Ska-punk kings Faintest Idea takeover the podcast with stories of Russian fascists, run-ins with the German police and human trafficking. It’s as harrowing as it is hilarious.
On this special episode of the Shout Louder podcast, East Anglia’s hard-working ska-punks Faintest Idea takeover to tell about all the most horrific things that have happened to them on tour.
Sarah is joined by vocalist/bassist, Dani, trombonist, Bobble, and drummer, Jack Brew. They tell us the single most harrowing tour story Sarah’s ever heard as well as not one, not two, but five run-ins with the German police.
Sarah, discovers that the band have a flagrant disregard for international law (allegedly) and a staggering talent for getting themselves out of all kinds of scrapes. Whether it’s human trafficking, getting assaulted by Russian fascists or Little Dan being very late for work, there’s apparently nothing that can stop this band.
Recorded last-minute with only a napkin-scribble for planning, this week’s podcast is scrappy, hilarious and about as DIY punk as you’re going to get. While attending a gig at Warrington’s Old Town House, Sarah approached the band to record a 5-minute story for the ‘worst time’ section of the regular podcast, but they’ve had so many amusingly awful times that it deserved and entire episode.
Obviously, all of this is entirely fictional and Faintest Idea would never do anything even remotely illegal. It was all a dream. Allegedly.
Since beginning Shout Louder, I’ve been sent a lot of records. I listen to every single submission, so it’s easy for an album to pass me by, falling into the mediocre cracks in the floorboards of scruffy punk fodder. As a result, it’s a rarity that an album will grip me from a first listen but, guess what? True Capacity has done just that.
Astpai have been on the gruff-punk radar for many years now, pulling big, dedicated audiences in the UK as well as on the mainland. True Capacity is the fifth studio album from this Viennese five-piece; a strong melodic punk offering that will instantly appeal to fans of The Flatliners and Gnarwolves.
Main single, Best Years, has to be the one of the best melodic punk songs written in 2018. It hooks you in with a devilishly catchy riff before slamming you with understated, earworm lyrics. Astpai have nailed a unique and enticing combination of written-in-your-bedroom simplicity and owning-a-huge-stage atmospherics that resonates through the whole record. I’m singing along with the my fist in the air, nodding my head and tapping my feet for, “That’s the best you can do.” The more I hear this song, the more it resonates with me.
Zock’s gruffer, gently accented vocal is something of an acquired taste, but he’s outdone himself on this recording, bringing a passionate depth to the lyrics without being show-offish. “Rejection is the final nail to your coffin of despair,” on No Hero is another instantly memorable lyric, as is, “Love is a strong word when you don’t mean it.” Continue reading “Album Review: Astpai – True Capacity”
If you’ve heard The Human Project’s previous album Origins, you already know what to expect. If this is your first time listening to this quartet from Leeds, let me give you an idea of what to expect from Clarion Call: 11 tracks of techy punk rock riffage with the occasional breakdown, singalongs and absolutely exceptional vocals.
In moshing terms: be prepared to go from a relaxed listen to stomping through the room, belting out the lyrics with fists in the air in a matter of seconds. Not advised to listen to while driving. Accidents will happen.
Where Origins was already politically charged, encouraging listeners to stop and question what they were made to believe, on Clarion Call The Human Project sound like a band that have ran out of patience. They are clearly expressing disappointment and anger about today’s political climate because they’ve had enough. You could say that’s a classic ‘punk’ approach, but it is far more than that. For starters, their lyrics are much more eloquent than the standard, “Fuck the government.”
The Human Project have found a way to make tech-punk feel atmospheric and build up to outbursts of air guitar-worthy riffage, in combination with exceptional high-pitched vocals. On Clarion Call they’ve successfully incorporated a post-hardcore vibe that reflects their sister-band Sounds of Swami, with whom they share guitarist Luke Yates and drummer Joe Dimuantes. The outcome is Propagandhi-esque at times; slightly more melodic but equally as trailblazing.
Desperate Times starts off the album slowly, quietly building with an enticing voice, leaving me excited for what’s to come. Desperate Measures seamlessly follows and I found myself literally deafened and amazed by the lyrical beauty of it. I advise you not to give in to your urge to put the volume up a notch on the first song. That One Percent, the first single to be release from the album, brings the right combination of heaviness, speed and the THP signature vocal harmonies. Continue reading “Album Review: The Human Project – Clarion Call”
Guest Article: Random Hand’s Joe Tilston gives valuable advice on how to prepare your band’s merch set up, to make the most of summer’s festival season.
Guest Article by Joe Tilston, originally published at Merch Stall.
The weather is getting better, this can mean only one thing: festival season is upon us once more. Are you ready? Is this your band’s first year playing a festival, or are you on your 10th run through the circuit? No matter how well versed you are, you need to give your merchandise preparation some serious thought. Too often I’ve found myself two weeks before the first big festival date of the year, and we haven’t got any new designs drawn (never mind ordered!), once again making an already stressful situation far more complicated than it needs to be. So learn from the mistakes of those that have made them before you: prepare! Keep it simple. It’s easy to get carried away on a merch stall at your own show or a support gig when there are only three bands, but at festivals all the pins, badges and lighters, bumper bonza deals and mega collections should disappear. You want to get through the queue as fast as you can, so show some restraint. If someone wants to haggle or make a deal, let them, but keep the options for people to look at. Simple: t-shirt price, CD price, vinyl price. Done. Do you have a merch person available to join you? Have you made sure there is space for you to sell your merch; do you need to book it? Make sure whoever is selling your merch is able to spend most of the day there. People will be looking to buy merch all day, not just right after your set. That said, some festivals will only give you a small window to sell, so be prepared for that and communicate it on stage! Continue reading “Guest Article: How To Prepare Your Merch for Festival Season”
I leapt into SBÄM Fest with a tangible sense of punk adventure. I drove overnight from Manchester to Stansted, got two hours kip in the back of my car, then parked up and met a pal at the airport in time for a 7am flight. One Wetherspoons breakfast and not-enough black coffee later and we’re hopping buses and trains in Austria to get to Wels. SBÄM takes place at Alter Schlachtof, an old slaughterhouse converted into a graffiti-adorned grassroots gig venue, holding 750 keen music fans this weekend. The impressive line-up (featuring Propagandhi, Donots, Satanic Surfers, Iron Chic and No Trigger to name a few) has been enough to draw people in from around the world.
We get reach the venue just in time to catch the opening act, Missstand. They perform seriously energetic, punchy political songs, just the way punk should be played. They’ve got a lot of Anti Flag-style singalong sections, but they’re loaded with more Rancid-ish grit. I’d been enjoying listening to Hinterland on record and it carries across with a lot more force live. As they’re speaking in German, we’re amused that the only words we can pick up between songs are ‘super-cool’. They’ve nailed it: SBÄM feels super cool!
Following Misstand are two favourite British acts: The Murderburgers and Wonk Unit, who are mid-way through a joint mainland tour. The Murderburgers are fiery, funny and frantic just as you come to expect them. My friend and I giggle along to Fraser’s on-point banter, although we’re not sure how well his Scottish drawl translates to the international audience. Wonk Unit proceed to play one of the best sets I’ve ever seen them perform – they seem comfortable, played-in and every element of the show feels like the top of their game. It’s good to see some of the Wonk Fam rocking out down the front, and it’s a treat to see new tunes like Christmas In A Crackhouse and Day Job Wanker on stage. They still pull out old favourites Guts and Horses, which give us an excuse for a proper dance.
It turns out that two beers on top of two hours sleep in two days is enough to make your head swim, so I decide to have a tactical sit down while I wait for the sky to stop spiralling, before adopting the tried-and-tested sunglasses-indoors coping mechanism. We also have to take a quick jaunt to check in to a hotel. Unfortunately, this means we miss Joe McMahon, however we’re back and raring to go around in time for Astpai. Continue reading “Gig Review: SBÄM Fest, Austria [4-5 May 2018]”
Hi, my name is Alan and I’ve been listening to some variety of punk rock for 20 years. My first punk(ish) song, and the hilarious lengths I had to go to in order to hear it, will have to wait for another day. Today I want to talk about the short lived P-Rock TV.
For some this will be like fondly remembering an old friend that you used to be real close to but now only see when you’re blackout drunk in your local pub back home. For others, this will be like meeting someone in your late 20’s and asking, “Where have YOU been all my life?!”
For me, it is a continuation of my life’s work; to honour a TV channel that lasted a year (2002-2003) and shaped my music taste for decades to come. I didn’t even have access to the channel in my house; my friends lucky enough to have P-Rock would hit record in the evening and the next day I’d have 3 hours of (only slightly repetitive) punk rock goodness. That’s right, I’m talking VHS mixtapes here. Continue reading “Remembering P-Rock TV: Where Are They Now?”
Tune into the next instalment of the Shout Louder punk podcast! Tunes from Eat Defeat, SKIV, Wolfrik and Hummer.
Podcast #8 sees the return of everyone’s favourite: Mark Bell! This episode is all excitable Mark and Sarah music banter – we cover a huge range of topics, including all the gigs and punk rock antics we’ve experienced lately. We’ve play tunes from Eat Defeat, Wolfrik, SKIV and Hummer.
We midly lay into Jimbob from Pizzatramp in a tale that involves a crawl-of-death, public masturbation, bribery and unfulfilled promises. We lament the passing of MySpace as a medium, Mark asks Sarah to dissect some poorly auto-tuned rap lyrics and Sarah shares Personal Worst story from Podstock 2 involving pratfalls, poo and pints.