bass-led pauses. The bleak crunch of distorted guitars primes the room both for soberly dressed, serious head-nodding and frantic elbow-smashing bursts of hardcore. Continue reading “Gig Review: Corrupt Moral Altar @ The Star & Garter [09/02/2018]”
Featuring: Actionmen, PMX, Drones, Fair Do’s, The Affect Heuristic and many more!
Review by Joëlle Laes. Photos/videos by Mirjam van Reijen, plus some snaps from Joëlle.
After so much anticipation created by the advent calendar announcements via social media, I couldn’t wait for the Bonsai Mammoth anniversary all-dayer, hosted by Darko, an event celebrating a year since the release of their epic debut album. Every announcement seemed like a gift that was personally selected for me. “You like this band? OK cool, we’ll book them.” Thanks guys. Perfect lineup.
Some of my friends decided to get the ferry over the UK from Belgium, and I was lucky enough to snatch a seat in the car. Getting up at 5am the day before to make the trip over and paying a fortune for a hotel was a bit of a faff, but hanging out with friends and seeing fantastic bands makes up for the lack of sleep and the hole in my wallet. After a good night’s sleep, it was time.
It couldn’t have started better than with a Punk Rock Yoga Session by Jo from Bad Juju Yoga! I, however, got my myself in gear too late and missed it.
Though 2pm seemed like an early start for most attendees, the room filled up nicely for the first set of the day. Darko kicked off their anniversary all-dayer by playing Bonsai Mammoth in its entirety (Sarah recently talked to the band about it – check out the interview here). Watching them, for once completely sober and still half asleep, was an experience to remember. With nothing clouding your judgement, you begin to realise how darn good they actually are. Mesmerised by their guitarwork and vocal harmonies, head bopping commenced amongst the crowd. It definitely set me up for a good mood the rest of the day.
Totally new to me, Wild Tales follow them in getting people hooked by some more indie-ish, danceable tunes and good vibes. This new project from members of Trails and Atiptoe are rather different from the rest of the lineup, in a good way. I was sad to see that they don’t have any music online yet, however I’ve been told this bunch from Guildford will have an EP out soon.
The moment I had personally been waiting for finally arrived. The Affect Heuristic, a band consisting of both Belgian and Scottish members, started setting up for their first gig ever. It’s a strange feeling seeing them live for the first time after witnessing the whole writing process happen in my house. It’s safe to say the crowd was blown away by this shredfest, intertwined with Scottish banter and deep lyrics. The tracks Against The Grain, which addresses toxic masculinity, and Tightrope hit especially hard. For those eager to listen, you can check out two demo tracks here. Continue reading “Gig Review: Darko’s Bonsai Mammoth Anniversary Bonanza @ The Boileroom”
Hi, I’m Mark Bartlett, lead singer of obscure London emo/pop-punk/post-hardcore/whatever-punks Our Lives In Cinema.
Bands, let’s all examine our work ethic for a moment…
I want to look as excited as I actually feel but I’m just really, really sleepy (and still recovering from a nasty bout of flu). It’s the first of 5 days of recording our new EP All Talk at The Clubhouse in Tunbridge Wells with Ricky Beetlestone. The spirit is absolutely willing but there are giant fuck-off bags under my eyes and a tired rashness to my cheeks that’s making me look like Phil Mitchell at peak booziness.
I finished work at 2am last night, which meant I was forced to get the N199 night bus outside Charing Cross with all the pissed up Friday night misfits, thus eventually crawling into bed at 3:45am. This isn’t ideal for a 7:45 wake-up time. To be fair, I don’t have to do anything today apart from be here and give approving nods and dismissive headshakes.
I know absolutely fuck all about the technical aspects of the recording process so, after meeting all round nice chap Ricky and lugging a few drum bits around, I snuggled into the leather sofa at the back to try and have a nap. Actually, I did pause to be suitably impressed by the monolithic mixing desk, which seemingly had 500 different dials and doohickeys that a luddite like myself could never comprehend.
Despite my sleepiness (that I hope didn’t come off as apathetic rudeness to our new producer friend), I am excited. This is the best part of being in a band. We’re making a record; it’s going into the digital cloud to live forever and provide some evidence to future society about exactly who their silly ancestors were.
Actionmen are a band that defy description. I’ve heard this Italian group called punk, funk, thrash, gypsy and psychedelia, which barely begins to sum up the fantastic, frenetic racket they make. Their sound is a flabbergasting melting-pot of different genre influences, although ultimately there’s the heart of a melodic hardcore band beating fast underneath it all. This is where they converge with Dead Neck, who are a similar melodic hardcore band from Manchester, with more traditional skate-punk influences evident in their intensely fast songs. Although Dead Neck don’t share Actionment’s flagrant disregard for genres, the two divergent sounds gel well together on this diamond of a split.
Actionmen are up first on the CD, which features four songs from each band. Opener Lion is the single they’ve chosen to stream ahead of the release, presumably because it’s the most accessible of their four tracks. The punk element is incorporated via machine-gun drumming under every second, however the guitars and vocal have more in common with trippy ‘indie’ rock sensibilities. There’s a depth in the distorted words, so gentle and slow in comparison to the percussion, that’s deeply appealing.
Born To Be High opens with a slightly mad little guitar riff. The combination of instruments and paces paints an intricate soundscape in your mind, like an artist daubing varied brushstrokes across your cerebellum, leaving you unsure whether to dance or nod appreciatively. Flowers has more traditional musical structure, nonetheless incorporating a variety of slightly disparate sounds, particularly in the higher-pitched guitar. Actionmen have a progressive approach to composition that borrows from a lot of different influences, bouncing between tones and time signatures with abandon, and yet they tie it together in a way that sound completely natural, flowing beautifully. It’s no surprise, considering two of the band are jazz musicians outside of this project, something which is clear in the skill and freedom of their songs.
If there’s one thing that unites the two bands on this, then it’s a love to short, fast songs. Actionmen’s contributions to the record are all within the under-two-minutes bracket, apart from C’est Dada which is by far the strongest (and maddest) song on the record. It begins with a staccato guitar part that grips your ears, before delving into a short punk section. The riff returns later on in an almost call-and-response section, that’s oddly reminiscent of the Mario Kart soundtrack (in a good way). The song descends into odd guitar twiddling that’s unusual but also intensely appealing.
One thing that punk rock needs is to be delivered with passion. It’s the passion that separates punk from guitar-based pop and stops bands sounding like Blink 182. Stoke-on-Trent 4-piece Only Strangers ooze passion from every pore on their debut full length album. Since their inception in 2010, the band have honed their craft with some independently released EPs and a split release with Liverpool’s Pardon Us, but it’s this album, on Manchester-based Horn And Hoof Records, that should and, I’m confident, will put them on the map.
Punk rock is a many hued genre, from the indecipherable noise of bands such as Chaos UK and Extreme Noise Terror, to Fugazi’s dub-infused grooves to Siouxsie And The Banshee’s gothic drama to NOFX’s nasal thrash. Only Strangers sit firmly in the middle ground with an excellent set of emotionally charged, high-energy punk rock songs. Taking their cue from punk rock Americana, Only Strangers are the UK’s answer to Hot Water Music. The similarity cannot be denied but does that matter? When a band releases as strong a bunch of songs as this, that bristles with a sense of urgency and energy as this does, then that is what counts. Let’s face it, if you’re going to be compared to another band it may as well be an awesome one. That said, beyond the quality of this release, Only Strangers show a huge amount of future potential and will continue to grow and develop into a world class band.
Devestatingly real brutality with pop sensibilities, from mysterious international supergroup Tip of OlympVs. FFO: Car Bomb, Katy Perry, Julio Inglesias.
Have you heard of Tip of OlympVs yet? This mysterious supergroup recently launched their Instagram with a black square, ala Alexisonfire, sparking a ripple of interest in music fans around the country.
Always keen to bring you the best in new music, Shout Louder got an exclusive introduction to this exciting new act.
Tip of OlympVs deliver devastatingly real brutality with pop sensibilites. The band is comprised of three members with backgrounds in the underground hip-hop scene, who have joined forces to bring you a new brand of endless, hook-laden, bass-lad, rock/math/core.
The name Tip of OlympVs is inspired by the band’s origins, with the three members coming from three different corners of Europe. The band mix elements of Greek mythology, Granada flamenco, with UK hardcore and vegan plant-pop.
“All inclusive, all encompassing. Something that everybody wants but nobody needs,” said drummer and guitarist Brok Oli when asked what audiences can expect from their live show. “We will be hitting audiences with a full on, four-dimensional assault on the senses. It will be like visiting a vegetable garden in your local venue.” Continue reading “Band Spotlight: Tip Of OlympVs [Exclusive]”
Thank fuck January is over. The darkest month is always a death note for gigs. People are too busy pretending that they’re going to save money, stop boozing or start dieting, when in reality we’re all cramming our faces with leftover Christmas chocolates and eyeing up the crème de menthe. No wonder it’s the month we’re most likely to off ourselves.
Fortunately, February is absolutely chock-a-block with noisy fun times. I’m double-booked on three of the four weekends and curating my top gigs was a right mission. I hope you all appreciate the effort and, in turn, make the effort to get down to one of these splendid shows.
Now, firstly, some shameless self-promotion. I’m not going to announce a Gig of The Month in February because I’m a tad biased…
Actionmen & PMX UK Tour
When: February 1st-4th
Where: Manchester, Ipswich, Guildford, Portsmouth
Who: Actionmen and PMX are playing with the likes of Darko, Fair Dos, Riggots, Drones and many more.
The first weekend of February sees four gigs from two incredible bands, including one hosted by Shout Louder in Ipswich.
Actionmen are an Italian trio who you’ll rarely catch in the UK. Deciding how to describe them is a bit of a challenge, so you best come check them out for yourselves. Fast-punk, metal, funk, psychadelia, garage, utter craziness? All of these things are good. Apparently ‘post-melodic hardcore’ is a term made up purely for them. You know the general rule that if a band have travelled from mainland Europe to play here it’s always worth seeing them? That rule has never applied more. They’ve been flooring audiences since 2000 and, if you’ve not caught them before, you’d be a fool to miss this opportunity.
PMX are also travelling all the way down from Scotland for four dates in England. If you’ve not heard me bang on about how great they are already, they’re a supremely talented bunch who’ve been peddling skate-punk and melodic hardcore for over 20 years. They’re preparing to release a new album this year and they’ll no doubt play plenty from their recent EP DarkDays. We had an exclusive interview with them last weekend, check it out: Part One and Part Two.
We also interviewed Darko who will be playing our show in Ipswich on February 2nd. They have put together an incredible line up on February 3rd to celebrate the 1 year anniversary of Bonsai Mammoth – definitely a worth the trip:
If that’s a tad to far for you, you can catch them at any of the following shows: