Shout Louder’s May 2018 Playlist

We’re excited to share our favourite tunes with you on our new monthly playlist!

There is nothing that we love more than sharing our favourite songs with all of you!

The whole team at Shout Louder is addicted to music, whether that’s live, on record or just sung badly in the shower. There’s not enough time in the world to review every record we love, so we’re going to share a monthly Spotify playlist with you.

Here is what we’re listening to the most in May 2018:

 

EAT DIRT: Shaking Up The Scene [Interview]

EAT DIRT are the latest London riot, taking no prisoners as they sweep through the city. Sarah spoke to vocalist Ben Mills to their future and their unique style.

Interview by Sarah Williams.

Meet EAT DIRT. As their all-caps moniker suggests, they’re going to shout until you take notice, so jump on this bandwagon as early as you can. This unusual quintet are the latest storm to shake the music venues of London.

In the flesh they’re a raucous bunch, unable to stay on stage and choosing instead to get up close and personal with their audiences. They’ve taken a dose of their riotous live performance and injected it into their new EP Welcome to Shithouse-On-Sea, which was released on Umlaut Records on April 27th. It’s four punk rock tracks that are short but nonetheless memorable, like getting punched in the face by a beautiful woman in a dream. Musically, I hear it as sleazy rock ‘n’ roll with a hint of 80’s metal, but their ballsy attitude is 100% punk.

There is a lot more to these guys than just the music. They have their own scrappy, hilarious podcast and their own YouTube channel. We’ve been watching them tear the scene to pieces for months, so we took the chance to speak to vocalist Ben Mills to learn more.

How did Eat Dirt come about? You’ve all been in multiple bands previously – tell us a bit about your earlier musical endeavours as well.

Myself and Richie have known each other since Hevy Fest 2012, we met before I went on stage with my then band The Smoking Hearts. Also Dai our guitarist played the day before in his band at the time Adelaide, I’d met Dai in Luton in like 2010 when we played with each other. Richie and myself started a side project called Dead Beat, with a few friends, one of which is our new bass player Joey Black (Shortcuts, Angst, BodyHeat). Any way I was taking a break from music from 2014 – 2017 after touring relentlessly across the world from 2010 – 2014. One day I heard the PearsGreen Star album, and I asked Richie if we wanted to start a band in that vein. Then we wrote EP 1 over email, drafted in some old friends from bands and started playing shows.

Ballad has the most perfect 7 seconds of any song ever in the chorus. Have you considered a second careers as 80 power-ballad masters?

What bit do you mean? The bit where me and Richie harmonise beautifully without any help from computer programming? Yeah, that was the second chorus for Ballad and it’s my favourite chorus I’ve ever written ever. Would love to incorporate those pop punky sing along bits in the next record.

You guys take a much more confident approach to a lot of the bands in the current DIY scene. Who do you take the most influence from?

I’ve learnt from years touring the toilet venues around the country and the world that you have to make an impression. It’s important to be remembered and to leave your mark. But I take a lot of influence from the likes of Davey Havoc, Fat Mike, Greg Puciato, and I spent a lot of time as a teenager in the UKHC scene so that up-close-and-personal, high energy performance attitude. I like to leave it all out there, if I don’t finish the set covered in sweat and gasping for breath I haven’t given it my all. Continue reading “EAT DIRT: Shaking Up The Scene [Interview]”

Album Review: Youth Avoiders – Relentless

Like a perfect hit of potent espresso, Parisian hardcore act Youth Avoiders are the big name being whispered around the UK scene right now. FFO: Minor Threat, Dead Kennedys, having your mind blown.

Review by Ollie Stygall.

France may not be at the top of everyone’s list of punk rock nations. In fact, France probably doesn’t register on anyone this side of the channel’s lists as a music nation full stop. Aside from Joe Le Taxi by Vanessa Paradis… which was 30 odd years ago… I defy you to think of any internationally successful French musicians. It’s a tough task. Aside from some dodgy stoner rock bands and some actually pretty decent hip hop acts, it’s slim pickings on the music front for French bands in the UK. It’s good, therefore to see a Parisian punk band breaking down that barrier and crossing the water.

One of the first things you may think of when it comes to punk rock, apart from a relentless barrage of speed, is a wall of fuzzy guitars. This is where Youth Avoiders stand out from the word go. For the most part these guys keep the guitars almost completely clean, giving the songs a jangly, almost surfy edge which is extremely refreshing. Especially when coupled with their breakneck take on DC-style hardcore. Imagine the Dead Kennedys jamming with Minor Threat and you’re in the right ball park. Youth Avoiders trade an abrasive sound for something far punchier and it pays off in spades.

Musically this 11 track album sets out their agenda to get in, get the job done quickly and then fuck off again. They pretty much have one tempo: fast as fuck. Most tracks barely make it past the two minute mark, making it a brief but thrilling ride. Continue reading “Album Review: Youth Avoiders – Relentless”

EP Review: Our Lives in Cinema – All Talk

London’s punchy pop punks Our Lives In Cinema have released a sweet new EP. FFO: Jeff Rosenstock, Alkaline Trio, caffiene highs.

Review by Sarah Williams.

The observant among you will have noticed that I’m quite pally with the Umlaut Records guys (if you’ve not listened the Shout Louder podcast I do with Mark Bell yet I politely recommend you sort your life out), so I’m aware that I may be slightly biased in favour of their releases. That said, I wasn’t expecting them to flood my inbox with so many great EPs this month. We’ve already spoken about Triple Sundae and we’ve got a lot of time for EAT DIRT. Later in May they’re also releasing a great EP from Dynamite Dynamite.

One of the great new band showcase EPs they’ve brought out is from London’s Our Lives In Cinema who, like Triple Sundae, are growing into a much more accomplished act. I enjoyed their first three-track EP, but this is so far advanced from that I almost can’t believe it’s the same band. The biggest improvements come in the confidence of Mark Bartlett’s vocals, much clearer and more decisive on this record, paired with lyrics that have a great deal of singalong potential. Their overall songwriting and composition has improved, as has the tone and quality of the guitars, which are hitting faster, snappier skate-punk levels on this record.

The opening to It’s Always Sunny In Paterson Park is fast and fun, drawing you straight into the record. Mark’s trying to squeeze as many words as possible into each bar, which gives opening line of the chorus (“So this is thirty five…”) enough open, punchy emphasis to make it a huge singalong couplet. The whole song features some sweet harmonies and memorable riffs, developing into a big shoutalong section at the end. Continue reading “EP Review: Our Lives in Cinema – All Talk”

Gig Review: Beat The Red Light Resurrected At Manchester Punk Festival

Ska-core heroes return in an majestic performance that leaves Slayer, Metallica and Maiden for dust.

Review by Sarah Williams**. Photos by Mark Richards.

Watching Beat The Red Light reform at Manchester Punk Festival 2018 was greater than witnessing the resurrection of Jesus. Their moving ska-core set was nothing short of poetry in brutality. Move over Slayer, there’s a new band in town.

Tipped to be headlining Download Festival next year, Beat The Red Light were a huge booking for an event like Manchester Punk Festival. Playing immediately after Propagandhi, there were hordes of people outside the venue begging to be let in. They took the stage to the ominous strains of Vital Remains’ Let The Killing Begin; the room felt ready to burst with anticipation.

They roar through a greatest hits set, shredding every note with the flawless skill of Opeth or Dream Theatre. The crowd know every word to Regulators and Rut, clambering over one another to scream the words back at the band. Every horn-line is chanted throughout the heaving venue. As the title suggests, Saviours is the saving grace of a festival that needed a band of this calibre to really hurtle it into the mainstream.

You would be hard-pressed to find seven more ruggedly handsome musicians on this earth. Vocalist, Daniel Pook, floats above the crowd, the stage-lights forming an appropriate halo as he reaches out to his adoring fans. Wadeye’s Gilbo clambers on stage to try and steal drummer, Tim Gardiner’s, sweat-drenched towel, no doubt with a view to making a killing on eBay. He’s gently coaxed off stage by the big-handed security guard, who are struggling to keep the enraptured audience at bay.

There are tears flowing in the front row; moist knickers flying through the air as they are hurled on stage. Bar staff drop their glasses and they stare on in awe. At the back of the venue, I spot TNS’s Tim Bevington being carried out after fainting with joy, overwhelmed by the calibre of this once-in-a-lifetime performance.

With this incendiary performance, Beat The Red Light have cemented their position as the saviours of British metal. They have single-handedly wiped Propagandhi and Iron Chic off the map. Band of the festival? Band of the Universe, more like.

Review by Sarah Williams**. Photos by Mark Richards.

**Sarah may or may not have been bribed to write this review.

Podcast #5: Jamie from Aerial Salad Chatting Utter Shite

Jamie Munro joins us a guest for this no-holds-barred episode, bonding over a love of drinking, punk rock and conversational tangents.

On Episode #5 Mark and Sarah are joined by the Aerial Salad’s loquacious frontman Jamie Munro. If you’re not already familiar with Manchester’s freshest pop-punks then this is a great chance to get to know them better.

Join us in Sarah’s living room as we bond over a love of conversational tangents and talk utter shite about the UK punk rock world. Share in the laughter as Mark ‘Hunkasaurus’ Bell makes a failed attempt to rein Jamie and Sarah in!

We cover myriad topics, including Jamie’s wholesome adventures in Disneyland, alt-girl-specific paedophilia, drug-induced escapades, an ex-girlfriend crying during Jamie’s set and a prediction for Jamie’s miserable future. We also share our love for Triple Sundae, Fastfade, Burnt Tapes, Incisions, Clayface, Pizzzatramp, Astpai, Sham City Roasters and many more.

We’ve even got an exclusive unreleased Aerial Salad track and an announcement for their upcoming European tour with The Raging Nathans. We also celebrate the line-up announcement for Polite Riot festival, including the addition of Apologies, I Have None to an incredible line-up that already features Teenage Bottlerocket and A Wilhelm Scream.

If that’s not enough for you, we’ve even got music from EAT DIRT, Two Houses and The Affect Heuristic.

Continue reading “Podcast #5: Jamie from Aerial Salad Chatting Utter Shite”

EP Review: Triple Sundae – Peace of Mind

London’s Triple Sundae have release a heartwarming gem of a melodic punk EP. FFO: The Menzingers, The Flatliners, Jeff Rosenstock.

Review by Sarah Williams.

I’m lucky enough to have had Triple Sundae‘s new EP for a couple of months now, and it has grown on me with every single listen. The first time I heard Peace of Mind I fell in love with two of the three tracks on it, but a few weeks in I’m completely enamoured with the whole record. Like a relationship that you fall into by accident that turns our just perfect – I’m about ready to marry this EP and grow old together, doing crosswords on a porch with it.

Before you get ready for a big tirade about how much I adore these lovely London lads, I feel I ought to mention that I never used to like their band. I saw them at The Underworld and at (I think) The Unicorn before that and had a distinctly ‘meh’ response. They’ve clearly spent time polishing their songwriting, properly honing their recording at The Ranch and pouring their hearts and souls into this record. Now, I’m begging them to record a full length and dancing about like a lunatic at their live shows (evidence here).

I was thoroughly impressed by every aspect of this recording. The songwriting, the production quality, the delightful melodies and the lyrical themes of anxiety and self-doubt. Indecisive sums up all of this perfectly. The vocals drifts appealingly from warm singing to rougher emotive sections, clearly conveying the lyrics and giving you time to absorb the meanings. Underlining this are some gorgeous cascading guitar tones and enough speed and variety to keep you interested.

There are a great deal of similarities with The Menzingers, partly in the catchy indie-punk style of composition, but mainly (and unusually) in the vocal. Greg Barnett has such an unusual tone that it’s odd to hear it repeated, but there are definitely similarities here, particularly on the ‘so I can’t help you’ lyric at the end of Soul Control. It’s also reminiscent of some of my favourite smaller bands like Forever Unclean, Hard Girls and Shit Present.

Fabricated’s opening riff is by far the most attractive thing to invade my ears in months; it’s a sweet little treat that’s instantly appealing. Saved until the end of this small-but-perfectly-formed EP, Triple Sundae have definitely saved the best till last. The introductory riff will stop you in your tracks. It hooks onto your soul before giving Hassan’s voice room to shine. The slower song pace give the tune room to breathe, giving the listener time to absorb the introspective, self-effacing lyrics. This song is an understated masterpiece, a tune that grips you from first listen, that you know you’ll have the same reaction to in a decade’s time.

This EP also demonstrates an impressive growth from the band. These three tracks have been produced as a beautiful, polished piece that that emulates mainstream quality. Off the back of this beautiful 3-track I honestly think Triple Sundae are ready to explode into something gigantic.

You can buy Peace of Mind from Umlaut Records or from Triple Sundae’s Bandcamp.

Review by Sarah Williams.