Top 10 Bands To Discover At Manchester Punk Festival 2019

Excited for MPF 2019? Here are our top picks from this year’s stunning line-up.

Article by Sarah Williams. Read all our MPF2019 articles.

Over five years, Manchester Punk Festival has flourished and become one of the biggest and best festivals Europe has to offer.

For me personally, MPF is a bigger event in my calendar than Christmas. I enjoyed the first three years of the festival so much that I decided to move to Manchester, because it has the most active, welcoming and diverse punk rock scene in the country. I’ve since had the privilege of volunteering at the festival, writing articles for their programme and website, and seeing first-hand the love, stress and dedication that the organisers pour into the event every year.

This year I’m also ‘performing’ at the festival. Come and join us in Font Bar @ 12:30 Friday to watch a live recording of the Shout Louder podcast. I’ll be talking about mental health in music, with Lucias of Call Me Malcolm and Holly from Hell Hath No Fury Records.

With 138 acts at this year’s Manchester Punk Festival, you’re spoilt for choice. These are the 10 I’m looking forward to the most.

Wolfrik

Wolfrik are a recent Lockjaw Records discovery – these guys crank out fiery melodic thrash, with a huge metal/classic rock edge that’s insanely fun to listen to. Knowing the incendiary effect their Skeleton City EP’s had on everyone who’s heard it, I’m excited to see the impact it’ll have on a keen live audience.

Svalbard

I’ve not managed to catch Svalbard live yet, although their 2018 album It’s Hard to Have Hope was one of my favourites of last year. They’re well known in the metal scene, however they’re also an ideal fit for fans of dark, furious hardcore punk. Lyrically tackling feminism and politics and writing soaring Counterparts-esque guitar parts has made front-woman Serena Cherry one of my personal musical heroes. I’m looking forward to an intense, earth-shattering live show.

Continue reading “Top 10 Bands To Discover At Manchester Punk Festival 2019”

There Is A Bear On Stage

Lucias from Call Me Malcolm discusses the constant pressure of anxiety and panic that haunts him on stage.

Written by Lucias Malcolm, vocalist/guitarist in Call Me Malcolm. This is part of our #MentallySound series, exploring mental health in music. 

We have a gig in less than an hour and there is a bear on stage.

I’ve been a musician for just shy of twenty years and an outwardly functioning human being for almost double that; functioning in the sense that in that time I’ve somewhat miraculously kept myself fed, watered and free from major scarring. I even tie my own shoe laces (though I do wonder if there’s a statute of limitation on this – I’ve been wearing the same Etnies for as long as I can remember and I’ve not re-tied the laces since day one). The point is, outwardly, as far as society is concerned, I function.

Inwardly it’s a different story. At current count there are thirty seven different warning lights flashing, smoke is billowing from several important looking dials and the rabbit that usually steers the ship lost the manual in 1996. The point is, I get anxious.

As I said, there is a very real, to me at least, bear on stage. Continue reading “There Is A Bear On Stage”

Unsent Text Messages & Neglected Friendships

Notes from a downward spiral: Alan shares a relatable tale of the numb listlessness and anhedonia that comes with a bout of depression.

This article written by Alan Corcoran is part of our #MentallySound series, discussing mental health in music. Trigger warning: depression.

Mostly I just feel paralysed. If my head was in a better place I’d probably think that sounded melodramatic, but for now the only feeling is a lack of feeling. Options stack up in front of me. Impossible options. I cannot make any decisions today.

I know there’s work to be done. Life admin. Basic stuff. Exercise would be good. Shaving and a shower are definitely on both a mental and physical list. Relationships of every kind are going untended. Texts. Gigs. Invites to celebrations. Sorry, sorry, sorry.

A gnawing in my stomach reminds me that I’m at least still capable of some feeling. Anxiety, like a snake in a particularly on-the-nose fable, sidles up to wrap itself around in an embrace. Breathing exercises can get fucked, I can’t breathe. A headache fog fills my brain. Continue reading “Unsent Text Messages & Neglected Friendships”

The Thriving Culture of DIY Publishing & Fanzines

“DIY publishing is anyone who has ever taken an idea and made it a reality.” Martin Appleby shares a love of punk fanzines and independent publishing.

Guest article written by Martin Appleby. Martin is a Hastings-based poet and writer, and the founder of Paper & Ink Literary Zine: a high-quality collection of fiction and poetry. Catch Martin performing at Manchester Punk Festival at 13:00 in The Thirsty Scholar.

Fanzines are as old as punk itself, and have always been an integral part of the scene, especially in pre-Internet times: an open and unbiased resource for spreading the word about new bands, albums and gigs. A cheap and easy format to make and distribute.

You may think that the format is now obsolete and unnecessary, what with the world wide web at everybody’s fingertips, but zines and zine culture is thriving, and the internet has not hampered that.

If anything, it can act as a formidable marketing tool for zine makers, now able to reach a far wider audience than they arguably could have ‘back in the day’ when zines were only shared at shows and amongst friends in their own scenes.

Paper and Ink 14.jpg

Many punk zines have come and gone over the years, but a personal favourite of mine, Lights Go Out, has been consistently putting issues out since 2008. I recently caught up with the dude who runs it, Mr T, and asked him about his zine:

“For me it’s an important part of the scene; it’s an honest opinion. It’s a way to find new bands for people and also for me, with the amount of stuff that comes in for the team to check out, I always hope that every record is going to be my new favourite. Continue reading “The Thriving Culture of DIY Publishing & Fanzines”

The DIY Roots of Manchester Punk Festival

Sarah speaks to organiser Andy Davies about MPF’s dedication to the DIY approach, five years on from the festival’s humble beginnings.

Written by Sarah Williams, with contributions from Andy Davies. Photos by Cold Front Photography.

Manchester Punk Festival has grown significantly since its beginning five years ago. As one of the biggest punk festivals the UK has to offer, it remains fervently independent, affordable and free from corporate sponsorship.

Now that MPF is booking massive international headliners, increasing its capacity with new venues and still selling out of tickets (in 2018, there’s a handful left for 2019); it’s easy to forget the DIY roots of the festival… but the organisers definitely haven’t.

The festival is coordinated by a collective composed of three distinct Manchester promoters: TNSrecords, Anarchistic Undertones and Moving North. Outside of MPF, AU and Moving North are still putting on small DIY shows at least once a month, while TNSrecords are working hard championing and releasing records from up-and-coming punk rock bands. All three groups work to promote independent music, tirelessly and with no expectation of financial gain, and they apply the same mentality to Manchester Punk Festival.

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Darko smashing it at Gorilla at MPF2018. Cred: Josh Sumner

Origins of Manchester Punk Festival

Things all kicked off in 2013 with TNSrecords’ 10 Year Anniversary all-dayer; the biggest event they’d run by themselves. They’d had a stage at Strummercamp for a number of years, which contributed to their desire to run a bigger festival. In the year before, they’d seen a gap for a collaboration in the Manchester scene, which led to them calling a meeting of like-minded promoters.

Continue reading “The DIY Roots of Manchester Punk Festival”

Punk Rock, Anxiety, Phobias and Friendship

Ben (ex-Paper Champ/The 4130s) shares a personal story of how fear and anxiety have hindered his enjoyment of punk rock.

Guest post written by Ben Wiles, previously of Paper Champ & The 4130s. This is part of our #MentallySound series, discussing mental health in music. 

Hi. I’m Ben and I’m an emetophobe! There, I said it.

Emetophobia is a fear of vomiting. I’ve been emetophobic for as far back as I can remember.  I have no idea of the origins of this phobia and, if you are reading this thinking, “Woah, that’s a strange one,” you’d be right.  I think the exact same thing; everyone throws up right?

Fuck – some people actively go out of their way to drink enough booze to puke every Friday.  Fair play to them.  I don’t drink.  It’s not my bag. Over the years not drinking has had a big impact on being in a band and, by extension, being in a gig setting.  I never wanted to be ‘that guy’ who was down on a party and stop my band mates enjoying themselves and getting wasted.  But it was getting harder and harder to be around drunk people. Continue reading “Punk Rock, Anxiety, Phobias and Friendship”

The Human Project Tour Diary: Driving 24 Hours For A 40 Minute Set

Why drive all day to play one set? The Human Project make a trip full of in-jokes and good times go quickly, en route to Coral Springs’ album launch in Leiden, Netherlands.

Article by Sarah Williams. Gig photos by Mia Weerdesteijn.

05:15 and I’ve accidentally set my alarm for 5pm, so Luke Yates, guitarist in The Human Project has to knock on my door to wake me up. I have one job (to get out of bed on time), and I’ve failed it.

It’s an early start, as are many of these trips. Loading merchandise into the back of a van at 5am, after staying in Luke’s spare room in Leeds the night before, I start considering why we bother. As a teenager, I imagined going on tour would involve a big Nightliner – a tour lorry with bunks beds, big screen TVs and a bar. As an adult I look forward to jumping in the back of a Mercedes Vito to travel in boredom for 10 hours, just to watch a band play for 30 minutes.

There’s an acceptance to it. It’s not glamorous, but it is fun. Luke jumps in the drivers seat of the van and we taxi round Leeds in the pre-dawn darkness to collect the rest of the band.

Continue reading “The Human Project Tour Diary: Driving 24 Hours For A 40 Minute Set”